El Cid

Aroused by a fanatical Moorish warlord, emir-king attack a Castilian village, where they are captured by Rodrigo Diaz de Vivar…

Vigorously brave and compassionate, the noble Rodrigo hates bloodshed and vows to see his country at peace, frees the prisoners on their solemn pledge never again to attack Castile…

For this act of courage and mercy, one of the Emirs, Moutamin, calls Rodrigo "El Cid," and pledges eternal friendship to the Cid of Vivar… And so, in freeing the Moors, Rodrigo, accidentally, stumbled onto a battle, not to his luscious bride, but to a battle that will change his whole life…

In the court of King Ferdinand, Rodrigo's act of clemency is misinterpreted, and he's accused of treason by his rival Don Ordonez for refusing to turn over to him the captures Moors…

Unfortunately, Rodrigo's aged father, Don Diego, is slapped by the Champion of the king, Count Gormaz, father of his beloved Chimene… Rodrigo begs Gormaz an apology; it is refused… A duel begins and the champion is badly wounded… Before he dies, however, he asks Chimene to avenge his death…

Chimene's wish is fulfilled when King Ramiro of Aragon challenges King Ferdinand for the possession of the city of Calahorra by the outcome of a single combat…El Cid convinces the king to permit him to fight Don Martin…Thus, according to the custom of trial by combat, God would judge Rodrigo's guilt or innocence…

"El Cid" is an intense film, lavish and spectacular, bigger than any in terms of cast and impressive as any in visual terms… Miklós Rózsa gave a new dimension to the emotion that Anthony Mann was trying to express…

Mann gives us a human story with a love story balanced with the most strongly image of a hero the world has ever seen… He presented a man of honor who thinks always of his wife, his country, and his king first… Even in death, his thoughts are for others and not himself…

El Cid insults kings and noblemen in the name of justice and integrity and does what he knows to be right… He battles the king's living sword in respect of his father… He accepts the challenge of a champion of a king to prove himself innocent of treason and other things… He shows a prince how any man can kill and only a king can give life… He fights 13 knights, at the same time, to free a prisoner… Yet he is in addition to all of this an extremely principled leader… He accepts exile for life from the country he loves, and yet he is the only man in Spain who 'could humble a king and would give a leper to drink from his own pouch…'

The joust sequence called "The fight for Calahorra," is perhaps the most rousing, exciting, one-to-one combat ever filmed… The battle scenes at Valencia are taken on an epic scale… But the value of Anthony Mann's movie is the characterization in which Charlton Heston played El Cid's life… For this reason alone, the film is of greater value than most any other motion picture experience

I don't know everything about the historical fact, or the legend, of El Cid, but from what I know, I can see that a lot of it did make it into this. The story seems to stick to the truth, as far as we know it, much of the way. This has a great plot that keeps you interested. The characters are well-developed, credible and consistent. The majority of the acting performances are marvelous. This has a grand feel to it, and an epic scope, and the sweeping orchestral score helps establish and maintain it. The writing is top-notch throughout. This has a solid pace, and the three hours hold few, if any, dull moments. The dialog is well-delivered and has some quite memorable lines. This has large-scale battle sequences, and they're well-done. The production values leave nothing to be desired, and everything looks and sounds exactly right. At no point does this feel like they ran out of budget somewhere, or had to use the second-best solution to an issue they faced. They don't make 'em like this anymore. Not the best of its kind, however it is definitely worth your time. I recommend this to anyone interested in this, be it for Rodrigo, Heston, or any other reason. 7/10

As a movie El Cid grows on you. At first it is the story of a relatively ordinary man whose trip to his wedding is interrupted by a battle between the Moors and the Christians of 11th century Spain. But this is no ordinary man. Or perhaps he is an ordinary man who is destined to do extraordinary things. Early on he is forced to kill his fiancé's father as a matter of family honor, thus earning the enmity of his fiancé, who nonetheless cannot stop loving him, however hard she tries. And much of the story is devoted to the doomed nature of their love, as historical events continue to overtake the plans they would rather make. And with each new episode El Cid's stature grows, from warrior to hero to legend to mythic figure. Even in exile he has a following. And if the script is not true to history, this film still does a great service to the memory of a great man who put God and country ahead of himself. Something extra must be said about the crowd scenes. There were real people out there, not multiple CGI images made to look like the hordes that are a part of all epics. Over 30,000 costumes were made for this movie and General Franco donated the Spanish army to fill them. The difference is stunning, and sobering. There is a reality to the battle scenes that simply doesn't obtain in later movies such as Gladiator or Lord of the Rings. Now that old films such as this are so readily available in various formats we are presented with the dilemma of deciding which ones should occupy our bookshelves, to return to again, to remember a detail, or to reclaim the feeling that the story may create. In terms of the greatness, the mission and the struggles of the human spirit, this one's a keeper.

For me, El Cid is a wonderful movie, great story, magnificent action scenes and shot very close to where the original saga is believed to have taken place. I'll never forget the image of the dead El CID riding along the beach into eternity on his magnificent white horse. Taking all this into account,I was very surprised to read where Charlton Heston said he was very disappointed with this particular movie and believed the director was not equel to the task of directing such an epic undertaking. This was not obvious to me as I found the battle scenes very exciting and very well executed, but the late MR. Heston stated that had the directing duties been undertaken by David Lean, who was his preferred choice, the movie could have been really great, rather than just "adequate" Hestons own words. Still, it remains for many people a great film and in these days of boring CG effects, it is a great example of movies as they should be made.

In 1961 Anthony Mann's epic tale of the Spanish hero "El Cid" burst across the wide screens of theatres. This was the kind of film that 70mm was made for. Charlton Heston is Rodrigo de Bivar, and Sophia Loren is his legendary love, Chimene. Their course of love will not be a smooth one. When he kills her father as a matter of honor, she vows vengeance and sets in motion the series of events which will forever change their lives. The Christian Spaniards are ruled by local kingdoms each vying for rule of the nation. When one king challenges El Cid's monarch, Heston volunteers to fight to the death to determine the fate of the city of Calahorra, and at the same time vindicate himself of the treason he was accused of by Loren's father. This fight for Calahorra is one of the most memorable action sequences ever committed to film. It opens with Miklos Rozsa's heraldic fanfare as the two knights take their places on the jousting field. The two kings watch from either side. The ensuing duel is brutal with a predictable, but decisive outcome. The lovers are eventually married, but only to be separated again as El Cid is called to protect Spain from the marauding Moors swarming across the Mediterranean from Africa. The Spanish Moors join with the Cid to take the city of Valencia where the enemy will attack. It is here that one of the great battle scenes takes place, actually filmed in the shadow of the walled city of Peniscola on the coast of Spain. The two armies charge eachother in a cacaphony of horses, shouts and Rozsa's rousing musical score. The sky is darkened by the thousands of flying arrows streaking across to the enemy. This is the kind of movie that they just don't make anymore. What a pity! The final sequence shows the eerie onslaught of the Spanish army lead by the fallen El Cid strapped to his steed and causing the Moors to flee in terror at his seeming resurrection. Rozsa's organ music swells as El Cid rides into the sunset along the deserted beach and into immortality. In the mid 90's after many years of not being available, "El Cid" was shown again in its 70mm splendor. It was then released on video. The superb Criterion laserdisc version contains the full Technirama letterboxed image and a restored mult-channel soundtrack in Dolby Digital. An excellent supplementary section has interviews with Charlton Heston and others. Heston says that "El Cid" would have been an even more enduring classic if William Wyler ("Ben-Hur") had directed it. However, Anthony Mann has nothing to be ashamed of. Aside from some wooden acting and some scenery chewing here and there, the richness of the story and the elaborate production design, paired with the fine performance of Heston and Miklos Rozsa's impassioned score, surely place "El Cid" in the Hall of Fame of great film epics.