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Der Herr mit den Millionen

Originaltitel: Le cave se rebiffe
  • 1961
  • 16
  • 1 Std. 38 Min.
IMDb-BEWERTUNG
7,0/10
1515
IHRE BEWERTUNG
Der Herr mit den Millionen (1961)
KomödieKriminalität

Füge eine Handlung in deiner Sprache hinzu"Le Dabe" retired many years ago and now he lives in the Tropics where he owns stables and horses. He is a very rich man. He was the king of all money counterfeiters. He is contacted from Pa... Alles lesen"Le Dabe" retired many years ago and now he lives in the Tropics where he owns stables and horses. He is a very rich man. He was the king of all money counterfeiters. He is contacted from Paris to organize a new job. He says no. But when he finds out the the currency that should ... Alles lesen"Le Dabe" retired many years ago and now he lives in the Tropics where he owns stables and horses. He is a very rich man. He was the king of all money counterfeiters. He is contacted from Paris to organize a new job. He says no. But when he finds out the the currency that should be counterfeited is the Dutch florin, he accepts immediately. He retired after having coun... Alles lesen

  • Regie
    • Gilles Grangier
  • Drehbuch
    • Michel Audiard
    • Gilles Grangier
    • Albert Simonin
  • Hauptbesetzung
    • Jean Gabin
    • Martine Carol
    • Françoise Rosay
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    1515
    IHRE BEWERTUNG
    • Regie
      • Gilles Grangier
    • Drehbuch
      • Michel Audiard
      • Gilles Grangier
      • Albert Simonin
    • Hauptbesetzung
      • Jean Gabin
      • Martine Carol
      • Françoise Rosay
    • 10Benutzerrezensionen
    • 3Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos15

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    Topbesetzung29

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    Jean Gabin
    Jean Gabin
    • Ferdinand Maréchal dit 'Le Dabe'
    Martine Carol
    Martine Carol
    • Solange Mideau
    Françoise Rosay
    Françoise Rosay
    • Madame Pauline
    Bernard Blier
    Bernard Blier
    • Charles Lepicard
    Frank Villard
    Frank Villard
    • Eric Masson
    • (as Franck Villard)
    Maurice Biraud
    Maurice Biraud
    • Robert Mideau
    Antoine Balpêtré
    Antoine Balpêtré
    • Lucas Malvoisin
    Ginette Leclerc
    Ginette Leclerc
    • Léa Lepicard
    Gérard Buhr
    Gérard Buhr
    • L'inspecteur de police Martin
    Robert Dalban
    Robert Dalban
    • L'inspecteur Maffeux - de la Brigade des Moeurs
    Albert Dinan
    • Le commissaire Rémy
    Heinrich Gretler
    • Tauchmann
    Charles Bouillaud
    • Un graveur
    Hélène Dieudonné
    Hélène Dieudonné
    • Madame Mattia - la concierge
    Clara Gansard
    • Georgette
    René Hell
    René Hell
    • Le vieux garagiste
    Albert Michel
    • Le facteur
    Marcel Charvey
    • Le médecin
    • Regie
      • Gilles Grangier
    • Drehbuch
      • Michel Audiard
      • Gilles Grangier
      • Albert Simonin
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen10

    7,01.5K
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    Empfohlene Bewertungen

    6norbert-plan-618-715813

    Gabin is on automatic pilot, but the rest of the cast is doing the job

    Yet another vision of these counterfeiters of Paris. But the film does have its moments.

    The dialogue is one thing, penned here by Michel Audiard, but with Jean Gabin doing his late-career thing: his performance is so predictable it's almost embarrassing. If we strip away Jean Gabin's tics and schematisms, the rest of the cast is superb and more subtle, and well served by Gilles Grangier's dialogue and direction.

    One of the pleasures of the film is to see each of the parties make the other believe in an ensemble that is a festival of liars. Jean Gabin, the cellar-dweller, Bernard Blier and his clan, the operating principle of the plot is the lies they all practice.

    What's disturbing here is the misogyny and phallocracy, which seems anachronistic today, but which dates the film furiously, very ridiculous in view of the society of the 2020s, to which we can add alcohol and cigarettes, present at all times, as well as racism (Jean Gabin's reaction to savage music). Women are tools, at the stove or sex objects.
    7johnpierrepatrick

    Average old style gangster movie with marvelous dialogs

    The movie in itself is nothing special : a gangster movie, directed in a classic and worn-out way, with no specific directing whatsoever. And with a slow pace - in French, we will say a movie "à la papa", meaning a cinema made with too much comfort. But we have some of the best Audiard's dialog and one-liners and that changes everything! Gabin, Blier, and the rest of the cast, pretty decent, helps as well, but without the chiseled lines from Audiard, it would have just been average.
    9medjai27

    Fine distribution of actors, many laughs

    Someone made me discovered this film emphasizing on the beautiful dialogs and the strong performance of Mr Jean Gabin. Being a huge fan of the film makers next greater success' "les tontons flingueurs", I was not reluctant at all to watch this movie. These aging gangster movies play with the morals of that earlier time. Subsequently it's OK to cheat on your husband and to have your house in a former "bordel" and of course all your long time friends are geniuses in the world of crime. The viewer enjoys a nice feeling of coolness and simplicity watching the actors displaying their lives. The introduction to the characters is also very interesting, allowing Mr Gabin a honorable entry in the plot. And of course each character has his own memorable quotes : *[...] and if I went on with psychoanalysis, I'd say he's the king of fools!". * "- In pure theory how much could we hope for with that counterfeit? - 20 years! Profit splits, imprisonment adds up" I would not want to finish this review without raising my hat to Bernard Blier, a huge "supporting actor with the charisma of a main character". His nonchalant act is great and honest. He belongs to the few artists who know how to catch your attention with an indescribable magnetism. Hope you enjoy it too.
    8jbgeorges

    Good classic french cinema 50's style

    Very good ganster comedy by Gilles Grangier, the craftsman of French cinema, certainly one of his best films. Disregarded by the authors of the new wave, the one who made "daddy's cinema" deserves better than his reputation. The story and the staging are certainly classic, and a bit dated by the time the movie was made in 1960, but we spend a very good time in the company of these magnificent crooks interpreted by Jean Gabin and Bernard Blier. These two actors have no equal when it comes to interpreting Audiard's superb dialogues that you absolutely must appreciate in the original version. And the views of Paris are just superb...
    7dbdumonteil

    Rather a spoof

    Made by Gilles Grangier, a minor director whose films were not that bad ,"Le Cave Se Rebiffe" was a bit tongue in chick ,not to be taken seriously.Maurice Biraud was a touching character,lost in a world of crooks,counterfeiters and traitors.

    Michel Audiard -who finally began to direct his own movies in the late sixties:"Faut Pas Prendre Les Enfants Du Bon Dieu Pour Des Canards Sauvages" starring Françoise Rosay ,etc-came up with some of his best lines .

    My favorite line:Gabin comes to see Rosay and asks her for some "paper" for his job (forger).But the merchandise does not satisfy him and he answers: You can use them as paper cones of chips!(=bags of chips) Not much food for thought but very funny and entertaining.

    Handlung

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    • Wissenswertes
      The scenes taking place in South America were in fact shot in Normandy because Jean Gabin refused to go outside France.
    • Patzer
      Dust is seen taking off the dirt race track when the horses are filmed from the front, revealing a vehicle transporting a camera.
    • Zitate

      Charles Lepicard: Entre-nous Dab, une supposition, je dis bien une supposition, que j'ai un graveur, du papier et que j'imprime pour un milliard de bifton, en admettant, je dis bien que c'est toujours une supposition, en admettant que l'on soit cinq sur l'affaire, cela rapporterait net combien à chacun?

      Ferdinand Maréchal dit 'Le Dabe': 20 ans de placard, les bénéfices cela se divise, la réclusion, cela s'additionne!

      Charles Lepicard: Between us, Dab, an assumption, I mean an assumption, that I have an engraver, paper and that I print for a billion bifton, admitting, I say it is always a supposition, admitting if we are five on the case, how much would it bring to everyone?

      Ferdinand Maréchal dit 'Le Dabe': 20 years of jail, the profits are divided, the sentences add up!

    • Verbindungen
      Version of Wenn es Nacht wird in Paris (1954)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 22. Dezember 1961 (Westdeutschland)
    • Herkunftsländer
      • Frankreich
      • Italien
    • Sprachen
      • Französisch
      • Spanisch
    • Auch bekannt als
      • The Counterfeiters of Paris
    • Drehorte
      • Rue du Volga, Paris 20, Paris, Frankreich(exteriors: printing shop)
    • Produktionsfirmen
      • Cité Films
      • Compagnia Cinematografica Mondiale (CCM)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 38 Min.(98 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.66 : 1

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