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Füge eine Handlung in deiner Sprache hinzuA playboy adventure novelist joins his publisher on an expedition to Voodoo Island in the Caribbean, where a cancer researcher is being forced to turn the tribes-people into zombies.A playboy adventure novelist joins his publisher on an expedition to Voodoo Island in the Caribbean, where a cancer researcher is being forced to turn the tribes-people into zombies.A playboy adventure novelist joins his publisher on an expedition to Voodoo Island in the Caribbean, where a cancer researcher is being forced to turn the tribes-people into zombies.
Don Strawn
- Calypso Bandleader
- (as Don Strawn's Calypso Band)
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Come on, if you love B drive-in movies this is a must. Stocked entirely with a phoned-in plot, a great Johnny-Quest-like soundtrack, stereotypes (the devil-may-care, hunky romance-writer hero, expendable blacks & Latinos, bimbo wives with stupid jealous husbands, mad scientist, zombies with sunny-side-up eggs over their eyes & bad skin--it's got them all).
Like draftees into the government-sanctioned moral hygiene videos of the '50s & '60s, the C-actors seem quite willing to mutter the screenplay's bizarre malapropisms: Rich guy welcoming guests to dinner at his uncharted island plantation: "If you want those cocktails I'm afraid your'll have to bring them with you. Juarita (?) is an excellent cook. One thing she will not tolerate is food getting cold. Perhaps it's just as well--I have a Borjelais (sic) I'm very proud of. Hard liquor will just dull the palate." The Spanish is even more improvised--as if translated by Google.
No less fun (to me, anyway) for its utter predictability. Cashing in on the James Bond trend for the Busch-&-popcorn drive-in set 50 years ago (though substituting clashes of race and class for the Cold War), the scariest thing about it is the window it offers into prevailing views of (white) manhood, (white) womanhood, and the nefarious darker-skinned people who try stand in their way.
Like draftees into the government-sanctioned moral hygiene videos of the '50s & '60s, the C-actors seem quite willing to mutter the screenplay's bizarre malapropisms: Rich guy welcoming guests to dinner at his uncharted island plantation: "If you want those cocktails I'm afraid your'll have to bring them with you. Juarita (?) is an excellent cook. One thing she will not tolerate is food getting cold. Perhaps it's just as well--I have a Borjelais (sic) I'm very proud of. Hard liquor will just dull the palate." The Spanish is even more improvised--as if translated by Google.
No less fun (to me, anyway) for its utter predictability. Cashing in on the James Bond trend for the Busch-&-popcorn drive-in set 50 years ago (though substituting clashes of race and class for the Cold War), the scariest thing about it is the window it offers into prevailing views of (white) manhood, (white) womanhood, and the nefarious darker-skinned people who try stand in their way.
In I EAT YOUR SKIN (aka: ZOMBIE), Uber-macho writer, Tom Harris (William Joyce), is pried away from his gaggle of fawning, bikini-clad fem-bots, long enough to take a trip to Voodoo Island.
Why?
It seems there's a mad scientist there who's working on a cure for cancer, using snake venom (!). Plus, there are zombies! And young, nubile voodoo dancers! Annnd, bongo drums!
So, why not?!
Harris is soon off for the island, accompanied by his agent, Duncan Fairchild (Dan Stapleton) and his unbelievably squeaky, utterly annoying wife, Coral (Betty Hyatt Linton). Oh, and Coral's poodle.
Within seconds after crash-landing, Tom spots his first bathing beauty! Shockingly, she's being stalked by a pop-eyed zombie! No, seriously, his eyes are basically two fried eggs! From here, things get a tad absurd. Thankfully, voodoo dancing and mad science merge to get us through!
If you enjoy hyper-schlock, especially the films of Del Tenney, then, nirvana is your destination! This brain-hammer is a personal favorite...
Why?
It seems there's a mad scientist there who's working on a cure for cancer, using snake venom (!). Plus, there are zombies! And young, nubile voodoo dancers! Annnd, bongo drums!
So, why not?!
Harris is soon off for the island, accompanied by his agent, Duncan Fairchild (Dan Stapleton) and his unbelievably squeaky, utterly annoying wife, Coral (Betty Hyatt Linton). Oh, and Coral's poodle.
Within seconds after crash-landing, Tom spots his first bathing beauty! Shockingly, she's being stalked by a pop-eyed zombie! No, seriously, his eyes are basically two fried eggs! From here, things get a tad absurd. Thankfully, voodoo dancing and mad science merge to get us through!
If you enjoy hyper-schlock, especially the films of Del Tenney, then, nirvana is your destination! This brain-hammer is a personal favorite...
In an obtuse way, it was a bit entertaining. There's this island where the brave pilot goes for whatever reason. On the island are bug eyed zombies and people practicing voodoo. There is a potential cure for cancer that has gone amiss. The natives need a young blonde to sacrifice in order to get their skin cured. No dermatologists on the island. The whole thing is preposterous. There is a lot of dancing and gyrating, which seems to happen quite a bit in zombie movies. These scientists have this modern laboratory in the middle of all this, and the blonde girl's father is in the middle of the whole thing. Zombies wander all over the place, attack and kill. There's one scene where a man is decapitated, and because he seems to be Hispanic or some kind of islander, it's as if someone broke their bicycle. They don't even bother with his body. He is mentioned once later, but it doesn't matter. He was expendable. The main character, who his with him, doesn't even look down at him. Oh, yes, there is no skin eating going on, making this a bad skin eating movie.
I bought the "Elvira" version of this movie.The zombies with eyes that looked like fried sunny side up eggs were hilarious.They didn't have to spend too much on make up or clothing either.There is plenty of action combined with bad acting.The tantalizing and brief skinny dipping female in the early part made it fun to watch.Pretty racy for 1964.I also like the old airplane on the beach.What was an old horror movie with out an airplane.?The girls are pretty and they place a lot of importance on finding a blond virgin.The cheesiness of it is what makes it worth the time.I would recommend this one.Especially if you are a Baby Boomer who was raised on these stinkers.It helps if you like Elvira too.
Some folks fly to a small island in the Caribbean. Once they arrive, they find that there are murderous zombies roaming about as well as locals who are all members of a voodoo cult. In addition, there's a cancer researcher who is doing work with irradiated snake venom who seems a bit oblivious to the fact that the locals are into human sacrifice. Sounds like a nice place, huh?!
This is one of many horribly low budget horror films I have seen in my lifetime and the biggest thing that sets it apart is the title. After all, the release title "I EAT YOUR SKIN" sounds amazingly exploitative and sick. However, despite a promoter changing its title, the film itself is amazingly conventional--and it's just another grade-Z schlock horror film--complete with bad acting, camera work, makeup, and the works! While it's very bad, it isn't quite bad enough to be fun to watch and make fun of the film. No,...it's just bad!
This is one of many horribly low budget horror films I have seen in my lifetime and the biggest thing that sets it apart is the title. After all, the release title "I EAT YOUR SKIN" sounds amazingly exploitative and sick. However, despite a promoter changing its title, the film itself is amazingly conventional--and it's just another grade-Z schlock horror film--complete with bad acting, camera work, makeup, and the works! While it's very bad, it isn't quite bad enough to be fun to watch and make fun of the film. No,...it's just bad!
Wusstest du schon
- WissenswertesOriginally filmed in 1964, this film sat on the shelf unreleased for six years until is was picked up by distributor Jerry Gross (of Cinemation Industries), who needed a horror film to play on the bottom of a double bill with his in-house production Die Tollwütigen (1971). The title was changed to "I Eat Your Skin" (1970).
- PatzerAt the 00:04:38 mark when the young women goes to the rear of the car to load the grocery bag in. There is a white cooler on the right side. Magically the cooler disappears so she has somewhere to put it.
- Zitate
Coral Fairchild: [Having just come across, only seeing the door] Oh Mister Bentley, what a lovely house you have. It's so tropical!
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Details
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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