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Die heiße Nacht

Originaltitel: All Night Long
  • 1962
  • 16
  • 1 Std. 31 Min.
IMDb-BEWERTUNG
7,1/10
1763
IHRE BEWERTUNG
Die heiße Nacht (1962)
This movie, based on William Shakespeare's Othello, is neatly positioned as a vehicle to showcase some of the best jazz musicians of the period, including Dave Brubeck and Charles Mingus.
trailer wiedergeben3:34
1 Video
87 Fotos
Psychologisches DramaShowbiz-DramaDramaMusik

Füge eine Handlung in deiner Sprache hinzuThis movie, based on William Shakespeare's Othello, is neatly positioned as a vehicle to showcase some of the best jazz musicians of the period, including Dave Brubeck and Charles Mingus.This movie, based on William Shakespeare's Othello, is neatly positioned as a vehicle to showcase some of the best jazz musicians of the period, including Dave Brubeck and Charles Mingus.This movie, based on William Shakespeare's Othello, is neatly positioned as a vehicle to showcase some of the best jazz musicians of the period, including Dave Brubeck and Charles Mingus.

  • Regie
    • Basil Dearden
  • Drehbuch
    • Nel King
    • Paul Jarrico
    • William Shakespeare
  • Hauptbesetzung
    • Patrick McGoohan
    • Keith Michell
    • Betsy Blair
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    1763
    IHRE BEWERTUNG
    • Regie
      • Basil Dearden
    • Drehbuch
      • Nel King
      • Paul Jarrico
      • William Shakespeare
    • Hauptbesetzung
      • Patrick McGoohan
      • Keith Michell
      • Betsy Blair
    • 34Benutzerrezensionen
    • 25Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 3:34
    Trailer

    Fotos87

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    Topbesetzung37

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    Patrick McGoohan
    Patrick McGoohan
    • Johnny Cousin
    Keith Michell
    Keith Michell
    • Cass Michaels
    Betsy Blair
    Betsy Blair
    • Emily
    Paul Harris
    Paul Harris
    • Aurelius Rex
    Marti Stevens
    Marti Stevens
    • Delia Lane
    Richard Attenborough
    Richard Attenborough
    • Rod Hamilton
    Bernard Braden
    Bernard Braden
    • Lou Berger
    Harry Towb
    Harry Towb
    • Phales
    María Velasco
    • Benny
    Dave Brubeck
    Dave Brubeck
    • Dave Brubeck - Piano
    John Dankworth
    • John Dankworth - Alto Sax
    • (as Johnny Dankworth)
    Charles Mingus
    Charles Mingus
    • Charles Mingus - Bass
    Bert Courtley
    • Bert Courtley - Trumpet
    Keith Christie
    • Keith Christie - Trombone
    Ray Dempsey
    • Ray Dempsey - Guitar
    Allan Ganley
    • Allan Ganley - Drums
    Tubby Hayes
    • Tubby Hayes - Tenor Sax and Vibes
    Barry Morgan
    • Barry Morgan - Bongos
    • Regie
      • Basil Dearden
    • Drehbuch
      • Nel King
      • Paul Jarrico
      • William Shakespeare
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen34

    7,11.7K
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    Empfohlene Bewertungen

    7theognis-80821

    Brubeck & Mingus On Film

    A rare opportunity to see these two greats in action. Excellent design by producer Michael Relph and cinematography by Edward Scaife. And an auspicious debut by Paul Harris as Othello, excellent work by Patrick McGoohan as Iago and rarely seen Marti Stevens as Desdemona. Major contributions from blacklisted Paul Jarrico for writing and Betsy Blair from "Marty" fame earn a welcome payday in pounds, not dollars. Thanks again, Mr. Shakespeare!
    9ZenVortex

    Groovy Inter-Racial Jazz Drama

    For lovers of jazz and racial harmony, this groovy British movie has it all. Some of the best jazz musicians of the era. Blacks and whites getting along just fine. And a fascinating performance by Patrick McGoohan -- who plays a scheming drummer hell-bent on splitting up an inter-racial marriage in order to form his own band.

    The movie is set in the docklands area of London with a plot loosely based on Shakespeare's "Othello". The acting and direction are generally good with noirish cinematography. But the main attraction is the jazz -- with such luminaries as Dave Brubeck, Johnny Dankworth, Tubby Hayes, and Charlie Mingus happily jamming throughout the movie.

    Paul Harris delivers an impressive performance as an African-American band leader with a stage presence similar to Morgan Freeman. The rest of the cast are natural and convincing, especially the lovely Maria Velasco, who is in another inter-racial relationship. But the movie belongs to McGoohan, whose deeply flawed character, insanely brilliant drumming (not dubbed!), and maniacal scheming are a wonder to behold.

    This minor classic is available as a high-quality German all-region DVD (Die Heisse Nacht) with an English sound track.
    8gavin6942

    Forgotten Classic?

    The film, based on Othello, is neatly positioned as a vehicle to showcase some of the best Jazz musicians of the period -- including Dave Brubeck and Charlie Mingus.

    What is most interesting about this film is how it handles racial relations. That was an important part of "Othello", but really defined the 1960s. I love how 1963 was the year of the "I Have a Dream" speech, but already in England films like this had blacks and whites mingling without any sort of trouble. How much more mature they were...

    The film was released by The Criterion Collection in January 2011, and it deserved to be. Criterion has done a great job of finding lost classics and cleaning them up -- the beautiful black and white cinematography deserves to be seen, and the jazz soundtrack deserves to be heard.
    7MOscarbradley

    The jazz alone is worth the price of admission

    "All Night Long" takes "Othello" and transposes it to a jazz setting in contemporary London, or at least the London of the early sixties. It's a great idea, has a terrific cast and how could any jazz aficianado not like any movie that features this much jazz and a cast that includes Charlie Mingus, Johnny Dankworth and Dave Brubeck all playing themselves but there is a but... In place of Shakespeare we get jive and nothing dates as badly as the kind of hip dialogue that jazz musicians are reputed to have used back then. Cool just isn't cool anymore.

    On the plus side, it's a Basil Dearden picture so as well as great jazz, and lots of it, we also get intelligence. Dearden knows the pedigree he has here and treats it with due respect and Patrick McGoohan is superb as the Iago figure. Others in the cast include Richard Attenborough, Betsy Blair, Keith Michell and in the Othello/Desdemona roles, Paul Harris and Marti Stevens. Unfortunately Harris and Stevens are the weakest things about the film; their lack of acting experience shows.

    It is, however, a brilliant looking picture. Producer Michael Relph designed it along with Art Director Ray Sim and Edward Scaife supplied the superb black and white cinematography and, as I said, the jazz is terrific. However, it wasn't really successful and is among the least revived of all the Dearden/Relph movies but it's certainly worth seeking out and if you love jazz it is simply unmissable.
    9prisamata

    How come I hadn't heard before about this film?

    Just imagine: That Shakespearian bigger-than-life plot line, a sixties touch of psychoanalysis, a movie set entirely inside a party of swingers, great interludes featuring amazing jazz performances from some great artists such as Charlie Mingus(music scenes that also explain story line and characters), a slight bit of over-acting in colorful black and white, good filmmaking, interracial couples and drug taking in a 1961 movie, love, hate and, of course, jealousy. Who could possible miss out on these ingredients?

    Just beautiful.

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    Handlung

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    • Wissenswertes
      Unusual for a movie of its time, this features two highly contentious subjects. One is that characters are clearly seen smoking marijuana. The other is that there are two mixed-race relationships featured, and neither of them warrants a mention. [Note: Although mixed-race relationships were still, in 1961, illegal in several parts of the United States, they emphatically did not carry the same stigma in Britain that they did in the U.S.] In addition, there is the strong (though unspoken) hint that Johnny is a repressed homosexual whose marriage is probably still unconsummated and whose hatred of Aurelius Rex stems from frustrated sexual desire.
    • Patzer
      After Johnny Cousin talks of the band doing a 'big fat Mendelssohn' for the anniversary party, he sings the melody not of Mendelssohn's Wedding March but of the Bridal Chorus from Wagner's Lohengrin ('Here comes the bride'). A few minutes later, the band plays a jazz version of the Mendelssohn.
    • Zitate

      Johnnie Cousin: Me? Oh, I belong to that new minority group: white American jazz musicians. They're going to hold a mass meeting in a phone booth.

      [laughs]

    • Verbindungen
      Featured in TCM Underground: All Night Long (2008)
    • Soundtracks
      All Night Long
      Music by Philip Green (uncredited)

      Lyric by Sonny Miller

      Performed by Marti Stevens (uncredited)

    Top-Auswahl

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    FAQ16

    • How long is All Night Long?Powered by Alexa
    • Is that really Patrick McGoohan playing those two drum solos? They look awfully convincing.

    Details

    Ändern
    • Erscheinungsdatum
      • 9. Februar 1968 (Ostdeutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • All Night Long
    • Drehorte
      • Shad Thames, Bermondsey, London, Greater London, England, Vereinigtes Königreich(exterior street scenes)
    • Produktionsfirmen
      • The Rank Organisation
      • Roberts Pictures Inc.
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    Technische Daten

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    • Laufzeit
      • 1 Std. 31 Min.(91 min)
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.66 : 1

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