Dick van Dyke Show

If there was ever a show that seemed an unlikely candidate to be regarded years later as a masterpiece of TV comedy, it would have to be the Dick Van Dyke Show (TDVDS). And younger viewers who happen upon it while cycling through their many cable channels might not give it a chance when they see the banal-looking living room of Rob and Laura Petrie that looks like it was furnished by K-Mart, or the office of the comedy writers of the Alan Brady Show which looks more like a waiting room at a dentist's office. But behind the veneer of what looks like a vanilla-clad suburban cliché is actually a little TV wonder boasting biting wit, outlandish circumstances, and perpetual unstoppable humor. This was the show that the likes of The Brady Bunch or Happy Days aspired to but could never ever hope to attain.

There are three reasons why The Dick Van Dyke is the best and not to be missed: The writing, the writing, and the writing. It all starts with the genius of Carl Reiner who did what all young writers are told to do at the beginning of their careers: write what you know, and Reiner did just that. He wrote about the life of a comedy writer, which is what he was. For years he was one of the writers for two of Sid Caesar's shows: "The Caesar Hour" and "Your Show of Shows" from the 1950's. And when he created the Dick van Dyke Show he re-created much of what he had experienced as a comedy writer and layered it into this new sitcom.

When Rob Petrie (Dick Van Dyke) is not at home with his wife Laura (Mary Tyler Moore), he is the head comedy writer of a fictional television show, The Alan Brady Show. His fellow comedy writers are Sally Rogers (Rose Marie) and Buddy Serrell (Morey Amsterdam), and his boss Alan Brady occasionally appeared played by Carl Reiner, the producer of the Dick Van Dyke Show in real life. Even the premise seems tame at first.

Why does this show work? What Reiner did was take a scenario that seems rather hum-drum on the outside, and then gradually take the characters into unchartered territory simply for the purposes of entertaining TV audiences for 30 minutes (well really 22 minutes). There are many standout episodes, but some of the best involve Alan Brady, the self-centered star and boss of The Alan Brady Show who could give Atilla the Hun a run for his money. One episode, which has become a TV classic, involves Laura accidentally revealing on national TV that Alan Brady wears a toupee, and how Rob and Laura must jump through hoops to soften the damage. Another episode equally as hilarious recounts when the comedy writers, Rob, Sally, and Buddy, are mad at Brady and decide to write an insulting script about him with the intention of discarding it without Brady seeing it. Of course, it ends up falling into Brady's hands! The comedy writers then go on a wild goose chase trying to get it back before he reads it! You'll be rolling over the floor with this one.

Another ingredient, often overlooked, is the comic genius of Morey Amsterdam. Amsterdam, as the other comedy writer, improvised many of his caustic biting sarcasm that gives the needed edge to scenes at the office. Often, Mel Cooley, Brady's lackey, is the butt of much of Amsterdam's cruel humor. Amsterdam was actually a major inspiration to Robin Williams who became Mork of "Mork and Mindy" fame, another show that was inspired by The Dick Van Dyke Show. Check out "the Walnut" episode, and read some of Buddy's dialog under the "quotes" section. Are you sold yet?

Ironically, The Dick Van Dyke is far better than the Sid Caesar shows, which were its parents. Today the Caesar shows come off dated, while the Dick Van Dyke Show continues to gain new audiences, even since the passing of Amsterdam. A strange and wonderful chemistry came together although it was under-appreciated during its original airing. Dick Van Dyke himself became one of the biggest entertainment stars of the 1960's, and Mary Tyler Moore got her own show ten years later, and twenty years after that was nominated for an academy award for "Ordinary People". But the Dick Van Dyke Show reigns supreme as possibly the funniest show ever produced by American television, much funnier than even "Saturday Night Live". As for THE funniest show ever to air on television, you have to go overseas because the award for that goes to "Monty Python's Flying Circus".

This was the sitcom that broke the mold when it came to the head of the household actually having a profession and showing him at work. For many years before this show premiered, you would always here about "dad" being at work but you would never hear what kind of work he did. In some cases you would even see them at home all the time (eg. Ozzie Nelson). This was the first show where you got to see the main character interact with his co-workers as well as his family at home. And very often the two would meet, especially in the classic episode "Coast to Coast Blabbermouth" when Laura almost cost Rob his job by revealing that Alan Brady wore a toupee. This show is just as funny today as it was when it first premiered in 1961.

The Dick Van Dyke Show has always been one of my favorites; from the first time I saw it in syndicated reruns, to the recent dvd releases. Despite the passage of time, it still holds up. The reason? It had the best writing and performances of any show and it presented real characters in believable situations. You can argue about other classic shows, like I Love Lucy, All in The Family, MASH, The Mary Tyler Moore Show, Seinfeld, or Cheers; but, in my opinion this was the finest comedy show on television.

Carl Reiner is a comedy genius who turned his own life into a comedy goldmine. After starring in an unsold pilot, he was faced with the fact he was wrong to portray his own life. With the help of Sheldon Leonard and Danny Thomas, he was able to bring Rob Petrie to life, via Dick Van Dyke. He filled the series with great actors and the best writing on television. It was a perfect format, a show about a writer for a top variety show. It lent itself to logical guest appearances and a host of unusual and amusing situations. It was filled with a cast of great characters: lovable, if klutzy Rob Petrie, beautiful and talented wife Laura, joke machine Buddy Sorrell, sarcastic and love-starved Sally Rogers, pompous, but exploited producer Mel Cooley, demanding egomaniac boss Alan Brady, neighbors Jerry and Milly Helper, and cute son Richie Petrie. Everyone had their moments.

So many of the shows were classics that it is hard to pick favorites. There are the wonderful dream stories, such as "The Gunslinger", "It May Look Like A Walnut", and "The Bad Old Days". There are the performance shows, like "The Alan Brady Show Presents", "The Sam Pomerantz Scandals", and "The Alan Brady Show Goes to Jail". There are the flashbacks to Rob and Laura's courtship and early days of marriage, as well as Rob's beginnings with the Alan Bady Show. Then there are the ones that are just plain fun, like "A Ghost of A. Chantz", "Never Bathe on Saturday", and numerous others. The shows could also be quite touching, like "Buddy Sorrel, Man and Boy". Even weaker shows had great moments.

One of the reasons the show holds up well is that it lasted only 5 seasons and didn't get a chance to wear out its welcome. Everyone was at the top of their game when they called it quits.

When the show first came to "Nick at Night," I was ecstatic. I hadn't seen the show in several years and proceeded to tape the entire premiere marathon (which meant getting up early in the morning to change tapes). Those tapes quickly became worn out. Now, I have them on dvd, complete with promos, commentaries, features and other extras. This show will continue to live on as testament to the best of television comedy. Too bad they don't make shows like this anymore.

One of the best ensemble casts ever put together was for the Dick Van Dyke Show which ran for five seasons in the first half of the sixties. Had the show run double that length I've often wondered would little Richie Petrie as played by Larry Matthews become part of the counter culture? Can't you see him as a hippie?

Dick Van Dyke as Rob Petrie is hired as a new comedy writer for the Alan Brady Show. His staff consists of fellow writers Sally Rogers and Buddy Sorrell played by Rose Marie and Morey Amsterdam. It's not easy for Rob, he has to win them over. But he does manage to it in an unforgettable flashback episode.

The show neatly segmented in the professional and personal lives of Rob Petrie. Half the shows involved Rob's professional life, every week trying to come up with fresh material for a demanding boss played by Carl Reiner. The boss had a flunky brother-in-law who was the producer Mel Cooley, played by Richard Deacon. Part of his job apparently was to be the target of Morey Amsterdam's zingers. Poor Deacon, of all the characters there I felt kind of sorry for him. He knows he's in the job because of his family connection and yet he wasn't a bad soul. A lot of the time he really didn't deserve the treatment Amsterdam gave him.

Rose Marie was the eternal unmarried woman and later on her role probably would have been rewritten to make her a more feminist role model. She and Amsterdam seemed so suited for each other, but Morey was married to Pickles who like the unseen Gladys in December Bride was also a target of his humor. We did in fact see Pickles played by Joan Shawlee on a few shows.

The other segment was the Petrie home life in New Rochelle and home and hearth were kept by Mary Tyler Moore who popularized Capri pants for women. Did they ever show her figure off. More than that, Mary Tyler Moore showed in fact she was a great comedienne in the tradition of Lucille Ball. Part of the show was her getting involved in some Lucy like situations with neighbor Ann Morgan Guilbert who was married to Jerry Paris. They were the Ethel and Fred of the group.

Sometimes the professional and personal worlds did mingle. And those were some of the best shows.

No one got shortchanged on the Dick Van Dyke Show. Every cast member got to strut their stuff and the talent on that show was awesome. What would it cost now to put it together assuming all the cast members were still with us.

As a teenager growing up in the early 1960's, I was a big fan of "The Dick Van Dyke Show". And this episode is the one I remember the best, after all these years. It is a flashback to when Ritchie was born and Rob becomes convinced that the hospital accidentally switched their baby for another one born at the same time of a family with a similar name. The climactic moment (which I will not reveal) was both one of the funniest things I ever saw on television in my life and an amazing demonstration of how American attitudes were changing. I have read that this is Dick Van Dyke's personal favorite episode, and I completely agree with him. Apparently, the live studio audience laughed so long and hard that the cameras had to stop until they calmed down and the actors could continue.

I would guess that today the shock of this moment is lost to a great extent, but for its time, it was an astonishing, courageous moment - and also side-splittingly funny.