Eine schrullige Spionageshow über die Abenteuer des exzentrisch sanften britischen Agenten John Steed (Patrick Macnee) und seiner überwiegend weiblichen Partner.Eine schrullige Spionageshow über die Abenteuer des exzentrisch sanften britischen Agenten John Steed (Patrick Macnee) und seiner überwiegend weiblichen Partner.Eine schrullige Spionageshow über die Abenteuer des exzentrisch sanften britischen Agenten John Steed (Patrick Macnee) und seiner überwiegend weiblichen Partner.
- Für 4 Primetime Emmys nominiert
- 1 Gewinn & 5 Nominierungen insgesamt
Folgen durchsuchen
Empfohlene Bewertungen
One of my all-time favourite series, which hits its peak with the colour Emma Peel episodes. Style, humour, character and a wonderful hitchcockian macabre atmosphere.
Macnee is one of the greatest, most charismatic, leading men to ever grace Television. Rigg has become iconic in TV history, also appreciated was the groundwork set by Honor Blackman for strong females roles.
Great show. Great music. Great production values once it hit it's fifth series. Great atmosphere all round.
Macnee is one of the greatest, most charismatic, leading men to ever grace Television. Rigg has become iconic in TV history, also appreciated was the groundwork set by Honor Blackman for strong females roles.
Great show. Great music. Great production values once it hit it's fifth series. Great atmosphere all round.
An absolute masterpiece in British television, The Avengers is a timeless, witty, fantastical series which is as, if not more, popular today than it was more than 40 years ago.
This series has something for everybody - gangsters, diabolical masterminds, glamorous girls, car chases, fights and endless glasses of champagne.
It is interesting to see how the series developed from its humble beginnings in 1961. Playing it straight in the early days it gradually became more and more way-out with wackier and wackier plots and characters. The Cathy Gale and Emma Peel eras are regarded by many to be the high point of the series although there are high spots in virtually every point in the show's history.
Only one episode exists from Series 1 with the mysterious, shadowy Steed being a much more sinister character to Ian Hendry's open Doctor Keel. Then we have much verbal sparring and innuendo between Steed and the delicious Cathy Gale and her kinky boots. Film and eventually colour were introduced with the feline Emma Peel and her high kicks and the show closed the 60s in gaudy, cartoonish style with the naive Tara King and her snazzy Lotus Europa.
This is British television at its best and a true legend in broadcasting. The 1970s version, The New Avengers, has it's own charm in a way but is best regarded as a totally separate entity as this original series was...well...original!
This series has something for everybody - gangsters, diabolical masterminds, glamorous girls, car chases, fights and endless glasses of champagne.
It is interesting to see how the series developed from its humble beginnings in 1961. Playing it straight in the early days it gradually became more and more way-out with wackier and wackier plots and characters. The Cathy Gale and Emma Peel eras are regarded by many to be the high point of the series although there are high spots in virtually every point in the show's history.
Only one episode exists from Series 1 with the mysterious, shadowy Steed being a much more sinister character to Ian Hendry's open Doctor Keel. Then we have much verbal sparring and innuendo between Steed and the delicious Cathy Gale and her kinky boots. Film and eventually colour were introduced with the feline Emma Peel and her high kicks and the show closed the 60s in gaudy, cartoonish style with the naive Tara King and her snazzy Lotus Europa.
This is British television at its best and a true legend in broadcasting. The 1970s version, The New Avengers, has it's own charm in a way but is best regarded as a totally separate entity as this original series was...well...original!
To this day, The Avengers remains a cult favourite. It is still released onto video and watched by fans today; whether a new generation of fans has been introduced to it is unknown but I do know that people like myself who watched it the first time round are tuning in again.
The one constant through the series was Patrick Macnee who played John Steed. He was joined by various females throughout the show (my favourite being the lovely Emma Peel played by Diana Rigg).
The show was full of wit in addition to the action, intrigue and adventure. Steed-in his bowler hat and with his umbrella-faced all kinds from mad scientists to robots. Always calm, Steed brought down his foes usually with the help of his bowler hat or umbrella.
What more can I say about The Avengers? It was unique, it was funny and it has stood the test of time very well.
The one constant through the series was Patrick Macnee who played John Steed. He was joined by various females throughout the show (my favourite being the lovely Emma Peel played by Diana Rigg).
The show was full of wit in addition to the action, intrigue and adventure. Steed-in his bowler hat and with his umbrella-faced all kinds from mad scientists to robots. Always calm, Steed brought down his foes usually with the help of his bowler hat or umbrella.
What more can I say about The Avengers? It was unique, it was funny and it has stood the test of time very well.
There were many spy series on the boob tube in the swingin' 60s. "I Spy". "Mission:Impossible". "The Man From U.N.C.L.E." I liked them all. But I adored "The Avengers".
One day at school, Brad Barner was talking wildly about a TV show. I made my mind to check it out, if I could.
At this time I had four brothers and four sisters. Use of the TV was by majority rule, so I plead my case for "The Avengers".
That first episode was "The Winged Avenger": the eponymous comic book character had apparently come to life and was killing off upper middle-management types.
Enter John Steed and Mrs. Emma Peel, who dispatch the villains with a wit and style I had never seen. The effect of Mrs. Peel's jumpsuits (Barbara called them Emma's "fighting clothes") on my teenage libido was a bonus. I would have watched if I was nine years old.
The Avengers were cool.
Each week I would watch the pair defeat all sorts of threats to the British Empire. I enjoyed the science fictional plots the best, but I was hooked.
One day at school, Brad Barner was talking wildly about a TV show. I made my mind to check it out, if I could.
At this time I had four brothers and four sisters. Use of the TV was by majority rule, so I plead my case for "The Avengers".
That first episode was "The Winged Avenger": the eponymous comic book character had apparently come to life and was killing off upper middle-management types.
Enter John Steed and Mrs. Emma Peel, who dispatch the villains with a wit and style I had never seen. The effect of Mrs. Peel's jumpsuits (Barbara called them Emma's "fighting clothes") on my teenage libido was a bonus. I would have watched if I was nine years old.
The Avengers were cool.
Each week I would watch the pair defeat all sorts of threats to the British Empire. I enjoyed the science fictional plots the best, but I was hooked.
Definitely 60's and it is obvious. Yet this is still one of the most fun shows ever made. John Steed is the epitome of British class, right down to the Bentley in British Racing Green (notwithstanding the Tara King years).
Then there is Emma Peel, mmmmm Emma Peel. Aside from Diana Rigg's obvious physical charms her real appeal is the strength of her character. Totally confident, cool, classy, and capable (driving a Lotus Elan was also a big plus) Diana Rigg created a female character (which was resisted by the producers tooth and nail I understand) that surprised me even though I first saw the show over 20 years after it went off the air. Emma Peel was devoid of the traditional female stereotypes that permeate the airwaves always in need of rescue and if not are total cartoons. She could kick ass and frequently saved Steed's butt in the process. Mass media still has a major allergy to original, tough female characters which is a testament to the originality of the character.
Something was lost after Tara King took over. It was a return to the stereotypes and the show lost something for me, that and I didn't like Steed's new car, just didn't have the same class as his former Bentley.
Still I highly recommend watching it, fun plots, wry humor, over the top villains, great characters, and an impossible lack of blood. How can you not have fun watching this?
Then there is Emma Peel, mmmmm Emma Peel. Aside from Diana Rigg's obvious physical charms her real appeal is the strength of her character. Totally confident, cool, classy, and capable (driving a Lotus Elan was also a big plus) Diana Rigg created a female character (which was resisted by the producers tooth and nail I understand) that surprised me even though I first saw the show over 20 years after it went off the air. Emma Peel was devoid of the traditional female stereotypes that permeate the airwaves always in need of rescue and if not are total cartoons. She could kick ass and frequently saved Steed's butt in the process. Mass media still has a major allergy to original, tough female characters which is a testament to the originality of the character.
Something was lost after Tara King took over. It was a return to the stereotypes and the show lost something for me, that and I didn't like Steed's new car, just didn't have the same class as his former Bentley.
Still I highly recommend watching it, fun plots, wry humor, over the top villains, great characters, and an impossible lack of blood. How can you not have fun watching this?
Wusstest du schon
- WissenswertesDuring her first season, Diana Rigg was dismayed to find out that the cameraman was being paid more than she was. She demanded a raise, to put her more on a par with her co-star, or she would leave the show. The producers gave in, thanks to the show's great popularity in the U.S.
- Zitate
[repeated line]
John Steed: Mrs. Peel, we're needed.
- Crazy CreditsIn some parts of the world, the opening credits for the first color season begin with a brief sequence showing Steed preparing to open a bottle of champagne. Mrs. Peel shoots the cap off the bottle, and they pour a toast to each other. Only then do the opening credits actually begin.
- Alternative VersionenStarting in the summer of 2004, the BBC America Channel aired prints of fifth and sixth season episodes with the humorous tag sequences at the end of episodes deleted. During the autumn of 2004, the prints were further altered, with the original closing credits sequence with shadowy images of Steed and Mrs. Peel against a blue background replaced by credits rapidly rolled past a plain black background. In early 2005, the same channel aired seventh season prints with the same changes.
- VerbindungenFeatured in Television: The Good, the Bad, and the Ugly (1985)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How many seasons does The Avengers have?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Avengers
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit50 Minuten
- Farbe
- Seitenverhältnis
- 4:3
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
What is the Hindi language plot outline for Mit Schirm, Charme und Melone (1961)?
Antwort