Die Wespenfrau

One of Roger Corman's better directorial efforts about reversing the aging process to sell cosmetics in the early 60's! Susan Cabot, the lead, finished her film career with this one before returning to the theatre in New York after many films in the 50's. Unfortunately, she was bludgeoned to death by her dwarf son sometime in the 80's which ended her promising career. She was a serious actress with a terrible final act.

A definite 6 out of 10. Best performance = Susan Cabot. Worst performance = Anthony (Fred) Eisley - the "actor" who always managed to reach the pinnacle of Blandness in every film he made in the 60's. Dr. Zin in his spotted pajamas reminds me of someone's Uncle Luigi. An under-rated low budget flick which hits a nerve (cosmetics, pshaw). This is on DVD. Seek it out!

THE WASP WOMAN is certainly not a film to be taken very seriously as it details the hideous and unexpected transformation of a woman looking for the fountain of youth into a rather nasty flesh-eating monster instead...an unforeseen side effect of Dr. Zinthrop's wasp enzyme treatments. The common be wary of science theme is certainly in full force here and it does feel comfortable in this low budget environment.

The best thing about this film is it has a great pace as it keeps moving along nicely and is consistently entertaining. The worst is the low budget look of the monster and the awful music.

The plot of this film has the head of a cosmetics firm trying out a new formula formed from the jelly of a queen wasp. The make-up actually makes the woman younger, but has the horrible side effect in that it turns the woman into a killer human wasp.

Oh what a silly film this is. Its also a great deal of fun. The story is wildly silly, there's a monster that looks ridiculous, and enough skill behind the camera to produce just the right amount of tension to keep you watching. It all combines to form a perfectly charming little movie.

Good, but far from great, the Wasp Woman gets its classic status from the fact that the film used to be in permanent rotation on late night horror TV. I can't tell you how many times my mind was warped by this little gem over the years. It seemed it was always on and pretty much everyone I knew saw it over and over again. It became a joke of sorts as the quintessential "bad movie", its bug eyed monster in tights was exactly the sort of monster you didn't want to see in a movie.

Highly recommended to those who want to see a what horror films used to be like at the height of the drive- in era, or to those who just want something to keep themselves distract on a dark and stormy night.

With Echoes of The Fly (1958) still Buzzing at the Box Office, Schlockmeister Roger Corman grabbed a couple of People and took a Week to make this Gloomy Monster Movie. The Cast, some Corman Regulars including B-Movie Babe Susan Cabot who was never Credited with an A-Budget Film but a lot of Bees, did a fine Job. The background Music is also quite Appropriately Uncanny.

But the "Star" of the Movie is the Monster and for the few times It/She is on Screen there is some Tension and Gore that looks quite Bizarre. There are some glaring Missteps along the way, the kind that Corman never minded, at least in His Ultra Quickies. Like the Bumble Bees instead of Wasps Iconography, and the Guinea Pigs to Rats Mind Boggler. There are some others but Who cares?

Overall, there is much Talk in this Thing and hardly Anyone moves in the Claustrophobic and Drab Sets, but there is enough Drive-In Movie Madness to make it Worth a Watch.

Actually, it's an interesting take on a familiar idea - that women should not try to hold on to youth, that they should grow up and age gracefully. And yet everything in our culture has always told us that path leads to invisibility, loss of affection, and in cosmetics queen Janice Starlin's (Susan Cabot) case, loss of revenue. At age 40, Janice Starlin's cosmetic company is losing ground, and her board tells her that is because she has always been the face of her products, but putting the faces of other models on those products instead has caused women to lose confidence in her products. She replies that her now 40 year old face will not sell products either.

She is then visited by scientist Eric Zinthrop who tells her he believes he has invented a serum from wasps that can rejuvenate the old. He wants only a small percentage of any sales she might make and full credit for the discovery. Starlin in return demands to be the first human that his serum is tested on.

When testing begins on Janice she does begin to lose years - she now looks 35 instead of 40. But she wants the transformation to occur faster. Without Zinthrop's knowledge she takes extra injections, and she now looks 22 years old. But there is an unknown side effect. The cat that Zinthrop was testing has become deranged and attacks him. Before he can tell anyone, he wanders into traffic, is injured badly in an accident, and is transported to a hospital with possible brain damage.

Meanwhile Janice is acting antsy, hearing wasps buzzing in her head, and frantically looking for Zinthrop because she thinks her problem is that she will soon be out of serum when her fate is far worse.

You can tell this is purely poverty row, because every shot is a close up so the art direction can be kept to a minimum. And for Starlin's company to be so big and busy I count about half a dozen people who work at the firm, including two secretaries who seem to constantly be loafing. If not for the really laughable and very cheap special effects, this might have been better. Like other 50s sci-fi horror films it distills horror down to a basic fact - that humans are afraid of their bodies getting out of control either by the aging process or by disease. It is the reason cancer is so scary. I'd mildly recommend this one.