IMDb-BEWERTUNG
6,7/10
3347
IHRE BEWERTUNG
Vier sehr unterschiedliche College-Mädchen fahren nach Fort Lauderdale, Florida zum Frühlingsurlaub und suchen verschiedene Abenteuer und Romantik für sich selbst.Vier sehr unterschiedliche College-Mädchen fahren nach Fort Lauderdale, Florida zum Frühlingsurlaub und suchen verschiedene Abenteuer und Romantik für sich selbst.Vier sehr unterschiedliche College-Mädchen fahren nach Fort Lauderdale, Florida zum Frühlingsurlaub und suchen verschiedene Abenteuer und Romantik für sich selbst.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Carol Byron
- Sybil
- (Nicht genannt)
John Cliff
- Policeman at Hospital
- (Nicht genannt)
Oliver Cross
- Nightclub Patron
- (Nicht genannt)
Jack Deery
- Nightclub Patron
- (Nicht genannt)
Amy Douglass
- Dr. Raunch
- (Nicht genannt)
Dennis Durney
- Young Man
- (Nicht genannt)
Empfohlene Bewertungen
Where The Boys Are (1960 Dir. Henry Levin) Fort Lauderdale College Spring Break! Oh Boy! Oh Girl! See where the perennially tan George Hamilton first acquired his swarthy complexion. Also features one of the best '60s light comediennes Paula Prentiss as "Tuggle Carpenter". Lots of talk amongst the girls about how far they should go. Lots of talk amongst the boys about how far they've gotten. A classic American take on life when the air was clean and sex was dirty. Before there was MTV's Spring Break, there was this movie. Great for viewing with mixed company (that's old-fashioned slang for boys and girls together).
Like many others who have commented previously on Where the Boys Are (WTBA), I was initially rather shocked at the film's frank discussion of sex. Once I thought about it more deeply, however, it was the open talk of marriage that was really fresh to my ears. I was born 11 years after this film was released and watching movies like this gives me a unique insight into history that goes well beyond the broad brushes of most sixties reviews and textbooks. Clearly both boys and girls of the time were struggling with the implications of sexuality in relationships - not a whole lot different than today.
What is different about WTBA than the films for young people of today or of my youth (e.g., The Breakfast Club) is the explicit discussion of marriage. In WTBA both the girls and the boys use different levers to try to achieve their ends. The girls use the potential for sex to get the one thing they want - marriage - and the boys use the potential for marriage to get what they are after - sex. I was amazed to hear that all the girls (even the one with an IQ of 138!) were so focussed on catching a husband at 19. None of the movies for youth that I have seen recently even touch the subject of marriage except maybe to joke about it.
While many would argue that no one gets married at 19 anymore, that ultimate end of any relationship still looms out there for young people like a giant prize (or punishment) at the end of dating. The only help I got in seeing young people get together and eventually get married was in The Princess Bride, which could easily be dismissed as fairy tale. I recall in my late teens having to turn to more adult movies like When Harry Met Sally or even Enchanted April to find some guidance for seeing a relationship through to its logical end. Maybe today's youth are skipping over She's All That and going to movies like High Fidelity for similar answers. One would hope so.
So instead of a breezy beach movie I got a social history lesson on the mating rituals of my parents' generation. I hope there's a movie that prompts this kind of discussion for my own kids someday.
What is different about WTBA than the films for young people of today or of my youth (e.g., The Breakfast Club) is the explicit discussion of marriage. In WTBA both the girls and the boys use different levers to try to achieve their ends. The girls use the potential for sex to get the one thing they want - marriage - and the boys use the potential for marriage to get what they are after - sex. I was amazed to hear that all the girls (even the one with an IQ of 138!) were so focussed on catching a husband at 19. None of the movies for youth that I have seen recently even touch the subject of marriage except maybe to joke about it.
While many would argue that no one gets married at 19 anymore, that ultimate end of any relationship still looms out there for young people like a giant prize (or punishment) at the end of dating. The only help I got in seeing young people get together and eventually get married was in The Princess Bride, which could easily be dismissed as fairy tale. I recall in my late teens having to turn to more adult movies like When Harry Met Sally or even Enchanted April to find some guidance for seeing a relationship through to its logical end. Maybe today's youth are skipping over She's All That and going to movies like High Fidelity for similar answers. One would hope so.
So instead of a breezy beach movie I got a social history lesson on the mating rituals of my parents' generation. I hope there's a movie that prompts this kind of discussion for my own kids someday.
i don't understand how anyone cannot like this film! the story about the 4 co-eds is mind-grabbing but i couldn't help wondering if all that sex talk would be looked upon well, it being the good old sixties. i would descibe this film as smooth, quirky, dramatic, and fun. i am a HUGE fan of frank gorshin and i loved his portrayl of basil. the whole cast was was very good and that made it a great film. i usually rent this film at least once a month. but am i the only one who adores basil's glasses?
As the saying goes, "it is what it is." Cutting edge (for 1960) teen drama holds up well, with excellent performances by several of the leads. Although it doesn't appear they actually filmed the majority of the film in Florida, there are still some wonderful shots on location in Fort Lauderdale. That community has since banned the Spring Break crowd, but I remember it well in the 60s - 80s, when living in the area.
Many users have complained about the "moralizing" of this film, but I don't find it "preachy." Prentiss is indeed a standout. Connie Francis is adequate, if somewhat masculine, in her first film role. "Narrator" Paul Frees seems to pop up in the oddest places, including The Haunted Mansion ride for Disney.
Many users have complained about the "moralizing" of this film, but I don't find it "preachy." Prentiss is indeed a standout. Connie Francis is adequate, if somewhat masculine, in her first film role. "Narrator" Paul Frees seems to pop up in the oddest places, including The Haunted Mansion ride for Disney.
This film succeeds in the sense that it isn't a stereotypical beach flick. As a current college student, I can attest that it is rather believable, and, oddly enough, some of it applies to college gals today...nearly 40 years later. Actually, WHERE THE BOYS ARE offers the public a fairly realistic, in-depth portrayal of everyday kids in the 60s, as opposed to other beach movies of the period. Simply put: Frankie and Annette had nothing on these gals!
Contrary to what the title may lead one to believe, the focal point is not terribly superficial. Yeah, sure, the girls head to Lauderdale to nab a Yaley or two, but that becomes somewhat secondary to what actually transpires. Whether it was meant to be or not, this film is one of decisions, learning, and friendships that are strengthened due to the experiences four college girls share during Spring Break in Ft. Lauderdale.
The actors themselves are very believable; none of the main players outdo the others. Hart, Mimeux, Francis, and Prentiss do a wonderful job of conveying many different sides to the characters they portray. The supporting cast is equally skilled and effective in varying roles.
Though this isn't Academy Award winning material, it is definitely worth watching!
Contrary to what the title may lead one to believe, the focal point is not terribly superficial. Yeah, sure, the girls head to Lauderdale to nab a Yaley or two, but that becomes somewhat secondary to what actually transpires. Whether it was meant to be or not, this film is one of decisions, learning, and friendships that are strengthened due to the experiences four college girls share during Spring Break in Ft. Lauderdale.
The actors themselves are very believable; none of the main players outdo the others. Hart, Mimeux, Francis, and Prentiss do a wonderful job of conveying many different sides to the characters they portray. The supporting cast is equally skilled and effective in varying roles.
Though this isn't Academy Award winning material, it is definitely worth watching!
Wusstest du schon
- WissenswertesPaula Prentiss signed a seven-year contract with MGM in 1960 when she was cast in this movie. She was living with boyfriend actor Richard Benjamin at the time, which was taboo in those days, and the studio didn't want her traveling on promotion junkets with a man who wasn't her spouse. So they asked the two to wed, though not before milking the wedding for publicity. Prentiss had to make long-distance calls to gossip columnists Hedda Hopper and Louella Parsons just before the ceremony, according to People. They were married by a New York judge on Oct. 26, 1961. They are still together as of 2022.
- PatzerWhen the kids are first introduced to Basil's jazz band, hundreds of kids rush to the bar, with the main characters in the rear. Yet, the main characters somehow manage to find one of the few tables in the bar.
- Zitate
Police Captain: Wait a minute! Haven't I seen you in here before?
Lola Fandango: Just once, and it was purely by accident. The night my strap broke?
[she shows her very revealing top]
- Crazy Credits"and introducing Connie Francis"
- VerbindungenFeatured in Where the Boys Were: A Retrospective (2004)
- SoundtracksWhere the Boys Are
Words by Howard Greenfield
Music by Neil Sedaka
Performed by Connie Francis (uncredited)
Courtesy of Nevins - Kirshner
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Se necesitan dos para amar
- Drehorte
- Fort Lauderdale, Florida, USA(some exteriors)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Seitenverhältnis
- 2.35 : 1
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