Die Rache des Herkules

In the 1960's as a child I and dozens of theater goers were watching this interesting Movie called " Goliath and the Dragon " when a small fire in the building sent everyone racing out in a panic. Although, I got the price of admission back, (15 cents) I never did get to finish the film. Due to the fact, I was very young, I was most impressed with the parts of the movie I did get to see. It is years later and I finally got to see the entire movie completely. I am surprised to sit through the entire film without yawning. The scenes which intrigued and captivated me as a child, were laughable as an adult. However, I am impressed with the story of how Goliath or Hercules was able to mesmerize young impressible audiences with such a small budget and hokey special effects. Still, as a grown-up I would quickly recommend this film to young members of the audience as they have not lost their imagination or have forgotten what it means to be inspired by flickering images. During the Sword and Sandal era, these movies are the very inspiration we received when it was needed most. How else could Gods, Goddesses, Monsters, Centars and heroic deeds have impressed us so much? Recommended! *****

I saw the poster for GOLIATH AND THE DRAGON outside a theater when I was a kid and was dying to see it. Unfortunately I had to wait over thirty years until just the other day when I found a cheap VHS copy in a video store. Was it worth the wait? Absolutely --- but not for the reasons I'd expected. In addition to the cool poster what intrigued me about the film were the Jim Danforth stop motion sequences added for the American release. Pictures of the dragon made it look pretty good. Unfortunately the model is poorly used in the film itself, and nowhere is it shown off to such good advantage as in the publicity stills. Animation-wise the film was a major disappointment.

And other-wise? Well, you gotta give this movie a big A for Ambition. Hercules (excuse me, GOLIATH) doesn't just duke it out with soldiers, he battles a three headed dog, a bat monster, a centaur, a bear, and at one point even wrestles an elephant to the ground! Unfortunately none of these conflicts is handled with anything like the skill needed to really bring them off, but you've gotta love them for trying. And the movie, goofy and slipshod as it is, never bores. Peplum fans should check it out.

GOLIATH AND THE DRAGON is another Hercules movie with the hero's name altered for American audiences. It stars Mark Forest as the enormous hero.

The action starts right away, with Hercu-liath battling a three-headed, fire-breathing dog monster! This takes about ten seconds, as it's more of a big, three-headed sausage.

Golia-cles is seeking the fabled "blood diamond", and must face the dreaded bat-man beast! It lasts for almost five seconds before being crushed

Meanwhile, the devilish King Eurystheus (Broderick Crawford) plots destruction and doom. He's sort of the Al Capone of the ancient world, and will do anything to stay in power.

For his part, our hero, after returning the aforementioned gem to its rightful owner, only wants some rest and relaxation. This is cut short when Eurystheus abducts his brother! Now, Her-goliath-cles must save his sibling, as well as everyone else.

A decent entry in the genre, with plenty of action, monsters, and battle sequences. Forest is, as always, larger than life. The "elephant" scene is fun, though it seems likely that the poor creature was either sleep deprived or heavily drugged prior to filming!

As for the dragon, it's fairly well-realized, utilizing both stop-motion and a large, animatronic head. It takes an entire twenty seconds for it to meet its maker!

Of course, there's a huge, "battle royal" finale, where Gol-herc-iath-cles gets his chance to toss his opponents around like meatballs!

An entertaining romp...

I saw the Alpha Video DVD of GOLIATH AND THE DRAGON, which is from a well-preserved widescreen print, and it's dazzling to look at! To be sure, the color balance goes a bit wonky in a few outdoor scenes, but the aquamarine trees and purple skies almost seem intentional, given the strangeness of director Vittorio Cottafavi's vision. If all the old sword and sandal epics were in this good a shape, the genre would attract many more fans.

The movie itself is a delirious muscleman fantasy from start to finish. A bearded Mark Forest shows off the biggest pecs and widest lats of his generation, and melts everyone with his smile (except scar-faced Broderick Crawford as the cranky villain). The costumes are beautiful, the sets are extravagant, the exterior landscapes are a lush paradise, the monsters are huge puppets, and just when you think the story can't become more bizarre...it does! An absurdly majestic music score by Les Baxter strives to match the melodrama of a hero who dares to revolt against the gods themselves.

Cottafavi will try just about anything to dazzle and disorient the viewer. In one scene, as our hero approaches, looms above, and then passes over the camera, the point of view turns completely upside-down; the effect is so audacious I had to laugh out loud! This is fearless (and yes, perhaps sometimes mindless) film-making, and the result is truly dreamlike, if not downright mythic.

Broderick Crawford plays his role of a corrupt would-be emperor like he were still playing a 20th century gangster. Watch him bark orders to soldiers like he were plotting a gangland rubout. Meanwhile Mark Forest is the hero called "Emilius" who is nicknamed Goliath because he is so strong and (apparently) immortal. He also has a younger brother is is neither superstrong nor immortal and a mortal wife who is not bothered by the fact that she will eventually grow old and die but he won't. Go figure. Most of us watch these movies for the monsters and oft-times the cheesier the better. After a mechanical 3 headed fire breathing dog (ahem, that is NOT Cerberus!), a man in suit giant bat and a centaur (which had to have been the most uncomfortable costume in the bunch) seeing a dragon that is partially stop motion animated was a real treat. Oh yeah, in closeups it is a giant rubber prop but those few moments of animation make it worthwhile. There is enough plot here for 2 movies and it does not always make perfect sense but the action will keep your attention. Oh and look closely at that dragon. David Hewitt borrowed some of the stop-motion scenes for his no budget thriller THE MIGHTY GORGA.