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Denen man nicht vergibt

Originaltitel: The Unforgiven
  • 1960
  • 12
  • 2 Std. 5 Min.
IMDb-BEWERTUNG
6,5/10
10.440
IHRE BEWERTUNG
Burt Lancaster in Denen man nicht vergibt (1960)
The neighbors of a frontier family turn on them when it is suspected that their adopted daughter was stolen from the local Kiowa tribe.
trailer wiedergeben4:20
1 Video
99 Fotos
Classical WesternDramaRomanceWestern

Die Nachbarn einer Pionierfamilie wenden sich gegen sie, als vermutet wird, dass deren Adoptivtochter den im Gebiet ansässigen Kiowa geraubt wurde.Die Nachbarn einer Pionierfamilie wenden sich gegen sie, als vermutet wird, dass deren Adoptivtochter den im Gebiet ansässigen Kiowa geraubt wurde.Die Nachbarn einer Pionierfamilie wenden sich gegen sie, als vermutet wird, dass deren Adoptivtochter den im Gebiet ansässigen Kiowa geraubt wurde.

  • Regie
    • John Huston
  • Drehbuch
    • Ben Maddow
    • Alan Le May
  • Hauptbesetzung
    • Burt Lancaster
    • Audrey Hepburn
    • Audie Murphy
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    10.440
    IHRE BEWERTUNG
    • Regie
      • John Huston
    • Drehbuch
      • Ben Maddow
      • Alan Le May
    • Hauptbesetzung
      • Burt Lancaster
      • Audrey Hepburn
      • Audie Murphy
    • 141Benutzerrezensionen
    • 53Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Official Trailer
    Trailer 4:20
    Official Trailer

    Fotos99

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 94
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    Topbesetzung13

    Ändern
    Burt Lancaster
    Burt Lancaster
    • Ben Zachary
    Audrey Hepburn
    Audrey Hepburn
    • Rachel Zachary
    Audie Murphy
    Audie Murphy
    • Cash Zachary
    John Saxon
    John Saxon
    • Johnny Portugal
    Charles Bickford
    Charles Bickford
    • Zeb Rawlins
    Lillian Gish
    Lillian Gish
    • Mattilda Zachary
    Albert Salmi
    Albert Salmi
    • Charlie Rawlins
    Joseph Wiseman
    Joseph Wiseman
    • Abe Kelsey
    June Walker
    June Walker
    • Hagar Rawlins
    Kipp Hamilton
    Kipp Hamilton
    • Georgia Rawlins
    Arnold Merritt
    Arnold Merritt
    • Jude Rawlins
    Doug McClure
    Doug McClure
    • Andy Zachary
    Carlos Rivas
    Carlos Rivas
    • Lost Bird
    • Regie
      • John Huston
    • Drehbuch
      • Ben Maddow
      • Alan Le May
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen141

    6,510.4K
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    Empfohlene Bewertungen

    7TheLittleSongbird

    Even with the flaws, it is still one of John Huston's most underrated

    I wasn't expecting to like The Unforgiven. Don't get me wrong I don't mind westerns and I am a fan of both Audrey Hepburn and John Huston. However, prior to seeing this film I heard a lot of negativity on it. After seeing it for myself, I think it is very underrated. It is flawed, but I do admire this film.

    It does begin in a lethargic manner and I personally thought the final scene could have been better thought out. Also, despite my love for her, I was not entirely convinced by Audrey Hepburn. She is graceful, charming and elegant and I applaud her for taking on a completely different role to any other she's played, but she was never quite believable in her role, to me her accent sometimes came and went and she felt somewhat out of place.

    However, it looks gorgeous with the cinematography beautiful and the scenery magnificent. The music is very rich and wonderful, the dialogue is thought-provoking and the pace in the middle I had no problem with. I was pleasantly surprised at how ambitious the story was, the subject of racism could have easily been dealt with in a heavy-handed way like in Crash, but it doesn't thanks to the construction of the story which is quite impressive and it also helps that the characters are surprisingly credible. John Huston's direction is also terrific, and the acting ensemble is very good generally. Burt Lancaster is a charismatic presence, while Audie Murphy is a sheer delight in this movie.

    In conclusion, it is a good movie despite the miscast(I do say this with a heavy heart) and one or two scenes that could have been better judged. 7/10 Bethany Cox
    7MissSimonetta

    A 6.7 score? Really?

    Well-shot and well-acted, with a solid story about racial prejudice to boot, I'm shocked THE UNFORGIVEN sports such a bad reputation today. It's hardly the best western I have ever seen, but it isn't half-bad either. The biggest problem I have with it is that Audrey Hepburn and Burt Lancaster have no chemistry to speak of, but otherwise, this is a decent movie with some heartbreaking moments.
    wrbtu

    Quite a disappointment considering the cast & director

    When I first became aware of the cast list (Lancaster, Gish, Hepburn, Murphy, Bickman, Wiseman) & the director (the great John Huston) for this movie, I just knew it was going to be a great Western, but I was sadly disappointed. The acting is good, no doubt about it, & the direction is fair, but there are a few things that go too far astray here. I mean, really, could you fall in love with & want to marry a person who you thought was your sibling for the past 20+ years?! Another problem here is that Lancaster's character seems to be portrayed as the noble defender of his family & as such, the Indians are made out to be his enemy, so they would seem to be the "bad guys," when all they're trying to do is repatriate one of their own (initially in a very peaceful manner). If the white settlers were to do the same thing, they would be considered heroes for doing so, & they'd make a movie about it with John Wayne as the hero & call it "The Searchers!" Kidding aside, there is too much injustice here that is left unconsequated (such as the killing of dozens of Indians & the killing of an innocent man who was only attempting to speak the truth) for this to be a satisfactory film for me. Audrey Hepburn is miscast here. Also, the score by Tiomkin is OK, but did the music have to dominate in such a loud manner as to drown out all other aspects of the film, including some dialog? I rate this only a 5/10.
    7hitchcockthelegend

    Huston disliked his film very much.

    Which is a shame because after an admittedly slow laborious first third, the film kicks on from the moment the Kiowa Indian's turn up asking for the return of their kin. The film is gorgeous to look at (Franz Planer shooting out of Durango, Mexico) and benefits from some sterling performances from those involved. Big bad Burt Lancaster broods as the big brother, and it was wonderful to see Audrey Hepburn playing a down to earth character, no glam and glitter here; in fact it was kind of special watching her with rifle in hands firing away. The ending took me a little by surprise (but in a good way), and I was fully satisfied that I had just watched an involving and entertaining genre piece. If Huston did indeed consider this one of his worst films then I look forward to catching many more of his misfires. 7/10
    7ma-cortes

    Very good Western plenty of stars , dealing with racism , Indian fights and dramatic events

    This splendid film is an accurate picture of post-Civil War Texas life , much as John Ford had earlier done with Alan LeMay's "The Searchers" . The neighbors of a frontier family named Zachary (Burt Lancaster , Audie Murphy , Doug McClure and their mother excellently played by Lillian Gish) turn on them when it is suspected that their adopted daughter was stolen from the local Kiawa tribe . Then , the battle between white men and Kiowas go on the warpath . Problems emerge when a secret about a mestizo results to be discovered . As a Kiowa tribe claims that the daughter (it was Audrey Hepburn's only Western) is one of their own , stolen in a raid and she will be excluded for both races .

    Offbeat Western about racial intolerance focuses an enjoyable family and the dramatic deeds happen when a dark secret surfaces . It's an interesting western with exceptional interpretation from protagonist duo , Burt Lancaster and Audrey Hepburn . However , Audrey Hepburn was seriously injured when she was thrown by a horse between scenes spent six weeks in the hospital healing from a broken back, and when she returned to the set was able to complete her role wearing a back brace, John Huston blamed himself for the mishap and hated this movie, and Hepburn bore no ill will towards the director ; while Audrey was in hospital, Huston filmed scenes using a double . Furthermore , a likable Doug McClure as his kind brother , he is very fine as well as Audie Murphy as Cash, the hotheaded brother who reacts violently to learning his sister is a red skin Indian . Special mention to Lillian Gish as their affectionate mummy and Joseph Wiseman as the crazy Kelsey . The picture was well produced by Harold Hecht/James Hill/ Burt Lancaster ; they wanted to ensure its commerciality and change the film's direction , they wished to cast Kirk Douglas as Lancaster's brother, which would throw off the balance in the brothers' relationship. The first effort at a rewrite did not work and after fifty pages into the second rewrite, the original writer , J.P. Miller , quit the film and broke off his relationship with the producers and being hired Ben Maddow who wrote the script based on the novel written by Alan LeMay . Glittering and shimmer cinematography is perfectly reflected on spectacular outdoors and colorful interiors by cameraman Franz Planer , though Oswald Morris says in his memoirs he was offered this film. Emotive as well as thrilling musical score by the classic Dimitri Tiomkin .

    The motion picture was compellingly directed by John Huston who saw the film as an opportunity to make a serious comment on race relations, but the company thought anything along those lines should take a back seat to making it a commercial success as action/adventure . The flick was made in a good time of the 50s and 60s when Huston resurged as a filmmaker of quality films and with the momentum in his favor, as John hung around in Hollywood this time to write and/or direct some of the finest American cinema made including The African Queen , The jungle of asphalt (1950), Red badge of courage (1951) ,Moulin Rouge (1952), Moby Dick (1956), The unforgiven (1960), Misfits (1961), Freud (1962), The night of the iguana (1964) , they were for the most part, well-regarded but certainly not close to the level of his earlier revered work . He also experimented behind-the-camera with colour effects and approached topics that most others would not even broach, including thought-provoking themes and psychoanalysis . He subsequently directed successes such as Fat City, (1972 ), The man who would be king (1975) and Wise blood (1979). He ended his career on a high note with Under volcano (1984), Honor of Prizzi (1985) and Dublineses (1987). Rating : 7'5 above average , worthwhile watching . This odd western , ¨The unforgiven¨ , is one of John Huston's main films , a model of his kind , definitely a must see if you are aficionado to Western film . Huston broke a new ground with this landmark movie , providing exciting scenes and unforgettable dialogs .

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    Handlung

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    • Wissenswertes
      Before filming began, director John Huston and star Burt Lancaster took actress Lillian Gish out to the desert to teach her how to shoot, which she would have to do in the film. However, Huston was astounded to discover that Gish could shoot more accurately, and faster, than both he and Lancaster, who thought themselves expert marksmen. It turned out that early in her career Gish was taught how to shoot by notorious western outlaw and gunfighter Al J. Jennings, who had become an actor after his release from a long prison sentence for train robbery and was in the cast of one of her films. She found that she liked shooting and over the years had developed into an expert shot.
    • Patzer
      In the closeup scenes of Rachel, her false eyelashes are quite obvious.
    • Zitate

      Andy Zachary: What did he want, Ben?

      Ben Zachary: He wanted to buy a woman.

      [looks at Rachel]

      Ben Zachary: You.

      Rachel Zachary: Well, did you sell me?

      Ben Zachary: I held out for more horses.

      Rachel Zachary: Why would they want to buy me?

      Mattilda Zachary: Because you're a girl, my pretty. Horses and women are all the same to a Kiowa - to be bought or traded.

    • Verbindungen
      Featured in Oscar '71 (1971)
    • Soundtracks
      Down in the Valley
      (uncredited)

      Traditional

      Sung by June Walker and Kipp Hamilton

      [Hagar and Georgia sing the song at the Zachary/Rawlins lunch]

    Top-Auswahl

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    FAQ21

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    • Did Rachel and her brothers know that she was Kiowa?

    Details

    Ändern
    • Erscheinungsdatum
      • 30. September 1960 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Lo que no se perdona
    • Drehorte
      • Durango, Mexiko
    • Produktionsfirmen
      • Hecht-Hill-Lancaster Productions
      • James Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 5.000.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 5 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.35 : 1

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