Sunrise at Campobello

A 1960 film dealing w/the early days of FDR's trials & tribulations due to the effects of polio which left him wheelchair bound for the remainder of his life. Tracing the genesis of the disease's onslaught, we find FDR, played by Ralph Bellamy (one of the brothers from Trading Places), his wife Eleanor, played by Greer Garson & their children spending their lazy summer days at their seaside cabin & all seems to be well as the family frolics in the sun & spend their nights dolling out roles for their presentation of Julius Caesar. FDR keeps himself professionally busy by remaining in a law firm & even though his political days are behind him (he was Mayor of New York) his close confidante & political pusher, played by Hume Cronyn, keeps popping into his life, keeping the possibility fires burning for him to reenter the fray but when FDR collapses & a dirge of doctors descend upon him, his world turns upside down as not only does he have to deal w/this debilitating blow to his physical psyche but also the fretting from Garson & his own mother fortifies him to push forward eventually succeeding as he goes out in public more determined than ever. This story-line has been handled in later films like Hyde Park on Hudson w/Bill Murray (who played FDR) or Warm Springs w/Kenneth Branagh, both of which covered slices of FDR's life (one w/his infidelities & the other where he explored therapeutic treatments to his ailment) but Bellamy may well be the benchmark actor for this role (he already won a Tony for the stage version) capturing his intelligence, warmth & gritty determination to never quit (a sequence where he struggles to lift himself w/crutches is inspiring w/Garson (wearing fake teeth like Eleanor had) can do no wrong even when she breaks down in front of the children but quickly thinks of the family & straightens herself out. Look for David White (Larry Tate from Bewitched) as a political operative.

"Sunrise at Campobello" enacts early events in the personal life of Franklin Delano Roosevelt with fine production values, including solid performances.

Certainly both Ralph Bellamy and Greer Garson had their work cut out playing, respectively, Franklin and Eleanor. They got their characterizations down pat, and their work is of a high calibre.

The talented supporting cast is headed by Hume Cronyn as Franklin's best friend and Ann Shoemaker as his doting mother. Jean Hagen is seen as a good-natured secretary.

It may be that Dore Schary's script from his play was too lengthy, or that Vincent J. Donahue's direction was too slow. Whatever the case, running at 144 minutes this seems a pretty long haul for the average viewer.

Bellamy's work is consistently exectued, with all of the famous FDR mannerisms--it is also slowly-paced. Garson's Eleanor captures her distinctivly slow, deliberate speech cadence. Likewise, both principals' makeups are subtely effective.

The script begins in 1921 when Franklin was 40 and wisely ends just three years later with his politically important nominating speech for Al Smith. While there may be some dramatic modifications of factual material, the basic flavor of the period and characters are well handled.

Fraklin's overcoming of physical adversity to become a four term US president is a story of great interest, from both a human and professional perspective. "Sunrise at Campolbello" skillfully presents this inspired period of American history.

Ralph Bellamy gives perhaps his best performance as a very credible FDR. Greer Garson and Hume Cronyn give their usual solid efforts, and the supporting cast is all great. The atmosphere is right. The script is surprisingly crisp, but the length of the piece weighs it down. When it reaches the two-hour mark, the whole movie starts to creak. So if you have an interest in history and politics, it's great. If not, it's tough sledding up this long, steep hill.

I have seen a number of Ralph Bellamy films where he was cast as a looser type tied to his mother's apron strings. The problem is he did too good of a job. Can you say type casting? I am a huge fan of classic films because I believe it was a time when a movie was judged as good or bad by the skill of the actors and not insane special effects. There is a place for special effects that can take people to new worlds or bring us back to the past so well we feel we are there. All the special effects in the world can save a movie if the acting is bad or if a part is given to the wrong person. Sometimes the only special effects needed is in the magick kit and the imagination of the make up artist. A gifted director can bring out the best in any actor. When everything comes together at the right time and real magick is made and the viewer is entertained. When Ralph Bellamy was cast in the play and the movie he was able to show how much talent he really had. I was amazed how he transformed himself. I believe he showed the very essence of the man. He should have at least received a nomination for this grand performance.

Good old fashioned biography of FDR's struggle against polio and his journey back to the political arena. Good supporting performances and a handsome production add luster to this.

The real strength of this is in the performances of the lead pair. Greer Garson as Eleanor does a terrific approximation of that great lady, people have mentioned that her teeth are distracting but Mrs.Roosevelt did have large teeth and an overbite so kudos to the studio for remaining true to the actual woman. She was still alive when this came out so the audiences of the time were well aware of her appearance. It's only a surface characteristic anyway and Garson portrayal goes much deeper giving a fine account of the future first lady.

However it's Ralph Bellamy in the best role he ever had as FDR that walks away with top acting honors. Having performed the role on stage he has perfected it to a fine point and richly deserved the Oscar nomination he received. He conveys both FDR's weariness as well as the strength required to bounce back from the blow polio dealt him.

Beautifully appointed this is studio film making at its best. Wonderful ending.