Sieben Diebe

"Seven Thieves" is an average but interesting little "rob the casino" caper, raised a level by the quality of the acting.

Edward G. Robinson stars as "the professor" who masterminds a plot to rob a Monte Carlo casino. For Robinson, this represents his one last chance to make a major score before he cashes in. Rod Steiger plays on old acquaintance from the States whom Robinson tries to recruit in order to complete his team. Joan Collins, looking gorgeous, is the femme fatale and Eli Wallach as Poncho the Sax playing member of the group. Michael Dante, Alexander Scourby and Berry Kroeger round out the rest of the "Seven Thieves". Sebastian Cabot also appears as the casino director.

Robinson in what amounts to a supporting role, is excellent as always. Steiger's method acting seems a little misplaced here, however under Henry Hathaway's direction, he does deliver a good performance. Collins was never more beautiful and performs a couple of provocative (for 1960) dances in a cabaret with Wallach.

"Seven Thieves" is always interesting but contains little in the way of physical action. There are a couple of surprises as well, but I thought the ending was a bit of a let down. Nevertheless, It is still an interesting film to watch if only see the performances of the stellar cast.

THE SONS OF KATIE ELDER director Henry Hathaway made just about every kind of movie during his long career that spanned from the 1932 western WHEN THE WEST WAS YOUNG to the 1974 blaxploitation thriller SUPER DUDE. This above-average 1960 casino crime caper came out several months before the Frank Sinatra & Dean Martin epic OCEANS ELEVEN. The Hathaway takes place in France instead of Las Vegas and concerns an elderly ex-con, Professor Theo Wilkins (Edward G. Robinson of LITTLE CAESAR), who wants to make the world gasp for one last time. He has orchestrated a highly complex robbery at a Monte Carlo casino that will net some 4 million dollars in French money. He entices an old and dear friend, Paul Mason (Rod Steiger of DUCK YOU SUCKER), as the man who ramrods the operation. Paul straightens out everybody on the crew that he has the final word in everything. He also checks them out and tests them so he can be sure that they are reliable in a tight spot. One of the conspirators is a gorgeous stripper, Melanie (Joan Collins of LAND OF THE PHARAOHS), who strings along a timid, uptight casino secretary Raymond Le May (Alexander Scourby of THE BIG HEAT) to help them obtain invitations to an exclusive party the same night they plan to pull the robbery. They also enlist the aid of a safer cracker, Louis Antonizzi (Michael Dante of RAINTREE COUNTY), and Poncho (Eli Wallach of BABY DOLL) who is supposed to impersonate a wealthy baron. The night of the heist, Poncho fakes a heart attack so they can have an ambulance arrive. The ambulance is being driven by another conspirator Hugo Baumer (Berry Kroeger of Hitler) who handles the automobiles that they use for the robbery. Remember, back in 1960 when this movie was produced, the Production Code Administration still had enough clout to censor movies and they were not about to let these talented thieves get away with their crime. The way that Hathaway and scenarist Sydney Boehm work things out is not entirely satisfactory but it does make for a better ending that all of them being nabbed by French authorities.

Seven Thieves is an intricately plotted and well acted caper yarn. It combines beautiful Monte Carlo setting with seven distinct characterization. A host of international professionals are on hand including Edward G. Robinson, Eli Wallach, Sebastian Cabot, Alexander Scourby, Berry Kroger, Marcel Hillaire, John Berardino, and most of all, Joan Collins and Rod Steiger.

Collins, generally not one of my favorites, gives a marvelous performance, surprisingly reminiscent of Sophia Loren. Steiger starts the movie off being belligerent and one-note, so much so, that I wasn't certain I would continue watching. But, soon we gradually see why Edward G. wants him on his team so badly. Next, things get very taut and laced with whimsy and dry humor.

If you enjoy caper films that make you think, watch this one.

Edward G. Robinson has planned the perfect crime in "Seven Thieves," a 1960 black and white film also starring Rod Steiger, Joan Collins, Eli Wallach, Alexander Scourby, Michael Dante, Marcel Hillaire, and Sebastian Cabot. The film is set in Monte Carlo where Theo Wilkins (Robinson) has arranged to meet Paul Mason (Rod Steiger) to ask him to join in the plot. Wilkins is a former scientist who lost his credibility after commission of some sort of crime, but we don't know what it is; Mason has just finished three years in jail. The crime concerns the theft of 4 million francs from a casino and will involve a total of 7 people - a dancer (Collins), her friend (Wallach), her married boyfriend (Scourby), and a safe cracker (Dante).

Directed by Henry Hathaway, this is an interesting drama that moves somewhat slowly and might have been better. It has a couple of twists at the end that are interesting, and there is quite a bit of tension and suspense for the audience throughout.

The performances are excellent. Robinson gives a sympathetic portrayal of an old man looking for his last shot; Steiger gives a subdued (!) performance, his character being quietly threatening instead of screaming his guts out - good choice. Someone commented on this site that Joan Collins looks the same today as she did in this film 45 years ago - actually, it's kind of true. The only difference is that she wore less makeup then. Her figure is amazing, and she gives a wonderful performance as an unhappy, hard woman who has much compassion underneath. Eli Wallach does a great job as a nervous wreck.

"Seven Thieves" holds your attention. Strangely this is around the time of "Ocean's 11" where the touch is much lighter. This is a very dramatic story. It's not the greatest but worth checking out.

Remember "Mission: Impossible"? The TV series, not the movie. It was always fun to watch the team pull off one of their stunts, because they balanced their Rube Goldberg concepts with NASA-quality planning. This movie is cut from the same cloth. It's about a casino robbery engineered during one of the gambling hall's biggest celebrations. The eponymous crooks must work in synchronized unison to fulfill their plan. Unlike the MI series, though, they aren't all quite equally devoted to their mission or, at least not to their particular roles within it. Still, they have a clever series of steps that get more interesting to watch, even as it seems increasingly likely that the plan will succeed.

Along the way, there are some interesting mixtures of personality types, some mysterious backgrounds waiting to be uncovered, and a degree of slipperiness that make it hard to be sure just who we should be rooting for. Indeed, part of the charm of this film is that there are _no_ "good guys," yet we want the thieves to get away with their crime.

A nifty, thoughtful piece, with little action and no sfx (in the current sense, anyway). An added plus for some of us is a pair of fairly sexy dance numbers a 27-year-old Joan Collins does "nearly naked," as her character puts it. She was at her physical prime in this film, but don't underestimate her acting ability. She carries the sole female role with every bit as much mastery as Wallach, Steiger, and the oddly endearing Edward G. Robinson carry theirs. John Beradino (the original "Dr. Hardy" of TV's "General Hospital") has a small role, and Marcel Hillaire appears as more or less the same character he would play dozens of times in TV guest spots for the next few years.

7/10, recommended if you've had your fill of explosions, CGI, or Tom Cruise.