[go: up one dir, main page]

    Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Das Mädchen mit dem leichten Gepäck

Originaltitel: La ragazza con la valigia
  • 1961
  • 2 Std. 1 Min.
IMDb-BEWERTUNG
7,4/10
2692
IHRE BEWERTUNG
Claudia Cardinale in Das Mädchen mit dem leichten Gepäck (1961)
DramaRomanze

Ein Mädchen verfolgt einen Mann, der sie getäuscht hat, aber stattdessen fasziniert sie seinen jüngeren Bruder.Ein Mädchen verfolgt einen Mann, der sie getäuscht hat, aber stattdessen fasziniert sie seinen jüngeren Bruder.Ein Mädchen verfolgt einen Mann, der sie getäuscht hat, aber stattdessen fasziniert sie seinen jüngeren Bruder.

  • Regie
    • Valerio Zurlini
  • Drehbuch
    • Leonardo Benvenuti
    • Piero De Bernardi
    • Enrico Medioli
  • Hauptbesetzung
    • Claudia Cardinale
    • Jacques Perrin
    • Luciana Angiolillo
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,4/10
    2692
    IHRE BEWERTUNG
    • Regie
      • Valerio Zurlini
    • Drehbuch
      • Leonardo Benvenuti
      • Piero De Bernardi
      • Enrico Medioli
    • Hauptbesetzung
      • Claudia Cardinale
      • Jacques Perrin
      • Luciana Angiolillo
    • 18Benutzerrezensionen
    • 24Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 1 Nominierung insgesamt

    Fotos129

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 121
    Poster ansehen

    Topbesetzung14

    Ändern
    Claudia Cardinale
    Claudia Cardinale
    • Aida Zepponi
    Jacques Perrin
    Jacques Perrin
    • Lorenzo Fainardi
    Luciana Angiolillo
    Luciana Angiolillo
    • Aunt of Lorenzo
    Renato Baldini
    Renato Baldini
    • Francia
    Riccardo Garrone
    Riccardo Garrone
    • Romolo
    Corrado Pani
    Corrado Pani
    • Marcello Fainardi
    Gian Maria Volontè
    Gian Maria Volontè
    • Piero Benotti
    • (as Gianmaria Volontè)
    Romolo Valli
    Romolo Valli
    • Don Pietro Introna
    Elsa Albani
    Elsa Albani
    • Lucia
    Enzo Garinei
    Enzo Garinei
    • Pino
    Ciccio Barbi
    Ciccio Barbi
    • Crosia
    Nadia Bianchi
    • Nuccia
    Angela Portaluri
    Edda Soligo
    • Teacher
    • (Nicht genannt)
    • Regie
      • Valerio Zurlini
    • Drehbuch
      • Leonardo Benvenuti
      • Piero De Bernardi
      • Enrico Medioli
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen18

    7,42.6K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    8cranesareflying

    lost souls caught up in the existential angst

    Zurlini introduces a familiar theme, a futile relationship with an older woman and a younger man, perfected in his later film `Violent Summer,' but here Aida, Claudia Cardinale, plays a nighclub singer who is jilted in the opening moments of the film and spends the rest of the film searching for a way out of the stereotypical relationship of a beautiful woman using, and being used by men, a dependent and unhealthy relationship. When Marcello, a cad who lives in a lavish estate, tells his 16 year old younger Lorenzo, Jacques Perrin, to get rid of the girl, the younger brother's interest turns from bewilderment to unbridled obsession, as the high-strung, free-spirited girl surprisingly is flattered by his attention and by her belief that he has money, contrasting the obvious class distinction between the two, he lives in a statue-filled estate with his family, she lives alone out of a suitcase in a hotel room. The adults in the film are overly stern and heartless, represented by the familiar Zurlini statues which can be seen throughout his entire body of work; this lifelessness is contrasted against the passion of youth. The relationship comes to a screeching halt with the intervention of the family priest who questions Aida's motives with such a young and impressionable boy, urging her to move on. This is a brilliant scene where they speak in what appears to be a museum construction area, broken statues lie about with other scattered debris as the priest tries to reconstruct the spiritual direction of the young lovers, urging them to go their separate ways. This leads Aida into the arms of another conniving man who attempts to seduce her with plenty of money and alcohol, but Lorenzo arrives, refuses to butt out, gets his butt kicked by the older man, which leads to this extraordinarily long, beautifully evolving scene on the beach where the two lovers are caught up in the mysteries of their own futility, a kind of existential despair, surrounded by the wonderment of nature. This film constantly shifts the focus on who is the victim and who is to blame, in the end there are no answers, just a continuous search.
    8christopher-underwood

    sexy and sweet

    Claudia Cardinale is sexy and sweet and loving but we know there is something wrong almost from the very beginning, during the open credits and we should know what is going on. There is her loveliness and her beautifulness but with her lover and his car and his younger brother only 16 and with his first love but there are those other men. It is well put together and with amazing cinematography and there are wonderful moments, like her singing by the swings, drama with a priest and it is brilliant on the beach even as it begins to get dark, well before the end.
    10lee_eisenberg

    carry your memories

    Although Claudia Cardinale didn't achieve Sophia Loren's renown, there's no denying that she's an equally great actress. An example is "La ragazza con la valigia" ("Girl with a Suitcase" in English). The subtlety that Valerio Zurlini instills in the movie helps move this story of an accidental love triangle along at just the right pace.

    It's the sort of movie that deserves a lot more recognition (especially given the current glut of franchise-driven cinema). I'm now hungry for other movies directed by Zurlini, or other Italian movies from this era. In the meantime, it's definitely a movie that you should see.
    tedg

    Million Dollar Baby

    I watched this together with Eastwood's "Million Dollar Baby." I knew I would be challenged by that film (you can read my comment), and I wanted something that I knew would be a safe island after the offenses therein.

    I chose this. Its between "Million" and "Nights of Cabiria" and more perfect than both in my view. The spine of this film is a story of a prostitute/dancer, an adventuress with few skills for the job. We see some encounters that provide insights, not into her character so much, but what limits her, and that matters because we discover many of those same limits in us.

    Its a good film, largely forgotten today because its merely competent and not showy or overtly experimental as so many from that block were. But if you want an antidote to those bad films of good men, come here.

    It has the economy of Eastwood, in fact this very tradition is where he learned his directorial craft. But its economy directed toward conveying the environment, the context in which our two characters find themselves. It's geared to the context not the actors, who after all can only tell you what is in themselves, not is what is in their world.

    It has the depressing rootlessness of those early Fellini films, but it emerges from the real world we see instead of being an overt essay on what we know is Fellini's perspective that starts from the very beginning. This emerges.

    Ted's Evaluation -- 3 of 3: Worth watching.
    6lasttimeisaw

    One of Cardinale's defining work in her early career

    One of Cardinale's defining work in her early career, GIRL WITH A SUITCASE is director Zurlini's second feature, an eye-pleasing Black-and-White melodrama centres on the dead-end obsession, which a young rich boy Lorenzo (Perrin) projects on Aida (Cardinale), a penniless nightclub showgirl, who has been dumped by his elder brother Marcello (Pani).

    In the movie, Lorenzo is a 16-year-older, having barely arrived puberty, Aida is his first crush, which symbolises the most innocent and pure affection a boy must experience once-in-a-lifetime, propelled by unquenchable impulse, he is willing to do anything for her, and will surely swallow the bitter taste since their relationship can bear no fruition, the age barrier, the class disparity, all appear too formidable for Lorenzo to overcome, and Lorenzo is so good-natured and is too obedient to rebel against the unfair and prejudiced society. When we are young, we might meet the right person in the wrong time, maybe this is what Zurlini wants us to ruminate on.

    But more relevant to contemporary audience, the film tends to be preferably reckoned as a strong showcase for Cardinale, debatably the very first one for her to stretch her limit as an actress in spite of her drop-dead sex appeal. Also later it reveals that Aida has been entering motherhood in a fairly early age, which mirrors Cardinale's own turbulent personal life of being a mother at the age of 19. Her Aida is a sultry damsel-in-distress, but the reality offers her no prince-charming, only leery chancers want to physically overtake her, in a critical point, she has no alternative other than agreeing to prostitute herself, we should feel empathetic to her, but that feeling is not well- sustained, since Aida is clearly aware of Lorenzo's blind fixation, and she has no qualms to cash in on it, and being brutally honest about their doomed future. The script dangles sluggishly in the cul-de-sac, to an extent of being patience-testingly sentimental, the two-handers between Cardinale and Perrin often oscillate between generic theatrics and amateurish spontaneity sans scintillating chemistry, which inadequately sets the tenor in a lukewarm limbo.

    On the plus side, the film occasionally coruscates with its dashing panning camera movements, indicates that DP Santoni is a master-hand behind it; also the soundtrack is a winsome collage of classic pieces frequently played with harpsichord, builds up a solemn mood for the harsh reality where money becomes the only opt-out for something intrinsically superior to all the material concerns.

    Mehr wie diese

    Wilder Sommer
    7,3
    Wilder Sommer
    The Ghost Story of Oiwa's Spirit
    6,6
    The Ghost Story of Oiwa's Spirit
    A Tale of Sorrow and Sadness
    6,6
    A Tale of Sorrow and Sadness
    Cronaca familiare
    7,2
    Cronaca familiare
    The Beast to Die
    6,8
    The Beast to Die
    Bel Antonio
    7,3
    Bel Antonio
    Das Haus in der Via Roma
    6,9
    Das Haus in der Via Roma
    Signal auf halt!
    7,6
    Signal auf halt!
    Unter glatter Haut
    7,4
    Unter glatter Haut
    Neo chinpira: Teppodama pyu
    6,4
    Neo chinpira: Teppodama pyu
    The Rapacious Jailbreaker
    7,0
    The Rapacious Jailbreaker
    Kuraimuhanta ikari no judan
    6,6
    Kuraimuhanta ikari no judan

    Verwandte Interessen

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romanze

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      In 2008, the film was selected to enter the list of the 100 Italian films to be saved (100 film italiani da salvare). The list was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". The project was established by the Venice Days ("Giornate degli Autori") in the Venice Film Festival, in collaboration with Cinecittà Holding and with the support of the Ministry of Cultural Heritage.
    • Patzer
      In the opening scene when Aida takes an emergency bathroom break in the ditch, there is a noticeable paper cup like white object in the middle of the road. It comes and goes and moves around.
    • Zitate

      Don Pietro Introna: I'd like to talk.

      Aida Zepponi: To me?

      Don Pietro Introna: Yes, you. Where can we go? The museum, no one ever goes there.

    • Verbindungen
      Featured in Hep Taxi !: Claudia Cardinale (2017)
    • Soundtracks
      'Celeste Aida' from 'Aida'
      Composed by Giuseppe Verdi (as G. Verdi)

      Sung by Beniamino Gigli

      Courtesy of Ricordi

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ16

    • How long is Girl with a Suitcase?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 31. August 1962 (Westdeutschland)
    • Herkunftsländer
      • Italien
      • Frankreich
    • Sprachen
      • Italienisch
      • Latein
    • Auch bekannt als
      • La muchacha de la valija
    • Drehorte
      • Villa Levi-Tedeschi - Via Emilia Ovest, San Pancrazio Parmense, Parma, Emilia-Romagna, Italien(Villa Fainardi)
    • Produktionsfirmen
      • Titanus
      • Société Générale de Cinématographie (S.G.C.)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Weltweiter Bruttoertrag
      • 5.236 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 1 Min.(121 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.85 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.