Frankie und seine Spießgesellen

The picture talks about the biggest robbery of all . Spyros Acebos (Akim Tamiroff) pulls off a scheme introducing the plans for a new business venture : simultaneously burgle five casinos in Las Vegas as Sahara , Flamingo , Golden Nugget , Riveira and Desert Inn . He agrees with Danny Ocean (Frank Sinatra) backed by a motley and eclectic gang to execute it , formed by 11 pals ( Dean Martin, Peter Lawford, Sammy Davis, Richard Conte , Norman Fell, Richard Benedict..). The crew back in action , now veterans , after fighting in Second World War at 82nd Airbone division as paratroopers . We wouldn't call it a special group just Danny Ocean and his buddies , the night they blew up all the light , shutting off the electricity in Las Vegas . Millions dollars are taken from the casinos . But the elaborated plan itself goes wrong . They encounter complications when an investigator (Cesar Romero) discovers the tracks . This adaptation achieves one of the greatest entertainments of the history of motion pictures . We never met a band like Ocean's eleven .

From the beginning until the end the comedy and giggles along with moderated action are continuous . Besides , it has got an intelligent script and an extraordinary final surprise . Significant portions of the movie interactions between major characters were ad-libbed . The actors playing the leading roles all knew each other well and improvised dialogue as well as or better than the script . For comic relief in charge of the various relationships among several characters and their numerous jokes . Splendid songs by Dean Martin and Sammy Davis Jr and sensitive ending song by Frank Sinatra . Appears uncredited Shirley McLayne in an agreeable comic performance , Red Skelton and George Raft as invited actors . Superb and stunning musical score by Nelson Riddle (author of Batman TV music). Enjoyable and glossy cinematography by William H. Daniels (Greta Garbo's usual photographer). Director Lewis Milestone's masterpiece of the amusement and entertainment . The movie was remade by a funny and stylish remake with George Clooney and director Steven Soderbergh and several sequels . Rating : Good and nice . Worthwhile watching.

I remember back in the day when the commercials were out for Ocean's Eleven it was described as the heist of all time. It wasn't exactly that, but there is a spirit of camaraderie that is present through out the film.

Frank Sinatra had signed a picture deal with Warner Brothers and was beginning a long term commitment to the Sands in Las Vegas. What better way than to combine everything at once. A film on location in Las Vegas.

So Frank got his pallies together and they filmed Ocean's Eleven in between shows at the Sands. They also managed to get into another film, several of the principal players in Ocean's Eleven did guest shots in Pepe while at the Sands.

Ocean's Eleven has a lighthearted insouciance about it, a group of former Airborne Rangers get together in Las Vegas for a heist of the big casinos carried on with military precision. Why waste all that good airborne training now that they're civilians.

Sinatra doesn't sing in this, I can't imagine why he didn't give himself a song here, but Dean Martin and Sammy Davis, Jr. did sing two numbers suited to their talents.

Ocean's Eleven marked the first time that Richard Conte worked in a Sinatra film. He became a Sinatra retainer in his later years, appearing in several Sinatra films. They parted when Conte appeared in The Godfather against Frank's wishes.

After Ocean's Eleven came Sergeants Three with the main cast members appearing again. After that the Rat Pack broke up with these guys going their own way, though many of them did have joint projects together over the years. The quality of the films went down hill, except for Robin and the Seven Hoods. That was a musical and not something to be done in your spare time.

The remake of Ocean's Eleven that George Clooney, Brad Pitt, Matt Damon and several other name players of today did was a far more serious film. Good in its own way, but just not the same.

I haven't seen the new remake of this movie yet, but they have some pretty big shoes to fill. Technically Ocean's Eleven may not be a great film, but whatever minor plot shortcomings that exist are made up for in spades by immeasurable style.

I'm not going to explain the plot, as I'm sure that 50 other people already have. It's been a while since I've watched an older movie, so I found the loose-yet-confident chemistry and acting of the brat pack members to be very refreshing. They seemed so natural around each other, which is no surprise considering that they were buddies in real life. Sammy Davis Jr. was his usual charismatic self (why didn't he take off with the money??), Dean Martin seemed to be playing himself, a bit tipsy and sweaty with a drink in one hand and a smoke in the other, as he does in most of his films, and Frank Sinatra was also good as the understated womanizing organizer. However, I thought that Cesar Romero (known for his manic portayal of the Joker in the 60's Batman tv series) really stole the show right out from under the overly confident brat pack...I found his performance to be very commanding and impressive. A nice surprise to see comedian Red Skelton and Norm Fell (Three's Company's Mr. Roper!) in there as well!

A few things hilariously go unexplained, like how they all managed to get casino jobs virtually overnnight, but it hardly seemed to matter. You know this movie is basically just a vehicle for the brat pack, and it's pure entertainment to just watch all these legends hamming it up, especially during the couple of musical interludes where you get to hear Dean Martin and Sammy Davis Jr. croon a few really catchy songs, like E-O Eleven!

At the same time it's also a window into another era, a time of larger than life Hollywood stars. Another thing that really jumped out at me was how unabashedly politically incorrect this movie is, showcasing a dramatically different mentality than what we see in movies today. Ocean's Eleven is a pure guy flick, where all the women are no more than window dressing and are treated as such by the male characters. As dated as the macho attitude of the film may seem nowadays (and even already by late 60's standards), I found it to be a fascinating glimpse into the past when guys were guys and women were umm, dames! As ironic as it is, I found seeing this old movie without the typical modern day contrived politically correct preaching to be very refreshing, and somehow strangely rebellious!

Not the best, But if your a devoted Rat Packer.........It's a fun time and great to see them all in the Vegas of past.. when Vegas WAS VEGAS!! It was still great to see the likes of Donald O'Connor and Red Skelton as the headliners and see the elegant lounges where thery would all perform,up close and personal not for 100-300 feet away. You could walk up to them after a performance and actually chat with them as they left the stage. Everyone was dressed in suits,tuxedos, and formal dresses, wearing furs and everyone smoking. If you remember the the days of no cell phones, using the operator to make long distance calls, no computers, walkmans, cassette and 8 tracks tapes, then this is one movie you should love.

What a difference a few decades make. When this movie was made, these were the coolest guys in the world for anyone over 25. They were cool because they thought so themselves and everyone believed them.

At least we did then. Now we see not only a particularly bad caper movie, we see how uncool these guys really were. Frank was merely a selfish bully, the skinny kind who paid others to rough people up.

So we see many stories here. We see the caper story.

We see the story about 5 guys who pretended to matter and did for a while, long enough to make lots of money and have a lot of sex.

But there's a bigger story here, one that this movie evokes more than any other I know. Its the story of America, the America defined by entertainers, the one the French New Wave thought was real. You can research it quickly by seeing "The Ocean's Eleven Story," a poorly made documentary, but one that hits most of the buttons.

These guys, at this time, were behind making the Mob bigger than they ever had been before. They married the Mob with presidential politics, even pimping to the president. This was where Marilyn's suicide was made inevitable. And Mob hits on Castro, and the embarrassment of the FBI by RFK, and subsequent rage by Frank at being jettisoned.

There is suicide and assassination behind their misogynistic prancing, their assumption that all they had to do was show up, and we would swoon.

This is an important film, if you think film is important.

Ted's Evaluation -- 2 of 3: Has some interesting elements.