Der Fluch der Urwaldhexe

While traveling through the African wilderness, an aging woman discovers the secret of youth, but she will have to kill to stay young.

A clever story and an outstanding performance from Coleen Gray uplifts this old B thriller. You've gotta give Leech Woman a little more credit for being a drive-in movie from the late 50's that doesn't rely upon some 'monster' to drive it. Leech Woman is instead a more thoughtful thriller that examines a woman's desperation. It's low budget indeed, but does have some decent makeup FX, a nice music score, and a better-than-average cast to hold it together.

** 1/2 out of ****

Enjoyable low-budget horror schlock from Universal-International has Colleen Gray giving a juicy performance as the hard-drinking wife of doctor Phillip Terry, an endocrinologist who is turned on to a youth potion by an ancient African woman that utilizes orchid pollen and the secretions of the male pineal gland. Unfortunately, the male has to be killed to get the chemical from the gland--plus, the youthful effect is only temporary. First-half of the movie--wherein Gray, Terry and John van Dreelen travel through the jungles of Africa, learning the secret of the potion before being told they will be killed in the morning--looks and sounds like a reel from a Tarzan adventure. Second portion with Gray using the youth serum on herself and pretending to be her own niece is far more entertaining (it's rather like a straight-faced precursor to "Death Becomes Her"). Pulled together quickly by the studio, "The Leech Woman" is better than it has any right to be, with a good cast and fine make-up effects helping to bolster its shaky structure. ** from ****

I sat down to watch this movie expecting to see a woman with a big rubber leech head chasing people around but it turns out Leech Woman offers something slightly more sophisticated. The story is that a scientist and his estranged wife head off to Africa to search for the fabled elixir of hokum which turns women young again. Obviously these days it would be a waste of time because every second advert I see for toothpaste or shampoo offers time renewal, time protection and suchlike whatever that means.

One thing I liked about this movie was the way that every single character is awful in some way. There's a good story though it is a bit slow to start with. Some viewers have moaned about the rather obvious stock footage but anyone who is a fan of movies of this era will recognise it as just par for the course on a quick cheapie like this.

Give it a try, despite the tacky name it's quite a good story and worth a watch.

This movie has gotten a bad rap, I think mainly because of the inane title. It conjures up a ridiculous image of a giant leech with a purse and high heels on. This movie is actually pretty good, given it's low budget.

Coleen Gray, a very pretty and capable actress in her day, gives a great performance as June Talbot, the alcoholic, middle aged woman married to Dr. Paul Talbott (portrayed as a total heel by Phillip Terry, better known as Joan Crawford's 4th husband). Dr. Talbott is a scientist who is trying to find a serum to counter aging and is willing to sacrifice his wife in order to find the answer.

The performances by Gray and Terry are solid, as is Gloria Talbott who plays Dr. Talbott's assistant and Grant Williams, Dr. Talbott's lawyer and Gloria's boyfriend who falls under the spell of "The Leech Woman". Estelle Hemsley is also good as an old African woman who looks like a human prune and offers to show the good doctor the secret to turn back the effects of aging, for a very steep price, of course.

I thought the make up of the Leech Woman was very affective, pretty scary stuff for it's day. Don't let the title of this movie keep you from watching...it's very entertaining, from start to finish.

Speedily put into production in order to offer exhibitors a second-feature lure with bookings of The Brides of Dracula, this little movie suffers from a tedious First Act. The initial scenes were obviously designed merely to fill in time, so that latecomers would not feel at any disadvantage. We're told absolutely nothing that doesn't develop later on in the plot. A bit of judicious trimming here would do wonders. And in any event, Coleen Gray doesn't seem nearly old enough in these early scenes to make her motives credible. Fortunately, she is marvelously made-up later on—and in these sequences she also gives by far the best performance of her career.

Despite Dein's flat-footed direction and the obvious constraints and inhibitions imposed by a tight "B" budget, interest is kept at a high level in the last half of the movie not only by Gray's forceful portrayal (and the skillful way she is lit and make-up) but by some neat yet unexpected plot twists

Alas, the film cheats on special effects, the transformations being accomplished without camera trickery in a most tame and disappointing manner.

Nonetheless, although horror devotees will find the going pretty dull until the halfway mark, the movie does eventually hit its stride. In fact, I'd describe it as a key item for any keen fan's personal collection.