People Will Talk

This is very unique film. Superlatively written, it offers amusing dialog, social insight and enlightened views of science, women's issues, social mores, the nature of success, materialism and the urge to destroy what we cannot understand.

It is not boring, yet its main characters are doctors/composers, and professors. Though its setting is an elite clinic and a university, it is concerned with real people and their needs.

Cary Grant is at his warm, compassionate and wryly witty best.

His sidekick, so to speak, is the rumpled and likeable Walter Slezak. Hume Cronyn is superb as the little weasel who sets out to "investigate" i.e. slander and destroy the Cary Grant character. Sound familiar?

"People Will Talk" may be considered a comedy of manners of the 1950's and a companion piece to another, similarly-titled Cary Grant film, the lesser-known Frank Capra masterpiece "Talk of the Town." Both are intelligent, thought-provoking, and thoroughly entertaining Hollywood gems.

Don't forgot to check out the "typical farm family..." You'll recognize the narrow-minded, cliche-ridden, hypocritical patriarch of the clan...

This gem just isn't given enough play. Actually, given the power of the forces it takes to task, it is a small miracle it even got made. In tackling the project, Mank riddled the medical profession, with a not too subtle sidetrip to take on McCarthyism.

Cary Grant is more smooth and relaxed than usual, and actually seems to be enjoying the role. Jeanne Crain tackles a difficult (and not too well written, alas) part, and Walter Slezak does a nice turn as a collegue and crony of Grant's. Hume Cronyn is despicable as the jealous and zealous pracitioner, prosecutor and persecutor.

This film didn't do well initially, but is now developing a cult following. It is one of those rare movies that gets better with each viewing.

PEOPLE WILL TALK may be my favorite film, if you can have such a thing. Loosely based on a German play, Doctor Praetorious, it tells of a Doctor with a unique philosophy. It was quite a step into some sort of cinematic adulthood when a young student who has found herself pregnant from an illicit romance becomes the sympathetic heroine of the movie, finding love with a charismatic doctor.

Some have said this movie was a comment on the McCarthy era, of personal investigations used by jealous men to destroy charismatic figures, and I thought of this movie quite a lot during the Clinton Impeachment proceedings. I kept saying to myself that the defense team could just run scenes from the movie with good effect, especially Shundersun's closing comment Hume Cronyn's character. And Slezak's comments to the same character that he could string together more unpleasant words than any little pipsqueak he had ever known.

And finally this movie offers some wonderful characters, Walter Slezak's loyal professor, Finley Curry's as the mysterious companion, and the dignified if defeated Sidney Blackmer.

I hope someday to read the German play upon which it was based, but as far as I know it was never translated.

How many movies had a score by Brahms? 'People Will Talk' features his Academic Festival Overture, which is the only example of cheerful grandeur I can think of in serious music. Mankewicz knew what he was doing, because this is a cheerfully grand movie. While his 'Letter to three wives' and 'All About Eve' are more famous, this one is my favorite.

For one thing, Cary Grant has never been more attractive, for Dr. Praetorious is a good and humane doctor. "I don't cure illness, I make sick people well." If the notion that a woman bearing a child out of wedlock is a disgrace has gone, the theme of the mediocre witch-hunting the brilliant is timeless.

The phrase 'beloved character actor' could have been invented for Finlay Currie, but you've got to be able to use it for Walter Slezak - at least in this movie. (See "Lifeboat")

If you spend two hours with these people, you'll hear some very splendid talk, and you'll feel both warmed and civilized. How many of today's movies do that?

I have watched this film tens of times over the years without ever getting bored and was delighted to recently find it on DVD in the United States. The film contains all the ingredients for the viewer's pleasure ....... romance humour suspense strangeness ......... I was especially taken aback by the Shundersson mystery. I also found that the film although over 50 years old as I write doesn't really seem dated in the attitudes and ideas it expresses. Clothes and cars may hark back to the beginning of the 50's but the dialogues are quite simply timeless. I don't wish to dwell on the story by let's say they are lots of twists and turns and a plentiful supply of humour. Of course I have always loved Cary Grant but I find that in this film he turns in a particularly interesting performance, a little above the usual level of the character he plays. It's also very intersting to watch Grant's reaction in embarassing situations and notably the "interrogation" carried out before the concert at the end. As for Jeanne Crain, his "wife" I find her every time stunningly beautiful. Professor Elwell's character must be one of the most obnoxious in the entire history of cinema ......... !!