Romanze mit Hindernissen

I just happened across this one Sunday morning on Turner Classic Movies, and I loved it. What a cast: Doris, Gordon, Billy Gray (of "Father Knows Best"), Ellen Corby (Grandma of "The Waltons"), Mary Wicks (from the "Sister Act" movies) and others who made this a total trip down memory lane. I can hardly wait for the second movie, "By the Light of the Silvery Bay" (1953) to come on!

The decade which gave us the First World War seems an unlikely subject for nostalgia. On Moonlight Bay, however, is a film which approaches the 1910s in a sentimental, nostalgic way, trying to persuade us that, whatever was happening on the battlefields of Europe, it was a time of a kinder, gentler America. The film centres upon the Winfield family, prosperous citizens of an unnamed mid-western town, and especially on the romance between their daughter Marjorie and her boyfriend William Sherman.

William is something of a radical, with advanced views about politics and the institution of marriage, but as he is the sort of well-scrubbed middle-class radical who always wears an impeccably-tied bow-tie and calls his girlfriend's father `sir', we know that in the end he will turn out to be a thoroughly respectable young man, eager to do the right thing by Marjorie and his patriotic duty to his country. (The fact that he has the same name as a famous general is perhaps a giveaway). The film deals with America's involvement in World War One in the traditional flagwaving manner; it was made at a time when the Cold War had recently become a hot war in Korea, so there is an obvious political subtext.

Set against this romance is a series of sub-plots involving Marjorie's mischievous younger brother Wesley, a sort of American Just William. Wesley is very well played by a young actor named Billy Gray, and his antics provide the film with its most amusing moments.

The film is a musical, and the songs are pleasant enough, although the tunes are not particularly memorable and the lyrics are clichéd in the best `Moon-in-June' style. The film as a whole, although it has nothing of any depth to say and even the political themes are dealt with rather superficially, makes agreeable entertainment, especially on a wet Sunday afternoon (which is when I saw it on TV). 6/10.

Though it doesn't match the captivating staging of Vincente Minnelli's Meet Me in St Louis as a nostalgic period musical, both this charmer and its sequel By the Light of the Silvery Moon, based on Booth Tarkington's delightful Penrod stories, are very much in the same mold as the Minnelli classic; both films provide ideal vehicles for the multi-talented Doris Day, seen here at her most fetchingly tomboyish with her frequent on-screen partner at the time, Gordon MacRae. Their combined vocal talents bring genuine class to the turn of the (last) century tunes, providing a veritable cornucopia of some of the era's most recognizable standards. The pair create an easy chemistry mercifully free of the self-conscious projection so prevalent in many contemporary "feel-good" movies. Billy Gray, as Day's younger brother in his pre-Father Knows Best days was a likable and unspoiled child performer, who brought terrific comic timing in the delivery of his misplaced energies. Mary Wickes as the no-nonsense maid who acts as a kind of chorus to the action, is another notable scene-stealer, in a film which like so many of the early Doris Day musicals leaves this viewer with a warm glow.

I've seen this Doris Day-Gordon Mc Rae film a number of times. Actually I first saw it as a little boy when it premiered in 1951. I thought it was a fairy tale then and I still do now. But it's a delightful fairy tale and last night I shared it with my twelve and a half year old son.

A combination of "Father Knows Best" and "Dennis the Menace" with music, "On Moonlight Bay" gave American audiences during a Cold War and a hot Korean conflict the cinematic equivalent of comfort food. All the characters are witty and caring and there's mischief without mayhem. The only violence is a snowball fight and the sole injury is a twisted ankle. The sweetness of the courting couple is what we all want for ourselves but rarely if ever experience. With the mad senator from Wisconsin searching for communists everywhere, the script allowed its male lead to express extravagantly immature ruminations about the evils of patriotism before he, of course, awakened to his duty. This film is from Warner Brothers, the same folks who gave us the Department of Defense funded "Red Nightmare" with Jack Webb.

I wasn't surprised that my son liked the movie a lot. Even at his age he needs and appreciates a good escape from a world less gorgeously delightful than the screen version. Doris Day is very good although her real age is hard to disguise as she acts the teenager.

They don't make musicals like this any more. They can't. Our sensibilities and experiences demand the exotica of films like "Moulin Rouge." "On Moonlight Bay" is a great trip back to an increasingly questioning and insecure America that could imagine a past as happy as that portrayed in the film. I'll see it again. And again.

This is a collection of warm, human and often humorous Booth Tarkington stories, strung together, of a perceived or recalled pre-WWI America. It had all happened half a century before this mid-20th Century production. It was, perhaps, the last clarion call of the sweet, sentimental ballad of the turn of the last Century as Rock and Roll was starting to impact as the popular music of the West.

The production values of this film are strictly 1950s studio. It was shot on tri-exposure Technicolor with the lighting a bit flat but, all in all, a loving tribute to the era complete with many of the top song hits of the time, some that are still celebrated today, in the 21st Century.