Die Reise ins Ungewisse

This is one of James Stewart's lesser known films made during the post WWII period when Stewart was unsure what direction his Hollywood career would take him. I recently discovered this film on cable and found it to play somewhat like a long "Twilight Zone" episode where Stewart's character who is a scientist tries to convince the pilot of a transatlantic flight that the airline's structure will collapse and that everyone will be killed unless they turn back. Fine performances by Stewart and the supporting cast make this a watchable film.

This movie is one of the few films about airplane disasters that really goes into the fundementals of design and construction problems. For it deals with metal fatigue, and how it causes an apparently marvelous airplane to become a death trap. The film is well written and acted by Jimmy Steward, Glynis Johns, Marlene Dietrich, and Jack Hawkins. There is nothing to say about that. I only feel that it is interesting to think of the author of the screenplay, Nevil Shute.

His real name was Nevil Shute Norway. He is remembered for his writing, in particular the novels A TOWN NAMED ALICE and ON THE BEACH. But he was also an aviation engineer. Working for Vickers, he helped design all types of aircraft. In particular, he helped in the building of the zeppelin R-100 which Vickers designed in a contest between private industry and the government. A Labor government in office was trying to demonstrate the superiority of government sponsored projects over private industry. The R-100 proved a perfectly adequate zeppelin, that did a maiden trip to and from Canada safely. The government sponsored R-101 crashed on its first voyage in France, and killed 44 out of 48 men on board, including the Secretary of State for Air, Lord Thomson (who had pushed the project) and most of the government's aviation experts. Shute wrote a very good account of his career as an engineer, and of the R-101 Tragedy, entitled SLIDE-RULE. I recommend reading it if you ever get a chance. It helps explain the experience he brought to the writing of NO HIGHWAY.

James Stewart in his brief "fubsy" period directed by Henry Koster with whom he worked several times successfully, most notably "Harvey". Stewart plays Theadore Honey, a brilliant aeronautical engineer who has discovered a flaw in the design of a new airplane that will result in its tail falling off after a certain number of air hours. This British film is somewhat forgotten, but stands up beautifully in today's contemporary commercial air scene. A very winning and complex characterization by Stewart reminds us that although he was always "himself", he had great range. A poignant performance by Janette Scott as his daughter Elspeth is perfectly complementary and, indeed, the father-daughter relationship is a major theme that helps take this film to a higher level. Glynis Johns is an air-hostess/nurse who answers the call of the script believably. Marlene Dietrich smokes her way through scenes as, well, Marlene Dietrich and creates a character thats an odd comment on today's celebrity patronesses. Lots of other good British actors like Jack Hawkins add heft.

A very satisfying movie with a flight that will keep you white-knuckled.

I first saw "No Highway in the Sky" when I was 11 years old. What has always impressed me about the film is the fact that it shows how the courage of the little known people of the world can accomplish a greater good. Theodore Honey (Jimmy Stewart's character) is a written-off by his peers, superiors and the outside world as a strange sad little man. He is a widower, and a single parent. All he has is his daughter and his work to keep him going.

But he is also single minded in his pursuit of his knowledge and his craft. He gathers his data, forms his postulate and relentlessly pursues his goal regardless of the establishments thinking on the matter. When he realizes that he or people that he has met and starts to care for may be injured or killed if does not act on his theory, he has the moral fortitude to act to save their lives and prevent tragedy. Unorthodox, yes. Odds against him? Yes. Do you admire him? YES!!! Dr. Honey versus British Government and British Airways is prophetic. (e.g. The British Comet disasters of the early 50's happened after this film was made) (Also think about the engineers at Thiokol battling NASA over the Challenger launch) James Stewart, a pilot himself, shows us that this courage of facts versus opinion and profit is the courage that should be encouraged and rewarded.

35+ years later, I am an engineer and I owe a great deal of it to this film.

Frequent fliers will find the portrayal of a TransAtlantic flight in "No Highway in the Sky" to be quaint, if not prehistoric. Security is non-existent, no metal detectors, no pat downs, no baggage search. Passengers have lots of space, smoking is permitted, and tours of the flight deck are offered. The stewardesses work in a spacious kitchen, with a stove, cabinets filled with dishes, and shelves of glassware. Men and women have separate restrooms, and the passengers are all well groomed and appropriately dressed. Flying has certainly evolved, or devolved since 1951.

However, beyond a review of the comforts of flying during the mid-20th century, Henry Koster's "No Highway in the Sky" is a decent little drama, highlighted by an impassioned performance by James Stewart. Set in England, Stewart is Theodore Honey, a scientist in an aircraft design and testing lab, who is studying the propensity of the tail wings on Reindeer aircraft to self destruct after about 1400 hours of flying. As the widowed scientist, Stewart is gangly, clumsy, and socially awkward; absent minded to the point of forgetting where he lives, he is focused completely on science and the problem at hand and largely dismisses other people. In a household cluttered with books, Stewart lives with his intelligent school-age daughter, whom he has isolated from other children. Perhaps overshadowed by his work in "It's a Wonderful Life" and "Harvey" during the same period, Stewart is nevertheless excellent in the part, and his speech to the aircraft committee has elements of his passionate "Mr. Smith Goes to Washington" rouser.

Although the personal aspects of the story are unconvincing, the screenplay by R. C. Sheriff, Oscar Millard, and Alex Coppel, which was based on a novel by Nevil Shute, does throw light on the aviation industry in Britain just after World War II. Pushed to prove his hypothesis, Stewart is sent to Labrador to find the missing tail of a recently crashed Reindeer. Unfortunately, he finds himself aboard a similar Reindeer that is nearing the critical point when he projects that the tail will disintegrate. The drama aboard the tense overseas flight involves Marlene Dietrich as Monica Teasdale, a glamorous film star; a touching Glynis Johns as Marjorie, a sympathetic stewardess; and Kenneth Moore as the co-pilot. Dietrich and Stewart, who were previously paired in "Destry Rides Again," work especially well together. Jack Hawkins appears as Scott, a new department manager, and Wilfred Hyde White makes a brief appearance as a researcher.

While uneven and unconvincing at times, "No Highway in the Sky" offers a priceless look at air travel more than half a century ago, a fine James Stewart performance, and the timeless beauty of Marlene Dietrich. Actually, Stewart's often befuddled Theodore Honey alone is reason enough to catch the film.