Der Todesfelsen von Colorado

The movie centers on a strong clear plot structure strongly defined in the beginning. The story progresses to a seige, where pure character takes over the plot as the main element that defines the fine quality of this movie. For some reason I did not know at the time, I loved this movie as a child. Later in theater I learned the quality aspects that New Mexico writers and actors used. I wish it was available in DVD or VHS.

The great cast here, including Ayers, Maxwell, Divine, and Conried cannot save this predictable and routine Western effort. All the stereo-types are here, the fallen woman, the honor-bound Cavalry Captain and comic relief, but none of it seems to work well. The ending attempts to be different, but by that time the viewer could not care less.

Cavalry Captain Hunt (Lee Ayres) is trying to promote good relations with the Indian chief Acoma. But Hunt's superiors in the military insist on pursuing policies that will provoke a conflict, and Chief Acoma is not willing to let himself be insulted, not when two of his braves get shot ...

Which means the Cavalry and injuns clash, hence there's some good action sequences, which comes after much build-up. The action scenes are well-staged and frantic. There's plenty of mountain climbing, grit and the plot is loaded with enough drama and action to keep things interesting. Lee Ayres delivers a good performance as the captain who is struggling to keep his superiors from showing injustice to the Indians. Nice opening with Abe Lincoln and the chief signing a treaty. The locations are breathtaking. The ending is quite surprising- doesn't end as one would expect. Similar elements were later repeated 1953's excellent the Last of the Comanches such the hidden guns, the Indian leading Marilyn Maxwell to water.

Too many broken promises to the Indians, and prisoners gunned down at the orders of cavalry colonel Walter Greaza. Indian chief Ted de Corsia tells Captain Lew Ayres their friendship ended. After his men kill Greaves, it's up to Ayres to make peace or die trying.

United Artists had done its share of B westerns, of course, but the times were changing, and they were upgrading into the Shaky A western, with a fine cast including Marilyn Maxwell, Andy Devine and Jeff Corey. More, they were handling a real theme here, the theme of revenge and its futility, and doing so rather brutally and cinematically. Unhappily, the print was rather muddy, but director Irving Reis was clearly a man who was scheduled to go places. He had started out directing RKO B movies, but had had a hit with THE BACHELOR AND THE BOBBY-SOXER; the movie after this would be the well regarded THE FOUR-POSTER. Alas, he would die in 1953 at the age of 47.

Good concept and execution overall - my DVD (Alpha Home Video) ran 77 minutes in B & W. Color would've made a big difference. Still, the characterizations of the lead characters were good for most, and the general plot execution held together well.

The filming locations around Gallup and Acoma NM echo Monument Valley. The focus on the legendary Acoma Pueblo (aka Sky City) in western New Mexico seemed to be accurate; the mesa-top village (in miniature long shots) was pretty well done as were the cliffside scenes of attack and desperate defense. Unclear how much fighting was actually filmed at Acoma proper, as it is a sacred site.

Normally it was the Acomas defending the mesa and village, rather than trying to assault troops on the mesa from below. *The Spanish had laid siege to Acoma Pueblo as far back as the 16th Century.

A note on the mysterious "Lincoln Canes." These were indeed provided to a number of tribes and pueblos, engraved "1863" and "A. Lincoln." They were a respectful recognition of tribal identity and sovereignty - just do a search for Lincoln Canes. Clearly the film is correctly alluding to an act of great significance to the Native tribes, while taking some license with the actual event. That's Hollywood...