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Meet Me After the Show

  • 1951
  • Approved
  • 1 Std. 27 Min.
IMDb-BEWERTUNG
6,1/10
237
IHRE BEWERTUNG
Eddie Albert, Betty Grable, and Macdonald Carey in Meet Me After the Show (1951)
KomödieMusikMusikalisch

Füge eine Handlung in deiner Sprache hinzuDelilah Lee is the star of husband Jeff Ames' Broadway show when she starts to suspect he has been exchanging more than contracts with the show's vampish backer. Alimony and amnesia become t... Alles lesenDelilah Lee is the star of husband Jeff Ames' Broadway show when she starts to suspect he has been exchanging more than contracts with the show's vampish backer. Alimony and amnesia become the order of the day.Delilah Lee is the star of husband Jeff Ames' Broadway show when she starts to suspect he has been exchanging more than contracts with the show's vampish backer. Alimony and amnesia become the order of the day.

  • Regie
    • Richard Sale
  • Drehbuch
    • Richard Sale
    • Mary Loos
    • Erna Lazarus
  • Hauptbesetzung
    • Betty Grable
    • Macdonald Carey
    • Rory Calhoun
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    237
    IHRE BEWERTUNG
    • Regie
      • Richard Sale
    • Drehbuch
      • Richard Sale
      • Mary Loos
      • Erna Lazarus
    • Hauptbesetzung
      • Betty Grable
      • Macdonald Carey
      • Rory Calhoun
    • 15Benutzerrezensionen
    • 2Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos6

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung56

    Ändern
    Betty Grable
    Betty Grable
    • Delilah Lee
    Macdonald Carey
    Macdonald Carey
    • Jeff Ames
    Rory Calhoun
    Rory Calhoun
    • David Hemingway
    Eddie Albert
    Eddie Albert
    • Chris Leeds
    Fred Clark
    Fred Clark
    • Tim Wayne
    Lois Andrews
    Lois Andrews
    • Gloria Carstairs
    Irene Ryan
    Irene Ryan
    • Tillie
    Steve Condos
    • Specialty Dancer
    Jerry Brandow
    • Specialty Dancer
    Harry Antrim
    Harry Antrim
    • Judge
    • (Nicht genannt)
    Rodney Bell
    • Dr. Wheaton
    • (Nicht genannt)
    Herman Boden
    • Dancer
    • (Nicht genannt)
    Lovyss Bradley
    Lovyss Bradley
    • Wardrobe Mistress
    • (Nicht genannt)
    John Butler
    John Butler
    • Virgil the Bartender
    • (Nicht genannt)
    Steve Carruthers
    Steve Carruthers
    • Nightclub Patron
    • (Nicht genannt)
    Gordon B. Clarke
    Gordon B. Clarke
    • Headwaiter
    • (Nicht genannt)
    Dick Cogan
    Dick Cogan
    • Show Investor
    • (Nicht genannt)
    James Conaty
    • Nightclub Patron
    • (Nicht genannt)
    • Regie
      • Richard Sale
    • Drehbuch
      • Richard Sale
      • Mary Loos
      • Erna Lazarus
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen15

    6,1237
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    Empfohlene Bewertungen

    6bkoganbing

    You won't get out of that alimony that easy

    From the racetrack to the Broadway stage Meet Me After The Show is a remake of the 1940 screwball comedy He Married His Wife. The original film was pleasant, but nothing to write home about. This one has the addition Betty Grable and some song and dance which is a plus though the songs are most forgettable.

    Grable has been married and divorced to producer MacDonald Carey who discovered her and made her a star and his wife in that order. But the two couldn't live with each other or apparently without each other.

    Carey is slow on the alimony and Betty fakes some amnesia and loses 7 years back to when she was working nightclubs before Carey discovered her. She's also got Rory Calhoun making a big play for her as well.

    At one point Carey sings a song. Like Tyrone Power in Second Fiddle he was not a good singer. Whose idea at 20th Century Fox was that?

    Meet Me After The Show is a pleasant enough Betty Grable musical comedy.
    4moonspinner55

    Mid-budget Fox musical with amnesia plot...Oh, Me! Oh, Mi-ami!

    Soon-to-be divorced Broadway musical performer is involved in an auto accident and acquires amnesia; estranged husband and best friend follow her to Miami, where she has reverted to her salad days of seven years prior and booked herself into a nightclub. Rather strange cut-price extravaganza from Twentieth Century-Fox has Betty Grable in and out of cockamamie outfits, singing tunes by Jule Styne and Leo Robin which include "It's a Hot Night in Alaska" (!) and a thudding number called "No Talent Joe" which surrounds Grable with muscle men dressed as Roman guards. Gwen Verdon pops up uncredited (except in the on-screen program!) for a duet with Betty in the movie's most bizarre number, a vaudeville-styled routine about bandits which turns into a ballroom blitz complete with candelabras and tuxedoed men in black masks. With so much nonsense taking place on-stage, one can easily ignore the contrived amnesia-line, which doesn't amount to anything anyway. Script was "suggested by" a story from Scott Darling and Erna Lazarus, the same story Fox filmed in 1940 under the title "He Married His Wife". *1/2 from ****
    9dmarie-4

    Betty Grable's best dancing role; she shines as a comedienne.

    Released in 1951, Betty Grable's star was beginning to fade. Fox cast her in this role, which demanded a great deal more dancing than the usual Grable fair. Working with choreographer, Jack Cole, Betty gives one of her finest dancing performances on film. The film is funny, fast paced and delightful. Grable shines not only as a hoofer, but as a comedianne is this light-hearted romp of love and amnesia. Gwen Verdon appears alongside Grable in several dance numbers. McDonald Carey, Rory Calhoun and Eddie Albert are all superb in their roles of the past and present loves of Kitty Lee (Betty Grable). Memorable lines and songs are abundant in this film. This is a must-see for all Grable fans.
    5timothymcclenaghan

    Kind of Forgettable

    This 1951 film is another backstage musical, a typical format for Betty Grable. Unfortunately, this musical suffers from a mediocre score. Even though the composers were the well-known Jule Styne and Leo Robin, none of the songs in this film come anywhere close to the quality of their other compositions (e.g. Gentlemen Prefer Blondes).

    In part of the first production number, Grable does a very good, skillful tap dance joined by two male dancers. This was the time when tap dancing was giving way to jazz as the predominant style of dance in film, brought on by Jack Cole and Bob Fosse. While Grable was certainly technically proficient enough for that style in the other production numbers, in my opinion, it just doesn't seem to suit her persona.

    What is choreographer Jack Cole's production number, "No Talent Joe", all about? With a chorus of muscle men attired in classical Greek costumes and tan makeup suggesting statuary, and herself wearing a beachcomber outfit, Grable sings a Latin/Calypso song. What a mishmash!

    I suggest this might have been a homo-erotic fantasy interjected by choreographer Cole. He did a similar thing when choreographing 1953's "Gentlemen Prefer Blondes", with Jane Russell surrounded by gyrating nearly naked athletes.

    Two other interesting points of trivia. The Miami film sequence is footage lifted directly from Grable's 1941 film, "Moon Over Miami". Also, take a good look at the set, props and the women's costumes in the last production number of the film. You will see very similar in 1953's "Gentlemen Prefer Blondes" in the "Diamonds Are A Girl's Best Friend" production number. This probably due to the fact that Charles Le Maire and Travilla did costumes for both films, while Cole did the choreography for both.

    While most musicals are excusably weak in the plot department, the plot is this film is downright dumb. Viewing this film would be enjoyable only for the die-hard Betty Grable fan. It's been resurrected recently on the Fox Movie Channel. Record it and skip everything but the musical numbers.
    3planktonrules

    Pretty dopey.

    Through the 1940s, Betty Grable was a top star with Twentieth Century-Fox. However, by the 50s her star started to dim somewhat and soon the quality of her pictures began to slip significantly. "Meet Me After the Show" is one of these films...with a script that really seemed second rate.

    When the story begins, Delilah (Grable) and Jeff (MacDonald Carey) are happily married and very successful. He's a Broadway producer and she stars in his productions. However, when she starts to become jealous, she separates from him and makes his life difficult. In fact, I would go so far as to say she was a terrible person-- backing out of his show and destroying the production...and putting a lot of folks out of work. Naturally, Jeff is angry and before he can get revenge, she is involved in a minor traffic accident. She's bumped her head and now has amnesia!! She disappears--appearing where she used to be before she met Jeff...as if the last seven years have never taken place. The doctor insists she's faking it...Jeff isn't so sure. What I am sure of is that Grable completely embarrasses herself and the second portion of the film is just plain stupid....and seeing Grable ACTING like an 18 year-old when she looks significantly older is very sad. At this point, the film just tries too hard to be kooky...and it completely lost my interest.

    Sadly, with films like this and a few other huge disappointments, soon her career would be over...over by about age 40.

    Handlung

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    • Wissenswertes
      Betty Grable, Rory Calhoun, and Fred Clark also shared screen time in How To Marry A Millionaire.
    • Zitate

      Jeff Ames: I whipped her into shape with my bare hands!

      Tim Wayne: You did? *Nice* job!

    • Verbindungen
      Featured in Merely Marvelous: The Dancing Genius of Gwen Verdon (2019)
    • Soundtracks
      Meet Me After the Show
      Written by Jule Styne, lyrics Leo Robin

      Sung and danced by Betty Grable, Steve Condos, and Jerry Brandow with chorus

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 15. Oktober 1951 (Schweden)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Revüler Kraliçesi
    • Drehorte
      • 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Twentieth Century Fox
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    Box Office

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    • Budget
      • 1.825.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 27 Minuten
    • Seitenverhältnis
      • 1.37 : 1

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    Eddie Albert, Betty Grable, and Macdonald Carey in Meet Me After the Show (1951)
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    By what name was Meet Me After the Show (1951) officially released in Canada in English?
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