Ma and Pa Kettle Back on the Farm

MA AND PA KETTLE BACK ON THE FARM was the fourth film in the series and it's one of the best, with a number of laugh-out-loud lines and hilarious knockabout humor. The Kettles become grandparents as the film opens - endearing idiot Pa learning Ma is at the hospital and that "Mrs. Kettle" is expecting believes Ma is the one with child! The blessed event brings daughter-in-law Kim's parents to town and Ma immediately clashes with the haughty Mrs. Parker who proceeds to boss the whole Kettle household around, lays down the rules for interaction with the baby, and even decides to name the child over Tom and Kim's decision!! When the bickering gets too intense and threatens Tom and Kim's marriage, Ma decides to Pa and her and the kids will move back to the family's dilapidated rural house for a spell while the Parkers stay in the KETTLES fancy city home. Back home, Pa and local huckster Billy discover uranium on the homestead - and so do a couple of petty crooks from the big city.

This entry has some of the funniest lines in the series and Pa's "14 goes into 25" skit is an unheralded gem that is funnier than Abbott and Costello's "Who's on First" classic sketch. Mrs. Parker is a rather over the top caricature of a snooty city woman although Barbara Brown gives a good performance in the role. Her tirade against the Kettles Indian friends though is rather offensive even for the era though.though I loved Crowbar's retort when Pa informs him aristocratic Mrs. Parker's "ancestors came over on the Mayflower." "Hmmmph," says Crowbar, "that nothing. Mine there to greet them!"

Each of these movies, an endless amount of them, all border on the ridiculous without a bit of sublime involved. Such an old couple with a tribe of young 'uns is a bit beyond the pale. The 2 of them are so amusing and good at what they do, it seems as if there was no acting required, just naturally inclined in that direction. Of course, they were acting and they did their jobs well. One wonders what they might have done without these caracitures they dwelled in. More palatable the movies might have been had there been some more sensible story line rather than these absurdities. For what's it worth, they were great comedians with lousy scripts.

Ma and Pa Kettle are back on the farm. In this film in the series, they are expecting their first grandchild. After fifteen children, Pa Kettle actually believed that he was going to be a father again when he looks for Mrs. Kettle at the hospital. They're are funny moments especially when we got Kim's parents coming to town. They're prim and proper and snobby. The film is my favorite so far in the series. Just love it when Kim's mother yells "Come and Get It."

One of the director's final films - Edward Sedgwick died two years after making this third chapter of Ma & Pa Kettle. In this one, after Kim, the daughter-in-law has a new baby, her snobby parents come to visit the Kettles in the fancy house that they had won in the first film. This also marks the first and last time I ever saw Marjorie Mains with her long hair down. Pa does a fun mathematics gag on the chalkboard, and on it goes. Ray Collins is Jonathan Parker - viewers will recognize Collins from the Perry Mason show, and the bazillion films he did in the 1940s. Also keep an eye out for a brief appearance by Harry Von Zell; in addition to all the voice-over work, he did numerous episodes on the "Burns and Allen" show. Swindlers try to buy the Kettles' old farmland when it turns out there's something valuable in it... (sound familiar...?) They do a good job of continuing the Kettle story, in spite of the fact that it has different writers. Fun way to spend about an hour and a half. A little more sadness and fighting in this one than the others, but still entertaining.

The film version of the best selling novel The Egg and I with Fred MacMurray and Claudette Colbert introduced America to the Kettle family. Marjorie Main and Percy Kilbride and their brood of 15. They were the rural answer to Clifton Webb and Gene Tierney's Cheaper by the Dozen. Who says country folk can't do it better.

In this film we have the arrival of the Kettles first grandchild who Percy mistakes as another blessed event of his own creation. A natural mistake given his track record. The baby however is Meg Randall's who married their oldest son Richard Long in a previous film. The Kettles also have to contend with Meg's parents, Ray Collins and Barbara Brown. Ms. Brown is one snooty old dowager, but I think you can gather that if anyone could adjust her attitude, Marjorie Main could.

Due to a pair of radioactive overalls, the Kettles also think they've got uranium on the old homestead. So do a pair of crooks who try to steal the place from them.

The Kettles were a really popular item in what would now be called red state America back in the day. The pictures made money consistently for Universal and if Percy Kilbride hadn't decided to retire, I'm sure more would have been made. There was one more made with Arthur Hunnicutt as an in-law, but it wasn't the same without Mr. Kilbride. Marjorie Main retired not long after that last film also.

If you are any kind of fan of those CBS rural shows of the sixties like Beverly Hillbillies, Petticoat Junction, and Green Acres, the Kettles are your cup of tea.