Mann gegen Mann

A movie set in 1845 Texas that deals with Texas either joining the union or going off and becoming an independent republic. Lionel Barrymore plays Andrew Jackson is who for joining the union and so is Clark Gable. Broderick Crawford and Ava Gardner want Texas to become an independent and Crawford wants to be the leader. Both sides are waiting for what Sam Huston has to say, but he is out helping the Indians form a peace treaty. Crawford is willing to do anything to get what he wants and Gardner begins to fall for Gable. At the end, of course, there is a big battle between Gable and Crawford's army and then a fight between the two of them. Clark Gable is the same as always and Broderick Crawford is miscast in this role. Ava Gardner is only OK and Lionel Barrymore is only in two scenes.

I afraid even with the starpower involved in this one since there's not much they can do with a poor script.

Convoluted plot about the annexation of Texas into the union, it involves the opposing forces of Gable and Broderick Crawford in a fight to see whether Texas will become a state, or an independent republic.

Although there's plenty of action, too much of the film gets bogged down in the romance between Gable and Gardner. I guess MGM needed another vehicle for the two of them after THE HUCKSTERS (1947) or MOGAMBO (1953)

And the battle scene and what happens to Crawford at the end is unreal. It turns into a 'Let's all unite for Texas' kinda of a thing that looks implausible, especially after what's been going on for the previous 94 minutes.

If they had a better script it might have turned out to be something more entertaining. 4 out of 10

Passable western from MGM and director Vincent Sherman is set in 1845, as the independent Republic of Texas is caught in turmoil over whether to accept annexation into the United States, or to stay independent and sign a mutual protection treaty with Mexico. Former US president Andrew Jackson (Lionel Barrymore) sends trusted envoy Devereaux Burke (Clark Gable) to Texas to try and sway the legislature to side with annexation, which sets Burke at odds with independence advocate Thomas Craden (Broderick Crawford). Burke and Craden also find themselves both after the affections of newspaper publisher Martha Ronda (Ava Gardner). Also featuring Beulah Bondi, Ed Begley, James Burke, William Farnum, William Conrad, Moroni Olsen, Russell Simpson, and George Hamilton in his debut.

The action gets bogged down in too much political talk, but this movie isn't without its merits. The big action finale is well-mounted, with an interesting variation on the battering ram that I don't think I've seen before. Gable and Gardner have screen chemistry, and Crawford gets a more complicated character than usual. I liked William Conrad's small role as a Cajun. Barrymore, reprising his turn as Andrew Jackson from 1936's The Gorgeous Hussy, has only a brief appearance, and he looks in ill health. This would prove to be his last character role. He appeared in one more movie, 1953's Main Street to Broadway, playing himself, before passing away in 1954 at age 76.

It's 1845. Texas' future is in the balance. Sam Houston recently published an opinion against annexation after earlier attempts. News reaches ex-President Andrew Jackson (Lionel Barrymore) who decides to send in cattle baron Devereaux Burke (Clark Gable) to talk to Houston and recruit for the cause. He is opposed by powerful state senator Thomas Craden. He battles injuins on the way to Austin where he meets Craden's girlfriend Martha Ronda (Ava Gardner) who runs a local newspaper. He is assumed to be anti-annexation and decides to play along while Craden supporters hunt for him.

Historical accuracy is not always important. In this case, I find the history rather interesting and I wouldn't mind having the real story. This is obviously not the real story. I don't know anything about the real story and this is not going to enlighten me that much either. Some of the background issues are presented. The cast is headed by the great looking Clark Gable. This is a fine film but I would probably be more interested in a deep dive into the history.

The diplomatic and political machinations around the admission of Texas to the USA are incredibly complex and are touched on in this film. It would have taken a longer and better film to explain it all. I think MGM had plans for one in this, but Dore Schary was budget cutting at the time and this got B western treatment for a stellar cast.

One thing they show is true and that is the influence of 77 year old former President Andrew Jackson on the Democratic Party he founded. His prestige was that big, he was the dominant political figure for 20 years or so in the country before, during and after his presidency.

Lionel Barrymore reprises the role of Jackson, he had previously played in MGM's The Gorgeous Hussy. He's still wheeling and dealing and he doesn't like what he's heard that his old friend and comrade in arms Sam Houston is climbing off his position of being for the annexation of the Texas Republic to the United States. On his own he sends Clark Gable as Devereaux Burke Texas cattleman to seek out Houston and get the real story.

On the way to completing his mission Gable finds Ava Gardner who is the editor of a local paper in Austin and Broderick Crawford another Texas cattleman who is violently opposed to annexation. They get a good political rivalry and a personal one over Gardner.

In the film as in real life Sam Houston, played by Moroni Olsen, is running a big bluff. He's playing footsie with the British by negotiating a treaty of alliance with them in order to force the hand of northern politicians who are against slavery, but who would like even less the British moving into Texas.

There's an exciting battle between the pro and anti annexation forces while the Texas Congress meets. It results however in a very unreal conclusion to the story.

It's unfortunate given the stellar cast Lone Star has that a better scripted story was not developed for them, even one that is completely factual. It's an A picture subject that got B picture treatment.