Wer zuletzt lacht

This is such a funny film! It's a clever plot which owes more than something to the old "warhorse" Brewster's Millions, and is filled with the eccentric lunacy which characterised so many British films made after WW2.

Alistair Sim is THE truly great British comic actor, even more so than Alec Guinness or Peter Sellers. To watch the scene when he tries to get arrested for shoplifting in the department store is to experience sheer comic inspiration.

I am no fan of remakes (have you seen the Thomas Crown remake!!), but funnily enough I am amazed that Hollywood hasn't had a go at this. In the right hands it could be made to work again.

Alastair Sim would make a perfect undertaker. With those Bassett-hound eyes and that mournful hand-wringing manner, he's made to preside over the Slumber Room and ease you into the priciest model. So, it never fails to surprise me that he's also a first-rate comedic actor, maybe even the last word in droll comedy. And he pulls off the humor so slyly, with just a minor change of expression. What a wonderfully artistic contrast he is to today's rub- your-nose-in-it brand of comedy.

This is not his best vehicle, but the movie does have a clever premise and a couple of good set-ups—the shoplifting sequence, and any scene with Joyce Grenfell. The sketches, however, are more amusing than hilarious, and the humor never really peaks out in a climactic way. It's also perhaps one of the sweetest comedies on record, insisting that the key to happiness is pairing up with another, even in the case of those two cranky old people. That's the wisdom behind the will's requirement— old man Russell makes each beneficiary experience what is most missing from his or her life, and in the process, become a better and happier person.

Note the shot taken early on at America's brand of hard-boiled detective fiction, probably then making inroads into popular British fiction. So, by combining America's street- tough style with traditional British prose, writer Russell (Sim) produces something amusingly ridiculous, like "Petal arched her alabaster arm above her patrician brow in a moment of precise exasperation before he smacked her in the kisser." Anyway, I thought those passages were both funny and cleverly offbeat. All in all, this little comedy may be no knee-slapper, but it is rather sweetly memorable.

When the film begins, an elderly man is dying...and he commits a prank on his way out of this world. But it's not his final prank...that comes in his will. When it's read to his four relatives, they're each told they'd receive 50,000 pounds...provided each do something odd and specifically tailored to them. His haughty sister is told that in order to collect, she must become a domestic and serve as one for a year. His cousin, the writer, must act out his dime novels...and get himself incarcerated for 28 days. His meek relative must hold up a bank with a fake gun...and his playboy cousin must marry the first woman with which he strikes up a conversation! And, all of these must be completed without telling anyone why they are doing it!

What made this one especially good is that, for the most part, the folks all learned a positive lesson from all this and there were also a few laughs along the way. Worth seeing and clever.

One would be hard-pressed not to laugh along with the Russell family in the final scene of this, my most favorite of British post-war comedies. It is a comedy in every sense, albeit one which points up several life lessons as it unfolds. Alistair Sim - whose roles have run the gamut from Headmistress of a girls' public school (the St. Trinian's series)to benign assassin (The Green Man) to the dramatic (the quintessential Scrooge in A Christmas Carol) once again proves here that he is without doubt the best of many comic actors in the English cinema. Surrounded by a cast of equal talents (Fay Compton, George Cole, Guy Middleton, A.E. Matthews, John Laurie, and the irrepressible Joyce Grenfell) Sim leads a Light Cavalry charge through a wonderfully woven plot. There are wonderful morals to be learned here also. If you haven't seen this gem, by all means get the video and fill that gaping void in your filmic experiences.

This has got to be a classic of Ealing comedies.

Alistair Sim is at his best, the scene with the window (Fact-he ad-libbed most of the scene too)is proof that actors like him are few in between.

I saw this when I was a nipper as my father said that he enjoyed it when it first came out and even though I've seen it quiet a few times it's still fresh and amusing. Watch it and anything else with Mr Sims, this is British at it's best.