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IMDbPro

Ich war eine amerikanische Spionin

Originaltitel: I Was an American Spy
  • 1951
  • Approved
  • 1 Std. 18 Min.
IMDb-BEWERTUNG
6,4/10
340
IHRE BEWERTUNG
Ann Dvorak and Gene Evans in Ich war eine amerikanische Spionin (1951)
BiographieDramaKrieg

Füge eine Handlung in deiner Sprache hinzuDuring World War II, an American woman posing as an Italian cabaret owner spies on the Japanese in Manila but becomes the target of a suspicious Japanese intelligence officer.During World War II, an American woman posing as an Italian cabaret owner spies on the Japanese in Manila but becomes the target of a suspicious Japanese intelligence officer.During World War II, an American woman posing as an Italian cabaret owner spies on the Japanese in Manila but becomes the target of a suspicious Japanese intelligence officer.

  • Regie
    • Lesley Selander
  • Drehbuch
    • Samuel Roeca
    • Claire Phillips
    • Myron B. Goldsmith
  • Hauptbesetzung
    • Ann Dvorak
    • Gene Evans
    • Douglas Kennedy
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,4/10
    340
    IHRE BEWERTUNG
    • Regie
      • Lesley Selander
    • Drehbuch
      • Samuel Roeca
      • Claire Phillips
      • Myron B. Goldsmith
    • Hauptbesetzung
      • Ann Dvorak
      • Gene Evans
      • Douglas Kennedy
    • 14Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos14

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    + 6
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    Topbesetzung47

    Ändern
    Ann Dvorak
    Ann Dvorak
    • Claire Phillips
    Gene Evans
    Gene Evans
    • Cpl. John Boone
    Douglas Kennedy
    Douglas Kennedy
    • Sgt. John Phillips
    Richard Loo
    Richard Loo
    • Col. Masamato
    Leon Lontoc
    Leon Lontoc
    • Pacio
    Dimples Cooper
    • Lolita
    • (as Chabing)
    Philip Ahn
    Philip Ahn
    • Capt. Arito
    Marya Marco
    Marya Marco
    • Fely
    Nadine Ashdown
    • Dian
    Lisa Ferraday
    Lisa Ferraday
    • Dorothy Fuentes
    Howard Chuman
    • Kamuri
    Fred Revelala
    • Zig Zag
    • (as Freddie Revelala)
    Mark W. Clark
    Mark W. Clark
    • Self - Authenticator in Prologue
    • (as General Mark W. Clark)
    Leo Abbey
    • Torres
    • (Nicht genannt)
    Wong Artarne
    • Japanese MP
    • (Nicht genannt)
    Richard Bartlett
    • American Soldier
    • (Nicht genannt)
    Escolastico Baucin
    • Memerto
    • (Nicht genannt)
    Lane Bradford
    Lane Bradford
    • Jeep Driver
    • (Nicht genannt)
    • Regie
      • Lesley Selander
    • Drehbuch
      • Samuel Roeca
      • Claire Phillips
      • Myron B. Goldsmith
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen14

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    9SimonJack

    Heroes of Philippine espionage – who was Claire Phillips?

    Based on real events, "I Was an American Spy" is several stories in one of valor and heroism. It is a unique film that includes spying, underground resistance, sabotage, and help for escapees and prisoners. It's a story about one of America's most successful volunteer spies in WWII – a rare example of Allied espionage in the Pacific theater. And, it is one of the best films about resistance to the Japanese by Philippine men and women.

    Many books have been written and films made about spying and underground resistance to the Nazis in Europe. But very few such examples exist with the Japanese in WW II. So, this film has added historical value as well.

    Others have commented on the movie plot, but I'll share some of the information I got when I tried to find out more about the all but forgotten hero of this film. Claire Phillips (nee, Snyder) was born in Michigan in 1908, but grew up in Portland, OR, where she graduated from high school. She joined a circus for a time, was a nightclub singer and was drawn to the theater. She joined a troupe that went to the Orient to play major cities. She landed in Manila for a few years where she married a Filipino and had a daughter, Dian. After five years, she divorced and returned to her home in Portland with her daughter. She became bored after several months and returned with Dian to Manila. That was in the fall of 1941. She married an American Army sergeant, John Phillips, during the Japanese invasion in December.

    The movie is about her life during that time until the end of the war. After the war, she and her daughter returned to Portland where she lived for the rest of her life. She received many honors and recognitions at home. Articles were written about her and she appeared on radio programs (TV wasn't widely available until after 1950). She received a free deed and keys to a new home in Beaverton, OR.

    In 1947, she wrote a book, "Manila Espionage," about her life and exploits during the war. This 1951 movie was based on her book and a magazine article. In 1951, she received the Medal of Freedom from the U.S. – the only woman who was honored based on the recommendation of General Douglas MacArthur. While some 200 total awards of the Medal of Freedom were made for WWII and Korea, most of those were to people from other nations for their heroics in helping Americans.

    But after a few years in the limelight, Phillips became restless and dissatisfied with working in a department store. She married again, and divorced. She became a heavy drinker and within nine years after the movie came out, Claire Phillips died of meningitis. She was 52.

    There was some interest in Portland in 2011 in providing a permanent memorial to this WWII hero. One can wonder why that wasn't done in the past. While her heroic efforts during the war have been honored, could there be other things about her life that most citizens would not want to hold up for people to model? My guess is that the answer is "Yes!" based on articles available online, and considerable changes or glossing over in the movie.

    For instance, magazine and newspaper accounts refer to Phillips as the "Manila Mata Hari." Yet, the movie shows her as a proper woman who runs a respectable club. In reality, her Tsubaki Club, was a high-priced, high class nightclub and brothel. Articles describe the girls and the matron performing for their high-ranking Japanese clients. Also, in the late 1950s, Phillips sued the U.S. government for $146,850 in compensation for her work. She received just $1,349 and the U.S. Claims Court decision read, "Much of her story was greatly exaggerated and at times almost fanciful."

    "I Was an American Spy" has one big fault – what seems to be a clear Hollywood altering of the story that detracts from the film. In several early scenes, Phillips tries to follow and find her husband who had to report to his unit on the front lines. Her character, played by Ann Dvorak, is almost hysterical when she insists she wants to go with him. In real life, Phillips had been around the American forces for years at Manila. She would have known that families don't go off to war with the troops. Common sense tells most of us that. And Phillips was not such a naive person as that.

    So, why would Hollywood alter her story to put this tripe in it? My guess is to paint a picture of the heroin precisely as a naive, innocent and clean person before the start of the war. That would also explain how the movie then accounts for her change of character – to someone who could kill and spy on the Japanese herself. We see a fictional scene in which she watches the Bataan death march and sees her husband shot and killed for stopping to drink from a well. After crying over her husband's body, she picks up a gun and shoots several times killing a very elderly Japanese soldier who came out of nowhere – with his rifle slung over his shoulder. Totally unbelievable!

    This film could have scored a 10 if the film makers had cut most of the opening hide-and-go-seek scenes, and instead replaced them with more scenes of the real underground help and resistance efforts. That would also have shown more of the deserving honor of the Filipinos, several of whom worked for Phillips.
    6planktonrules

    Enjoyable...but what is the TRUE story of Claire Phillips?

    During WWII, Claire Phillips was stuck in Manila after the Philippines fell to the Japanese. Following her husband's death, she apparently became an important member of the underground...though she did it in wide open as a hostess of a night club. The story is interesting and should have been made...but there is one serious problem. It seems that Claire was a liar. Yes, some of this DID happen but later when folks began investigating her claims, they found many exaggerations and outright lies. It's a shame...but the film still is entertaining and worth your time.

    In the lead is Ann Dvorak. It's one of her last films and she was good in the role..particularly because she was older and less glamorous...and looked a lot like Phillips. The direction and production were all good...and the only reason I don't give the film a higher score is due to the dubious nature of the details of her exploits.
    searchanddestroy-1

    Lesley Selander on big directors' ground

    That's the film from westerns chain made specialist Lesley Selander that amazed me the most. If this movie had been shown to me without any credits, I would have never - I mean NEVER - bet one dime it was from the B western film maker Lesley Selander. It nearly looks like a Raoul Walsh, John Farrow, or even Michael Curtiz' film. I insist on the "nearly" of course. Ann Dvorak here is not a surprise for such a war drama inspired from real life story. Yes, a damn good movie from Lesley Selander whose filmography, I repeat, was mainly focused on westerns. However, this story saves no surprise, a propaganda biopic among others. But, because it is from Lesley Selander, it is worth the watch.
    6SnoopyStyle

    based on a true story

    It's 1941 Manila. The Japanese bombed Pearl Harbor. Claire (Ann Dvorak) is an American nightclub singer desperately following her soldier boyfriend Sgt. John Phillips. They get married on the run from the Japanese. After Corregidor falls, she joins up with a ragtag group of soldiers led by Cpl. John Boone. As secret agent High Pockets, she returns to her club life and befriends Japanese Col. Masamato.

    This is based on a true story. Of course, there are some liberties taken and quite frankly, the true story is questionable in the first place. Ann Dvorak is too blonde. It is hard to believe that such a white lady could operate behind the lines. Her acting is also too melodramatic. It is rather an old style of acting. She is pretending to be Italian although it may be asking too much for her to speak Italian or even speak English with an Italian accent or a Spanish accent or a Philipino accent. On the other hand, it does feel more dangerous if she has no language skills. At the end of the day, this feels like halfway in terms of realism and story telling.
    Rik-19

    Seeking biographical info on "High Pockets" Claire Phillips

    Does anyone have biographical information on Claire? Her birth name was Claire Snyder. Anything you have will help, such as birth date/place, parents, siblings, etc., as well as what happened to her after her book "I Was an American Spy" was published? In the 1950s, she was remarried, with the surname Clavier.

    I've found a speech by Senator Wayne Morse (he was an Oregon Republican who became an independent in 1952, then switched to the Democratic Party in 1955) about Claire Phillips Clavier (at a rough guess about 80% of the people with that surname are from Louisiana).

    I also found a studio synopsis of the movie. Based on that, Boone is John Peyton Boone (then a corporal).

    Claire's book "Manila Espionage" is out of print, and very difficult to find.

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    Handlung

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    • Wissenswertes
      It would seem evident that the woman decorated at the end of the movie was the real Claire Phillips. There could be no other reason for director Lesley Selander to use a woman other than Ann Dvorak, who played Claire, in this scene.
    • Patzer
      When Japanese planes are shown bombing Philippine targets, a short clip of American Boeing B-29s is included.
    • Zitate

      Pacio: High Pockets is alive, Compadre. I know. They torture her.

      Thompson: I don't believe it. They'd have killed her first thing.

      Cpl. John Boone: Shut up. How'd you find out?

      Pacio: Fely. She take food in prison. Find out High Pockets alive.

      Cpl. John Boone: All right, get your gear. Mac, hustle 'em up.

      Thompson: Now, don't jump the gun. This boy could be wrong.

      Cpl. John Boone: So what? There's still a chance.

      Thompson: Look, our troops are on their way back. A full invasion. If she's alive, let the army rescue her. We can't go down there with a handful of maniacs tryin' to take a prison.

      Cpl. John Boone: [ignores him] Like I said, Mac, get the men.

      Cpl. John Boone: [grabs Thompson by the shirt] Listen, fella'. Your belly's full. High Pockets fed ya'! She sang for your supper. She kept your stinkin' frame together when the worms were standin' in line, just waitin' to crawl. Now *you're* gonna' do some singin'... with this!

      Cpl. John Boone: [thrusts a heavy machine gun into Thompson's arms] Either that or I'll blow your whining brains out!

      Cpl. John Boone: [to all the men] All right, let's go! Everybody, come on! Move it! Dig it out of the grass! Come on!

    • Soundtracks
      Because of You
      (uncredited)

      Music by Dudley Wilkinson

      Lyrics by Arthur Hammerstein

      Sung by Ann Dvorak

      [Claire sings the song at her club when the transmitter is being dismantled in the kitchen]

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    Details

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    • Erscheinungsdatum
      • 25. Dezember 1953 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Spanisch
      • Tagalog
      • Japanisch
      • Italienisch
    • Auch bekannt als
      • I Was an American Spy
    • Drehorte
      • Iverson Ranch - 1 Iverson Lane, Chatsworth, Los Angeles, Kalifornien, USA
    • Produktionsfirma
      • David Diamond Productions
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    Technische Daten

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    • Laufzeit
      1 Stunde 18 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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