Home Town Story

Hometown Story, a rather cheaply made film, even for a B picture and especially since it comes from MGM, is stalwart Republican Louis B. Mayer's defense of the free enterprise system. Not that he hadn't done it before, one of the most rightwing films ever made came out of his studio a decade earlier with Boom Town. But that film was a big production with some heavy duty name players in it. This one was made with frugality in mind.

Jeffrey Lynn is our star who has returned to his hometown in Hometown Story a defeated State Senator, defeated by Hugh Beaumont grandson of Donald Crisp who is the biggest employer in the area. Lynn takes over the newspaper and decides to use it to gain support for a comeback bid. And who to go after but the biggest target around.

And if you can't find an issue, create one. Lynn attacks what he labels the obscene profits of Crisp's firm and others like it. That sends Crisp into Lynn's office with a theory of capitalism and a defense of his business practices.

At first people might dismiss this film because in this day and age we now see what corporations like Enron and investment banks like Goldman-Sachs have done. But I would quote no less than Martin Sheen from Wall Street who says there is a great deal of difference between speculators like Michael Douglas and businessmen like Crisp who started the business and put their work and sweat into it.

Of course it would be interesting 60 years later to see if that Hometown Story now includes said firm moving to a foreign country or to some state with right to work laws and no environmental regulations. It's a complicated business with no easy answers.

Hometown Story would be gathering dust in a tin can at MGM's vaults if it weren't for the fact that Marilyn Monroe has a small role as a secretary at Lynn's newspaper. She's not Lynn's love interest, that's reserved for Marjorie Reynolds. But she does send Lynn's best friend and star reporter Alan Hale into a tizzy. The future skipper of the USS Minow has his hormones in overdrive.

Economics is not an easy subject for films and Hometown Story will not provide any answers. But it's pleasant enough viewing.

It was fun watching Alan Hale Jr. try to make time with no nonsense secretary Marilyn Monroe. But I couldn't get past the ridiculous casting of a man in his mid to late 30 with a 10 year old sister. He looked closer to his mom's age!

Average programmer to fill the bottom of a double bill with Jeffrey Lynn his usual dull blank slate in the lead. He actually gives the film's worst performance not helping the meager story in the least.

Somehow they managed to wrangle Oscar winner Donald Crisp into a brief appearance, his last on screen work for three years-of course if this was the quality of stuff being offered no wonder he took a break, he's far better than this run of the mill junk deserves.

The real interest and the only reason the film is sought out today is for the presence in the cast of Marilyn Monroe and to a much lesser extent Gilligan's Island's Skipper, Alan Hale Jr.

Marilyn very much on the way up, her billing is far more prominent than the small part she plays would rate for anyone else, would play a few more minor roles like this throughout 1951. Within the year though she would be a minor star and within two a superstar permanently moving beyond this kind of routine assignment. She looks beautiful and handles the minimal demands of her secretary role well enough but she has a total of no more than five minutes screen time.

Strictly for those who are interested in seeing all of Marilyn's work, no matter how minor.

"Home Town Story" is a frustrating B-movie from MGM. It has a few excellent story ideas but manages to execute them quite poorly. Despite this, it is watchable.

Jeffrey Lynn plays Blake Washburn--an ex-senator with a serious chip on his shoulder. He's mad he lost the re-election and is bent on punishing the guy responsible. So, as the new editor of a newspaper, he's bent on attacking the MacFarland family business--because the factory owner's son beat Washburn in the election! If Washburn sounds like a petty jerk, then you are correct. In addition to using the paper for his personal vendetta, he seriously ignores his incredibly long-suffering fiancé. Therein lies much of the problem with the film--the main character is unlikable and you really want a piano to fall on his head (or some equally horrid accident). Additionally, the film has a very odd message about economics and capitalism that COULD have been excellent had the message not been hammered home so poorly. Overall, despite the MGM glitz and a few good actors (I like the Washburn kid), it's a film that needed more time to allow the plot to move realistically instead of being so rushed and contrived.

Overall, this feature is really only fair at best, but it does have some points of interest. The most common reason why it is still watched today is the appearance of Marilyn Monroe in one of her earlier movie roles, and in fact the cast as a whole features an unusual mix of performers. The story is also mildly interesting as a window into its era.

The supporting cast almost makes it worth seeing by itself. How often do you see the combination of Marilyn Monroe, Donald Crisp, and Alan Hale, Jr. in the same movie? Monroe appears in several scenes, and although only one gives her any significant screen time, she does get the chance to command some attention. Hale is well-cast as the good-natured sidekick. Crisp's talent and experience keeps the last portion of the movie from coming apart. The lively Marjorie Reynolds is also in the cast, but her character doesn't give her many opportunities to show what she can do.

The story line was overtly designed to accommodate the corporate backers of the movie, and now it is really only of interest as a look at some common perceptions of its day. The last part of the movie did have the potential for some fairly effective melodrama, but parts of it become rather labored, and it is mainly thanks to Crisp's restrained performance that it remains watchable.

Jeffery Lynn is cast as the leading character, and while he has his moments, he does not really have the range to make a routine story like this work effectively. He does not make his character very likable or interesting, and as a result his character's perspective is largely trivialized. That plus the rather routine script make it a largely unmemorable movie, aside from the curiosity factor that it offers.