Ein Satansweib

Executively produced by Howard Hughes and directed by John Farrow, His Kind of Woman seems to have it all. It has a great cast under more than competent direction with a good, interesting, and inventive script. The film tells about gangster Raymond Burr, deported from the country, planning on using drifter Robert Mitchum's identity. Mitchum is flown down to a resort for the wealthy in Mexico awaiting further instructions after having been given $5,000 as a down payment on $50,000. Mitchum goes but is very curious as to what he has to do for so much dough. On his way he meets with sultry Jane Russell(Hughes's squeeze - and a LOT at that to squeeze!) who is trying to endear herself to hammy actor Vincent Price. The film really does a good job with the characterizations of all the major and minor characters. Mitchum is rock solid in his role. Russell is just beautiful and believable in her role. Tim Holt, Jim Backus, and the rest of the cast do very well. Burr plays one mean gangster. But it is Price who steals the film(for me). The first 3/4's go quite smoothly with Mitchum wondering what is going on with waiting for instructions and getting close to Russell. Price gives the film an energy boost though when he starts to play the real HAM actor in the final fourth of the film. No actor I know can be as hammy and that good as Vincent Price can. He aids Mitchum with an aplomb of such audacity and rhetoric(quoting the Bard on several occasions) of such depth and exaggeration as to make his role almost camp. But his hammy performance works well with the tension of Mitchum's plight with Burr. Director Farrow does a very nice job pacing the action in the film and adding humour here and there. Russell almost disappears from the end - but what's a girl to do wearing a dress she is barely able to walk in when action is needed. His Kind of Woman is one of those classic Noir type films with a great cast that should have your complete attention. Afterall when all is said and done: Robert Mitchum playing the leading man, Jane Russell wearing low-cut gowns, good vs. evil conflict, Howard Hughes production, character actor Jim Backus, and Vincent Price hamming it up as only he can - PRICELESS!

This brilliant and mind-boggling film noir might be more properly called an anti-noir, doing for the crime movie what 'The Missouri Breaks' would do for the Western. It's not every noir hero who both offers marriage guidance AND does his own ironing.

'His Kind of Woman' is, in fact, three movies. It starts off as a fairly straight film noir, although its poker-faced pastiche of 'Out of the Past' is a little TOO poker-faced. Then, when the hero goes to Mexico to meet the other characters, the plot stops dead and enters narrative limbo, in a kind of noir precursor to Bunuel's 'The Exterminating Angel': Six Noir Characters In Search Of A Plot.

Then lunacy truly takes hold, as the plot eventually arrives, and Vincent Price, playing a barmy ham actor, takes over from Mitchum (magnificent as ever, baffled and goaded by a plot even less alert than he!) as the presiding spirit, and turns a moody thriller into the giddiest farce, where all the unpleasant aspects of film noir (fatalism, misogyny) are happily overturned. Proof that genre-busting didn't begin with Melville or Godard.

We have watched this movie several times.

The first time was simply because this movie stars Robert Mitchum and Jane Russell.

Every viewing after that is because of Vincent Price.

Price doesn't just steal a scene: he steals the entire movie,

If you've never seen this film, you're in for a treat.

If you have previously seen it, then you know what I mean: watch it again for Vincent Price.

The first half of the movie is classic noir with an ensemble cast of interesting characters that seem to be plucked from an Agatha Christie novel. The second half morphs into an entertaining spoof reminiscent of the Pink Panther movies.

Robert Mitchum plays a gambler down on his luck who is lured into a shady deal at an exclusive Mexican resort hotel. Mitchum does his usual thing and swaggers around the set exuding machismo and testosterone, gets beaten up a few times, and enters into a romantic relationship with the ravishing Jane Russell -- who spices up the plot with a tight, slinky dress that looks like it was sprayed onto her voluptuous figure.

The tone changes with the appearance of Vincent Price, who steals the second half of the movie as a goofy swashbuckling B-movie star on vacation. Raymond Burr delivers a convincing performance as a sinister crime boss whose sadistic thugs keep beating up Mitchum, who is splendidly bare-chested for the rest of the movie.

Mitchum is finally rescued by Price -- who takes advantage of the mayhem to live out his lunatic fantasies -- and a heroic posse of intrepid hotel guests and cowardly Mexican cops. There is some terrific dialog, like this sparkling gem between Mitchum and Price:

Mitchum: "I'm too young to die. How about you?" Price: "Too well-known." Mitchum: "Well, if you do get killed, I'll make sure you get a first rate funeral in Hollywood, at Grafman's Chinese Theater." Price: "I already had it. My last picture died there..."

The direction and cinematography are first rate with good performances by the entire cast, especially Price, who literally goes off the deep end quoting Shakespeare in his hilarious attempt to rescue Mitchum. The plot is schizophrenically twisted and gives the movie a rather insane quality. Well worth the price (!) of admission.

In Lee Server's biography about Robert Mitchum the recounting of the making of His Kind of Woman could actually be the basis of an interesting film itself.

Jane Russell of course was the personal creation of Howard Hughes and when Hughes bought RKO Studio, Robert Mitchum was his number one male star. It was only natural that Hughes seek to team them and in fact they do go well together.

But Howard Hughes filmed this thing essentially three times with three different actors playing villain Nick Ferraro a Hollywoodized version of Lucky Luciano. First it was Howard Petrie, then Robert Wilkie, and finally Raymond Burr before Hughes got a Ferraro he liked.

Besides that the original film had few laughs in it and Hughes did get a good streak of inspiration when he hired Vincent Price as the film was being re-shot for the second time and integrated scenes with him into the plot. Price plays a Hollywood swashbuckling movie star, shades of Errol Flynn, who really steals the film from both stars. It's a part that calls for Price to overact outrageously and he does so. His Kind of Woman is worth seeing for him alone.

The basic story has drifter/gambler Robert Mitchum being persuaded with money and other less gentle means to go to a resort located in Baja, California. Of course who's ultimately hired him is our gangster villain Burr and let us say that His Kind of Woman may have been the inspiration for Faces Off with John Travolta and Nicholas Cage a few years ago.

Tim Holt makes a brief appearance here as a Federal cop who warns Mitchum of what is in store for him and gets killed for his trouble. Holt was starring in B westerns for RKO and occasionally doing other film appearances like this one. When he went to war back in the mid Forties, RKO looked around for another replacement to be its B western hero and Mitchum got his first big break and his first starring role. But irony of ironies, Mitchum moved on to bigger and better things and Holt kept grinding out B films that were good, but way beneath his talent.

Other assorted familiar movie faces like Charles McGraw, Marjorie Reynolds, Jim Backus, and Alberto Morin are in His Kind of Woman and give it a comfortable feel.

His Kind of Woman is one of the great noir films ever done, even if it had to be shot over and over to get it right by Mr. Hughes's lights.