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Der große Caruso

Originaltitel: The Great Caruso
  • 1951
  • 12
  • 1 Std. 49 Min.
IMDb-BEWERTUNG
6,5/10
1615
IHRE BEWERTUNG
Ann Blyth and Mario Lanza in Der große Caruso (1951)
This film traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso is unacceptable to both women's fathers: to one, because he sings; to Dorothy's, because he is a peasant.
trailer wiedergeben2:59
1 Video
42 Fotos
BiographieDramaMusikMysteryRomanze

Füge eine Handlung in deiner Sprache hinzuThe film explores the life of tenor Enrico Caruso, a vocalist who faces rejection from Musetta and Dorothy, and struggles to find acceptance in New York.The film explores the life of tenor Enrico Caruso, a vocalist who faces rejection from Musetta and Dorothy, and struggles to find acceptance in New York.The film explores the life of tenor Enrico Caruso, a vocalist who faces rejection from Musetta and Dorothy, and struggles to find acceptance in New York.

  • Regie
    • Richard Thorpe
  • Drehbuch
    • Sonya Levien
    • William Ludwig
    • Dorothy Caruso
  • Hauptbesetzung
    • Mario Lanza
    • Ann Blyth
    • Dorothy Kirsten
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    1615
    IHRE BEWERTUNG
    • Regie
      • Richard Thorpe
    • Drehbuch
      • Sonya Levien
      • William Ludwig
      • Dorothy Caruso
    • Hauptbesetzung
      • Mario Lanza
      • Ann Blyth
      • Dorothy Kirsten
    • 34Benutzerrezensionen
    • 12Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 4 Gewinne & 6 Nominierungen insgesamt

    Videos1

    Trailer
    Trailer 2:59
    Trailer

    Fotos42

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    Topbesetzung99+

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    Mario Lanza
    Mario Lanza
    • Enrico Caruso
    Ann Blyth
    Ann Blyth
    • Dorothy Benjamin
    Dorothy Kirsten
    Dorothy Kirsten
    • Louise Heggar
    Jarmila Novotna
    Jarmila Novotna
    • Maria Selka
    Richard Hageman
    • Carlo Santi
    Carl Benton Reid
    Carl Benton Reid
    • Park Benjamin
    Eduard Franz
    Eduard Franz
    • Giulio Gatti-Casazza
    Ludwig Donath
    Ludwig Donath
    • Alfredo Brazzi
    Alan Napier
    Alan Napier
    • Jean de Reszke
    Pál Jávor
    Pál Jávor
    • Antonio Scotti
    • (as Paul Javor)
    Carl Milletaire
    • Gino
    Shepard Menken
    • Fucito
    Vincent Renno
    • Tullio
    Nestor Paiva
    Nestor Paiva
    • Egisto Barretto
    Peter Price
    • Caruso (as boy)
    • (as Peter Edward Price)
    Mario Siletti
    Mario Siletti
    • Papa Caruso
    Angela Clarke
    Angela Clarke
    • Mama Caruso
    Ian Wolfe
    Ian Wolfe
    • Hutchins
    • Regie
      • Richard Thorpe
    • Drehbuch
      • Sonya Levien
      • William Ludwig
      • Dorothy Caruso
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen34

    6,51.6K
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    Empfohlene Bewertungen

    Doylenf

    Lanza's greatest role...highly fictionalized biography...

    I suppose it would be too much to expect a studio like MGM to produce a realistic biography of the legendary tenor in 1951--a year when the studio's reputation for glossy technicolor musicals was at an all-time high. They overproduced many a musical with strong star drawing power to fill the Radio City Music Hall with their products--and were certainly aiming to target the widest possible audience for this Caruso story with their new discovery--Mario Lanza.

    Lanza's rich lyrical tenor is given a showcase in which to perform both Neapolitan songs and operatic arias and he doesn't disappoint. Casting him as Caruso was a shrewd and clever decision--but the letdown comes in the fictionalized story that bears little resemblance to the true background of the singer. Artificial touches abound--including Ann Blythe as his wife. Nevertheless, since enjoyment of the film depends entirely on whether or not you enjoy the singing talent of Mario Lanza (and his limited acting abilities), you should find this biography a lightweight treatment of Caruso's life--although highly incomplete and sometimes even inaccurate. Perhaps some day there will be a true biography of the singer.

    If nothing else, should compel some viewers to explore Caruso's life for the real story. Incidentally, there is a new song, "The Loveliest Night of the Year", which rates utmost respect. The soundtrack is great to listen to--Lanza was in the best of voice at the time of recordings.
    TxMike

    "A man thinks he owns a voice, but the voice owns him. Whenever he wants to be somewhere, the voice requires him to be somewhere else."

    "The Great Caruso" is truly a magnificent movie. Mario Lanza does the role flawlessly, and his singing is in top form. Throughout he is depicted as a thoughtful person who went out of his way to be kind and helpful to others. Like playing Santa Claus the first night on his return to NY after a world tour. Or giving jobs to friends who had fallen on hard times. My favorite scene is where he proposes to Doro, his expressions as he pleads with her to say something, then her saying "I loved you from the first moment you sang." Ann Blyth was beautiful as his love interest. All the operatic production numbers are first-rate. I can easily see why Mario Lanza was so popular.
    Billy-34

    Great Entertainment...Lanza is terrific!

    I loved this film and it's both moving and well acted. Lanza's best film I think...he really is terrific and his co-stars as well. Rent this or buy it...it's that good.
    7TheLittleSongbird

    Not 100% perfect, but an absorbing and visually sumptuous biopic, with superb music and one singing great playing another

    I have to admit I didn't find The Great Caruso note-perfect. People have already said as a biopic it is highly fictionalised, and those who say that are right- the story here is not consistent with what really happened. Also the screenplay is somewhat ramshackle and the pacing is a little slow in places.

    Flaws aside, The Great Caruso is still a very good film. For starters it is gorgeous to watch. The costumes, sets and cinematography are absolutely amazing and just a feast to the eyes. Even better is the music, the music is like a treasure trove of some of the greatest tenor arias ever written. We have La Donna E Mobile from Rigoletto, Celeste Aida from Aida and Vesti La Giubba from Pagliacci, not to mention the charming The Loveliest Night of the Year beautifully sung by Ann Blyth.

    I have little to complain about the performances either. Ann Blyth, Dorothy Kirsten(an underrated singer), Alan Napier, Paul Javor and Jarmila Novotna are all wonderful. I have yet to talk about the best performance, it is easy enough to say that Mario Lanza gave the best performance but vocally and acting-wise. How do you like that? A singing legend portraying another? Lanza is absolutely brilliant, he is in fine voice and wholly believable here, it is such a shame his career was cut so short. You may argue that Caruso and Lanza sound familiar in voice, personally I don't think they do. Whereas Lanza had a rich lyrical voice, Caruso's was somewhat darker and perhaps more dramatic. There is nothing wrong with that, both had naturally beautiful voices that sing all those arias with effortless ease.

    Overall, flawed, but well worth seeing for the music and Mario Lanza. You may be disappointed if you are looking for a true historical music lesson, but if you want a biopic with gorgeous visuals and music I think you have met your match in The Great Caruso. 7/10 Bethany Cox
    7reve-2

    Two great voices make beautiful music

    This is a most handsome film. The color photography is beautiful as it shows the lavishness of the Metropolitan Opera House in brilliant color. Other indoor scenes at various mansions, etc are equally brilliant. As for the music, what more can be said other than that Lanza's voice was at its' peak as he sang so many of the worlds' best known and beloved arias. The marvelous Dorothy Kirsten is also a joy as her soprano voice blends with that of Lanza in delightful harmony. Of course, Hollywood took their customary liberties with the life story of Caruso. There is precious little in the story line that relates to actual events. For example, the facts relating to his death are totally fabricated and bear no relationship to the truth. There are some very good web sites that tell the true story of Caruso and contain several pictures of him. These web sites can be located by using any good search engine. There are also several books available concerning his life history. But, the fictional story line does nothing to mar this beautiful film. The voices of Lanza, Kirsten, and the chorus members are the real stars of this movie. Enjoy, I know that I sure did.

    Handlung

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    • Wissenswertes
      This was the next-to-last completed MGM film under Louis B. Mayer's supervision (the last was Mississippi-Melodie (1951), released in the summer of that year). A proxy fight soon after would see him removed as the head of the studio he helped to found. He was replaced by his former chief of production, Dore Schary. Mayer ran MGM for 27 years, Schary for barely 6.
    • Patzer
      Opening credits: The events, characters and firms depicted in this photoplay are fictitious. Any similarity to actual persons, living or dead, or to actual firms is purely coincidental. Says it ALL.
    • Zitate

      Enrico Caruso: It is true, Señor Barretto, that right now I sing for pennies. Pennies are not very important in a big house like this. But the singing, that is important everywhere. It makes people feel good inside, takes away the ugliness, the sadness, and it fills the empty place here. That too is something Señor, isn't it?

    • Crazy Credits
      Opening credits: The events, characters and firms depicted in this photoplay are fictitious. Any similarity to actual persons, living or dead, or to actual firms is purely coincidental.
    • Verbindungen
      Featured in The Metro-Goldwyn-Mayer Story (1951)
    • Soundtracks
      The Loveliest Night of the Year
      Lyrics by Paul Francis Webster

      Music adaptation by Irving Aaronson

      Also performed by Ann Blyth (uncredited)

      Adapted from "Sobre las olas" (uncredited)

      Music by Juventino Rosas

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    FAQ17

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    Details

    Ändern
    • Erscheinungsdatum
      • 12. April 1952 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Italienisch
    • Auch bekannt als
      • El gran Caruso
    • Drehorte
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Kalifornien, USA(studio: made in Hollywood, U.S.A.)
    • Produktionsfirma
      • Metro-Goldwyn-Mayer (MGM)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      • 1 Std. 49 Min.(109 min)
    • Seitenverhältnis
      • 1.37 : 1

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