Die roten Teufel von Arizona

This a good picture for what it is. It seems to start out as a formula western with an age old plot, white man running with Indians doing bad things, lone hero sets out to stop him, etc. However the script is pretty good, there is some suspense, though we sort of know from the get-go who the bad guy is,the moment he shows on the screen. I love Sterling Hayden...for a guy who really didn't like being an actor, he does all right. Barbara Rush is beautiful and appealing. Forrest Tucker just shows up, and Victory Jory steals the picture with his oily charm.Edgar Buchannian is wasted in a role he really isn't suited for.

However, all in all, a pretty good picture. I enjoyed it.

Sterling Hayden stars as a cowboy who hits the trail in search of a renegade white man leading a band of Indians who burned his ranch and ran off his horses and cattle. The mysterious raider is responsible for the killing and looting of towns and wagon trains manages to elude the pursuing cavalry until events conspire to unmask the villain. Barbara Rush is the romantic interest of Hayden and also the renegade and her role is that of a damsel in distress throughout the picture. Forrest Tucker is good as an army lieutenant and there are comical exchanges between old timers Edgar Buchanan and George Cleveland. Victor Jury is also good as the dark, saturnine trading post owner. Arleen Whelan's role as a saloon singer doesn't have much to do with the film's plot but is quite a looker nonetheless. The technicolor is excellent, as is Paul Sawtell's spare music score.

I consider this western as one of my favorite from director Ray Enright, a western specialist from the forties, as also was Edwin L Marin, both proposing Randolph Scott for many of those westerns. Here, you have Sterling Hayden, instead of Randolph Scott and the result is flawless for me. Victor Jory as the villain is not a surprise but the film shows us many action scenes, splendid settings, photography, and a fast paced story. I have not seen this film since a long time and I don't regret to have seen it. The forties western from Warner Brothers and Paramount were better than in the fifties.

With the ' threat ' of television Hollywood assessed the situation, and drew in audiences with 3D films, Cinemascope and above all colourful Westerns, and the latter could be made on simpler budgets and no doubt this ' new ' formula helped to keep the ' threat ' away. ' Flaming Feather ' directed well by Ray Enright in his penultimate film showed landscapes in rich Technicolour and good enough actors to draw audiences in. As for the plot a man called the Sideliner with the help of a renegade tribe raids on settlers, causing many deaths. No spoilers as to the motive. Sterling Hayden ( well acted ) has his ranch burned down and counter attacks. It really is as simple as that, and he of course falls in love with Barbara Rush in one of her earlier roles. The ending I saw a mile off, no doubt along with many children in the cinema. Basic the film is but it along with others heralded the way for the great Westerns of the 1950's to come. Just for the sweep of the action in mythical landscapes this film is worth seeing, and laconic Hayden is always well worth watching.

Flaming Feather casts Sterling Hayden as a rancher and Forrest Tucker as a cavalry lieutenant who make a bet as to who will catch the notorious outlaw known as the Sidewinder. Hayden whose ranch was recently burned out and cattle stolen is not satisfied with the performance of the army in catching this desperado. The Sidewinder has as his gang a collection renegade Ute Indians which makes him the army business as opposed to civilian law enforcement. Hayden and Tucker have a wager on who will catch him first as no white people know his identity.

It wasn't hard to figure it out just look at the casting. Even without IMDb identifying the Sidewinder on Flaming Feather's page it was easy to figure out by the kind of roles this player is usually cast in. The real suspense is whether Hayden or Tucker will wind up with leading ladies Arleen Whelan and Barbara Rush. Another good part is that of Carol Thurston who played many exotic types in her career and is the Indian mistress of The Sidewinder.

Flaming Feather is good, but highly predictable.