Flucht vor dem Tode

This is the tale of Bill Doolin and the Dalton , one of the more thrilling true stories in Western history , being partially based on facts . Standard tale with better than average interpretation from Audie Murpy . It contains noisy action through well-trodden pastures , breathtaking assaults , bank heists , and there's plenty of fire-power , some efficiently staged excitement and go-riding . Although in real life Doolin who led the last great outlaw raids , here came to a less happy end than the one described there . After spending a time in prison Doolin is freed . Shortly thereafter, wrongly accused by crooked railroad officials of aiding a train heist by his old friends the Daltons, he joins their gang and becomes an active participant in other robberies. Doolin became a member of the Dalton Gang. On October 5, 1892, the Dalton Gang made its fateful attempt to rob two banks simultaneously in Coffeyville, Kansas. It was an utter failure, with a shootout between Coffeyville citizens and lawmen, and the outlaws, leaving four of the five gang members dead, with the exception of Emmett Dalton. Historians have since indicated that there was a sixth gang member in an alley holding the horses who escaped. Who this sixth man was remains unknown to this day. Emmett Dalton never disclosed his identity, but speculation continues that it may well have been Bill Doolin . 1892, Doolin formed his own gang, the Wild Bunch. On November 1, 1892, the gang robbed a bank in Spearville, Kansas. After the robbery, the gang fled with gang member Oliver Yantis to Oklahoma Territory, where they hid out at the house of Yantis' sister. Less than one month later, the gang was tracked to that location. In a shootout Yantis was killed, but the rest of the gang escaped. Two teenaged girls known as Little Britches and Cattle Annie also followed the gang and warned the men whenever law-enforcement officers were in pursuit. Sources indicate that it was Doolin who gave the young bandit Jennie Stevens her nickname of Little Britches . Doolin fled to New Mexico Territory, where he hid with outlaw Richard "Little Dick" West during the summer of 1895. In late 1895, Doolin and his wife hid out near Burden, Kansas, for a time, then they went to the resort community of Eureka Springs in northwestern Arkansas so that Doolin could utilize the bathhouses there to relieve his rheumatism brought on from his earlier gunshot wound in his foot. In early 1896, Doolin was captured in a bathhouse by Bill Tilghman .Doolin later escaped on July 5 and took refuge with his wife in Lawson in the Oklahoma Territory. There, on August 24, Doolin was killed by a shotgun blast by Deputy U.S. Marshal Heck Thomas

This stirring fare deals with the classy confrontation between outlaws and pistol-wielding lawmen determined to chase them . Brawling , sprawling , almost primitive action in which our protagonist joins the rough band of the Dalton carrying out rampaging and violent robbing , but things go wrong when he is double-crossed . Features impressive as well as moving assault scenes punctuated by great action scenes and thrilling go-riding . Audie Murphy gives an acceptable acting as the brave historical figure Bill Doolin who joins the Dalton . This Bill Doolin and the Dalton story has been adapted several times notably with Randolph Scott in 1949 . The WWII hero Murphy won more than 10 medals , being the most decorated American soldier , including Congressional Medal of Honor and he was prized by 5 decorative medals by France and Belgium , post-WWII . Murphy starred a great number of Westerns as The kid from Texas , Cimarron kid , Gun point , Night passage , The gunrunners , Posse from hell , Gunfight at Comanche , Rifles Apaches , The unforgiven, Legend of Sam Ward , Whispering Smith , 40 guns at Apache pass , Texas Kid . Support cast is pretty well , the bad guys and good guys include a whole crop of familar faces you love to see . As good and bad guys appearing are the following ones : James Best , John Hudson , Yvette Duguay , Hugh O'Brian , Roy Roberts , Noah Beery Jr. , Hubbard , Leif Erickson , Frank Silvera , among others .

It contains a colorful and brilliant cinematography in blazing Technicolor by Charles P. Boyle in Universal International Pictures style . As well as evocative and stirring musical score . The motion picture produced by Ted Richmond was well directed by Budd Boetticher who was a Western expert . Not one of filmmaker Budd's best Western , but being acceptable enough, and decently made . His first Western was in 1949 called The Wolf Hunters , following Cimarron Kid , Bronco buster , Horizons West , Seminole, Man from the Alamo , and Wings of the hawk . In 1956 with 7 Men From Now starts his collaboration with Randolph Scott, along with producer Harry Joe Brown and writer Burt Kennedy , including prestigious titles as Tall T, Decision at sundown, Buchanan rides alone , Ride lonesome, Comanche station , among others . His last Western was in 1969 titled A time for dying with Audie Murphy. Budd also made other genres as Mobsters : The rise and fall of Legs Diamond , Mystery/suspense : Behind locked doors , WWII : Red Ball Express , and even Bullfighting sub-genre : The magnificent matador , Arruza , The bullfighter and the lady . Rating 6. 5/10 . The movie will appeal to Western aficionados and Audie Murphy fans

With the completion of The Cimarron Kid Audie Murphy played three of the Old West's legendary outlaws, Billy The Kid in The Kid From Texas, Jesse James in Kansas Raiders, and Bill Doolin in this film. I'm not sure any other player earned that distinction.

Not that this is a true story of Doolin any more than those other two Universal western classics. Still Murphy makes an appealing and misunderstood hero who tries to go straight but the elements and his destiny work against him.

True enough his running buddies were the Dalton gang and in this film Doolin who was picked up by the railroad detectives after his release from prison when the Daltons held up the train he was riding. He was just a paying passenger, but the railroad cops thought he was in on it.

Standing out in the supporting cast is Hugh O'Brian who plays Murphy's rival for gang leadership. The fact that Murphy shoots better and has more upstairs than O'Brian fazes him not a wit. He's a mean and surly man miles from the upright Wyatt Earp he played on television.

Budd Boetticher directed Murphy in good polished style and this western delivers on both action and plot.

I never saw an Audie Murphy film I didn't like & this one is no exception. It is a real action packed shoot-em-up, but it also has a better than average plot to hold your attention between the action sequences that were Audie's trademarks. I knew Audie quite well, we used to shoot together at the various "fast draw" contests in CA that were popular back in the '60's. I can tell you this, anything you saw Audie do on film, he could do for real. He was one of the fastest guns in the movies, & he could do it with real bullets, not just blanks or wax bullets! He became a fine horseman, even riding some of his own horses in his films. Watch for Flying John, his horse that he rode in "Night Passage". Audie was a much better actor than he was ever given credit for, or allowed to be in Universal's films.

The Cimarron Kid is directed by Budd Boetticher and written by Louis Stevens and Kay Lenard. It stars Audie Murphy, Beverly Tyler, James Best, Yvette Dugay, John Hudson, Leif Erickson, Noah Beery Junior and Hugh O'Brian. Music is by Joseph Gershenson and cinematography by Charles P. Boyle.

Murphy stars as Bill Doolin, AKA: The Cimarron Kid, who leaves prison intending to go straight. However, when the Dalton Gang rob the train he is a passenger on, one of them recognises him and vocally brings it to the attention of the rest of the passengers. Incorrectly earmarked as one of the gang, Doolin finds himself on the run from the law and forced to hide out with the Dalton's. Bitter and angry at the false way he has been perceived, Doolin becomes an active part of the gang, but there is love in the air with Carrie Roberts (Tyler) offering hope of a new, on the right side of the law, life.

Boetticher is a name dear to the hearts of Western fans, he would go forward from here to make the Ranown Westerns with Randolph Scott, thus leaving a considerable mark in the psychological Western pantheon. Invariably his other forays into the genre struggle to hold a torch to those later efforts, but although they lack the insightfulness and quality of narrative of those pictures made with Scott, the likes of this and The Man from the Alamo are minor gems well worth discovering.

The story on premise terms doesn't offer anything new, where the core beat of the picture is about a man who has been dealt some bad life cards and can't escape his criminal past. Yet the story is unfolded in such away that hope is dangled in front of The Kid and we are never sure how it will pan out for him? In fact the finale has a couple of kickers that ensure it's well worth the viewing experience. There's the usual roll call of gang character's, including the loose cannon (O'Brian), but that familiarity of genre convention is off set by the addition of Yvette Dugay's Rose of Cimarron. She's a crafty and athletic part of the set up, a well written part and Dugay performs it well whilst joining Tyler in the gorgeous Technicolor darlings stakes.

This is also a picture high on action and filled with lovely outdoor photography. Locations used are the historical parks at Columbia State and Railtown 1897, both are photographed expertly by Boyle, with Boetticher deftly utilising them to aid the story. Best of the action comes with a shoot out and escape after the Coffeyville bank raids (resplendent with burning hay wagon), while the quite excellent and extended shoot out centred around Railtown's turntable is one of the finest action constructions on Boetticher's CV. Cast are strong, led superbly by a thoughtful Murphy performance of substance, and prolific Western scorer Gershenson adds the required bombast and tenderness when required.

Its B movie worth sometimes shows, such as handcuffs that mysteriously disappear from the escaping Doolin, but taken as a whole this is a little cracker of an Oater and highly recommended to Western fans. 8/10

This emerges as a pretty good example of the typical Audie Murphy Western vehicle – though of lesser quality to the only one I had previously watched, NO NAME ON THE BULLET (1959) and, being Budd Boetticher's first Western, clearly a minor effort in his canon. Many films of this era treated (in a heavily romanticized manner) the exploits of famous outlaws of the Old West: Murphy appears as Bill Doolin and, at one point, he is told by the leader of The Dalton Gang that "They'll be writing ballads about us" and, sure enough, their exploits were later immortalized in music by the Country Rock band Eagles in "Doolin-Dalton", a song off of their second album "Desperado" (1973). Typically, Murphy is seen forced into a life of crime by circumstances or, more precisely, the persecution of a law-enforcement officer (while another, played by Leif Erickson, is more sympathetic to his plight). As ever, the gang is an eclectic assortment of characters: affable Noah Beery Jr. is their leader, Hugh O'Brian the red-headed hot-tempered challenger, James Best the ladies' man, Frank Silvera the half-breed, etc.; interestingly, we get a couple of romances going on (Murphy with the daughter of a man who shelters them and Best with a fiery Mexican girl) and the female characters are surprisingly strong for this type of film. Reassembling themselves in the wake of a bank hold-up gone awry (the film's best action sequence, climaxing in Beery's memorable come-uppance with the spilling coins a graphic substitution for blood), the gang is subsequently betrayed by the 'inside man' in a train robbery they try to pull off. Murphy is eventually persuaded to give himself up, with Erickson promising him a fair trial this time around. Shot in pleasant Technicolor, the generically-titled THE CIMARRON KID serves up compact, pacy and unpretentious entertainment – perfect viewing after a hard day's work.