Füge eine Handlung in deiner Sprache hinzuIn order to recover his ship impounded by the British, former pirate captain LaRochelle agrees to spy on the notorious Caribbean Sea pirates Blackbeard and Anne Providence.In order to recover his ship impounded by the British, former pirate captain LaRochelle agrees to spy on the notorious Caribbean Sea pirates Blackbeard and Anne Providence.In order to recover his ship impounded by the British, former pirate captain LaRochelle agrees to spy on the notorious Caribbean Sea pirates Blackbeard and Anne Providence.
- Tavern Host
- (as Bob Stephenson)
- Pirate
- (Nicht genannt)
- Pirate at Inn
- (Nicht genannt)
- Pirate
- (Nicht genannt)
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When she falls in love for the first time,she is unable to express female feelings she feels.She almost ridiculise herself for her love,a new experience,and her own humiliation is exceptionally well acted by Jean Peters.Her desperation became more evident as the film goes on,above all when she has to admit herself her own sorrow after having been betrayed (this betrayal is a terrible event which destroys her under-construction female identity) and she is forced to admit her own weakness she has always tried to hide with a splendid use of her sword. The final scene with Blackbeard planting his sword on the ship floor is fantastic,because he does just the same act that every person who understand the dramatic situation of Anne-Captain Providence would have done.
I find this a marvellous movie,almost perfect:the only scene I don't like too much is the very last,when the name of her ship is cancelled from the register of outlaw ships:on my point of view,Tourneur made an error to show her again.It would have been more effective if the last time we look at her was just when she cries to Blackbeard "Come and take me,old pirate"(I base myself on the italian dubbing).
A moving film,which reminds me of the powerful acting of equally desperate Ella Raines in "Tall in the Saddle".
And as with these two films, Anne of the Indies' genre bending and most of Tourneur's other semi-studio oddities, it works a charm.
This film is essentially a battle between the feminine and the masculine. Starring Jean Peters as the female-but-hardly pirate Captain Providence, Tourneur uses expectations of gender roles and genre to explore Providence's struggles with her sexual identity. In fact, she remains almost asexual - whilst she shows little interest in men, or only as sexual objects, she is similarly ambivalent (or downright hostile) to women, or "wenches".
Although the cinematography and lighting lacks the stylistic force that is inherent in so many of Tourneur's other films (Cat People, I Walked With A Zombie and Out of the Past most notably), the film is almost thematically flawless. Though these stylistic concerns are to the film's detriment, the script and Tourneur's ability to play strongly to subtle subtexts overcome such problems.
(I think in particular of a generically named movie, "Swashbuckler" (1978), in which a good-looking woman played by Genevieve Bujold just nonchalantly doffs her clothes and jumps into the Caribbean -- not to escape, but just for a swim! Reality does not often intrude in movies about women and pirates.)
However, though women don't generally get much better-looking than Jean Peters, she came across as believable ordering men into battle and swinging a sword herself.
In fact, though maybe I'm not a good judge, I thought she looked fearsome dueling with sailors and pirates. Supposedly Basil Rathbone was at least one of the best fencers in Hollywood, if not the best, and I felt she could have taken him on.
Watching her incredibly expressive face, especially during the fight scenes, is the best part of viewing "Anne of the Indies." She struck me, in fact, as one of the best actresses I have ever had the pleasure of watching, and certainly the best woman pirate -- taking nothing away from any of the others.
She was ably assisted by a superlative cast, including Herbert Marshall playing the only really sympathetic character.
But James Robertson Justice did shine as the right-hand man. Thomas Gomez, usually so good in anything, was terribly over-weight to be Blackbeard but still seemed suitably scary.
Louis Jourdan was so cool and collected, so at home in his role, he almost blended into the background -- which might be a sign of great talent.
One of my personal favorites is Sean McGlory, whom I interviewed after his stage appearance in an Oscar Wilde play. He doesn't appear in "Anne of the Indies" until fairly late but just grabs a viewer's attention.
I think the ending was rather weak, and even disappointing, but every part is so well played, and the effects were so nearly perfect, I can rate the move very good over all.
I highly recommend "Anne of the Indies" if only for the joy and pleasure in watching Jean Peters and the admiration her performance will inspire.
Anne of the Indies is one of my favourite movies.On my point of view,the central theme is the impossibility for a woman to live her own identity as a woman.She is trapped in a male identity,being grown up under Blackbeard's school: sword,ships and pirates.
When she falls in love for the first time,she is unable to express female feelings she feels.She almost ridiculise herself for her love,a new experience,and her own humiliation is exceptionally well acted by Jean Peters.Her desperation became more evident as the film goes on,above all when she has to admit herself her own sorrow after having been betrayed(this betrayal is a terrible event which destroys her under-construction female identity) and she is forced to admit her own weakness she has always tried to hide with a splendid use of her sword.
The final scene with Blackbeard planting his sword on the ship floor is fantastic,because he does just the same act that every person who understand the dramatic situation of Anne-Captain Providence would have done.I find this a marvellous movie,almost perfect:the only scene I don't like too much is the very last,when the name of her ship is cancelled from the register of outlaw ships:on my point of view,Tourneur made an error to show her again.It would have been more effective if the last time we look at her was just when she cries to Blackbeard "Come and take me,old pirate"(I base myself on the italian dubbing).
A moving film,which reminds me of the powerful acting of equally desperate Ella Raines in "Tall in the Saddle".
Wusstest du schon
- Wissenswertes"I would have died if I'd lost the part of Anne," said Jean Peters. "The costumes are delirious, any girl would look good in them.; they have tight-fitting trousers and open throat shirt down to here, and free top boots --- I'm in rags, really but so picturesque and flattering. And the character is terrific, she's a complete primitive, a girl raised by Blackbeard, the pirate, who knows no other life than the law of might. Just an animal. I can't wait to begin it. Of course, I'm aware it's a dangerous part, too. You could make an awful fool of yourself if you went overboard."
- PatzerWhen Captain LaRochelle jumps from his burning ship, he is wearing a white shirt, but when subsequently brought aboard the Sheba Queen his shirt is green. Moments later when he enters Anne's cabin he is wearing yet a different shirt (sleeves hanging over cuffs) and a narrower cummerbund.
- Zitate
Capt. Harris: We have no business that I know of.
Captain Pierre François LaRochelle: My ship, sir. We made an agreement, we shook hands.
Capt. Harris: And you failed to keep it. The Sheba Queen is still free to burn and pillage English ships. While all we have of you is the unlikely story that Captain Providence is a woman.
[turns back to his card game]
Capt. Harris: Another card, please.
Captain Pierre François LaRochelle: We put our hands to a bargain, Captain Harris. And to make my hand good, I've worn irons. I've been spread-eagled and flogged, I've been under the cutlass of Blackbeard himself. I've called red-handed cutthroats my friend, I've stood by and watched murders - and worse. And that's not all, oh no!
Capt. Harris: Another card, please.
Captain Pierre François LaRochelle: With the daily and nightly prospect of the plank at my back, I've flattered and crawled, made myself "agreeable" in all ways, to the vilest hearted she-monster that ever came out of the sea - and I think all the oceans will never wash me clean again. It's you, gentlemen, who have bungled. I still hold to my bargain!
- Crazy CreditsPROLOGUE: Less than two hundred and fifty years ago, the last of the great pirates wrote their names in blood and fire across the pages of maritime history.
This is the story of a buccaneer Captain whose name for one short year struck terror in the hearts of seafarers and merchants from the ports of the Carribbean to the great trading houses of London....
- VerbindungenEdited into Piraten von Tortuga (1961)
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