Kampf um den Piratenschatz

Enough has been said by other reviewers about Robert Newton's performance, so I want to make some comments about Linda Darnell's appearance in this film. Although she was given second billing, her part is rather small in the overall script. There wasn't much great dramatic effort required to do her part.

I'm guessing her star power had something to do with her being cast in this film. The incidental love story involving her character could have been eliminated from the film without the film being affected. I guess it was needed to give the film a "happy ending".

Since most of her work was filmed in black and white, it's nice to have another opportunity to see her photographed in Technicolor.

The cast and crew must have had a ball making this flick, since it has so many funny bits in it.Just listen to this exchange between Robert Newton doing his never-equaled pirate character as Blackbeard, and the lovable lug Bill Bendix, of Life of Riley fame, as Worley, the dim-witted first mate. Blackbeard is pulling up a rope that the hero has used to climb into the Captain's cabin, and says, "I be fishin' for a rat!" Worley: "Why, are ya hungry?" Don't miss The Funeral at Sea ("For distance this time!") Watch Edward Maynard eye Linda Darnell's lavish expanse of bosom and say, "Never mind the measurements!"

And while you're thinking about the plot...how _did_ they ever get off that island?

Despite the fact that Sir Henry Morgan and the infamous Edward Teach aka Blackbeard operated in different centuries and that Teach was a mere six years old when Morgan died in 1686 don't worry about historical accuracy. This is a film to be savored and enjoyed especially by those who are true devotees of ham.

Robert Newton who could also restrain himself and give good performances turns off all restraint in this rollicking and colorful pirate portrayal. He blasts everyone else off the screen, not easy to do when you consider Linda Darnell's beauty and William Bendix who usually steals the films he's in.

The plot such as it is has Keith Andes looking to obtain evidence that Henry Morgan is still a pirate after getting a King's pardon. Andes boards a ship that is commanded by the infamous Blackbeard, rival to Morgan. Newton has also taken as hostage Linda Darnell who is the governor's niece and her maid Irene Ryan. Morgan who is also played by another scene stealer Torin Thatcher, is real interested in Darnell and he's held at bay somewhat by Newton having her as hostage.

Newton is a guy who thinks fast on his feet and is not above double crossing his own crew. That's something he does once too often as it turns out.

Once seen you will absolutely never forget Newton as Blackbeard, you will be unconsciously mimicking him for weeks.

Hollywood turned out dozens of pirate adventures in its heyday, most, such as The Black Swan, The Spanish Main, Captain Kidd etc etc, were flat and routine swashbucklers that lacked the kind of acting presence, story, and edge that made MGM's 1934 version of Treasure Island, and Warner's Captain Blood from 1935 standards of the genre. The pirate movie throughout the 40's, much like the western, was in need of something fresh.

In 1950, Robert Newton made a stalwart impression as Long John Silver in the British remake of Treasure Island, released through Disney. Though the film was not nearly as good as the '34 MGM version, Newton managed to surpass the performance of Wallace Beery's Silver, which was no easy feat as Beery was exceptional in that role.

Coming off of that success, RKO paired Newton with hit and miss director Raoul Walsh to make Blackbeard the Pirate. Newton's performance in the title role was even better than his turn in Treasure Island - a definitive portrayal of the pirate captain that continues to predominate the genre. Not a single actor from Wallace Beery to Victor McLaglen to Charles Laughton to Peter Ustinov to Dustin Hoffman to even Geoffrey Rush and Johnny Depp have managed to usurp the pure overbearing sea scenery chewing double-dealing rapscallion that is Robert Newton as Blackbeard. His performance, as brutal as it is humorous, is a joy to behold, and elevates the film to a higher level.

The film itself is not as routine as one might expect either. There is a plot going on here (albeit not exactly an airtight one), and some fine supporting performances from William Bendix (always watchable), Linda Darnell, and Keith Andes, a mostly forgotten actor who apparently could do it all in show business from sing and dance to swordfight. His cutlass battles in Blackbeard are of Flynn/Rathbone quality, but actually remind one more of the kind of swordfighting seen in Lester's The Three Musketeers 20 years later. For a film made in 1952, there is a surprising amount of gore in this as well.

Not a great story, but a good one, and entertaining throughout. Everything you'd expect from a 50's adventure on the high seas is delivered here - action, romance, blood and treachery. One of the best pirate movies of all time.

Some people are born to play certain roles. Robert Newton was born to play a pirate. No one comes close to his wild pirate performances and the film Blackbeard provides this in spades. If you liked watching him as Long John Silver in Disney's Treasure Island, you will absolutely love him running amock in Blackbeard.