The 13th Letter

Michael Rennie plays a doctor at a Canadian hospital who receives a series of poison pen letters. Soon these letters are sent to others which leads to tension amongst the inhabitants of the small Canadian town.

THE 13TH LETTER is a decent well made mystery which keeps the viewer guessing to the very end who is sending the poison pen letters and why. The cast is quite good, with Rennie giving a stand out performance as noble doctor who is the main target of the nasty letters. It a shame that this film from Otto Preminger is so rarely shown.

The script is intriguing, especially in the way it points the finger of suspicion at several different characters as to who is the writer of a series of poison pen letters in a small Canadian town, but it's also talky, and Otto Preminger's direction is strangely lacking in style, for the man who helmed the highly celebrated "Laura". This looks more like a TV movie before TV movies where in vogue. Linda Darnell and especially Constance Smith are gorgeous, Charles Boyer is very good, but Michael Rennie is miscast in the central role. ** out of 4.

1st watched 5/30/2000 - (Dir-Otto Preminger): Well-done whodunit which revolves around a series of letters written supposedly to defame a local doctor in a Canadian town, but ends up becoming more fatal.It keeps you guessing until the end which is pretty much the measuring stick for this kind of movie.

I used to think of the Hollywood proclivity toward remaking foreign films in English to be a modern phenomenon until I encountered the 1951 remake of Fritz Lang's German classic "M" from 1939. Well, that comment segues nicely into the American remake of "Le Corbeau." "The 13th Letter" doesn't mention the French film as a source nor the historical incident from the 1920s it is based on but refers back only to the novel. It does pay some homage to its French origins. An opening title tells us that the new movie was filmed in its entirety at a "small French-Canadian community in the Province of Quebec." When I reviewed the Hollywood remake of Fritz Lang's "M" (released the same year as "The 13th Letter" but from different studios), I said that if you could, as much as possible, take the new film on its own merits then it had quite a bit to offer. I can't quite say the same for the Preminger effort. The director doesn't seem to be working too hard for a film that falls between "Where The Sidewalk Ends" and "Angel Face" in his filmography. The new film is not quite a shot-for-shot remake but is pretty much a scene-for-scene redo. The only substantial change is right at the end where a fairly long dialog passage goes to explaining the crimes in a lot more detail than Clouzot provided - but I liked the Clouzot approach better. The new young doctor is played by Michael Rennie who can't come close to showing the inner turmoil that Pierre Fresnay brought to his tormented physician. Linda Darnell is good enough as the landlord's flirty daughter if she isn't nearly as seductive and overtly sexual as the French would have it. The only real notable performance is by Charles Boyer who is quite brilliant as the elderly doctor with the young wife who the anonymous letters continually link to Rennie's character. Howard Koch wrote the screenplay. The cinematographer was Joseph LaShelle (Laura, The Apartment, Marty), so there was talent behind the camera. I can neither recommend or not recommend this picture. See it if curiosity leads you that way. It's not really a bad movie but not a very good one either.

The film stars out as an interesting mystery with an atypical premise. Then it deflates and gives you a disappointing ending.

Boyer is the only Quebecianite who has a French accent and as usual, he really pours it on.