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The Amos 'n Andy Show

  • Fernsehserie
  • 1951–1953
  • 30 Min.
IMDb-BEWERTUNG
8,6/10
894
IHRE BEWERTUNG
Alvin Childress, Tim Moore, and Spencer Williams in The Amos 'n Andy Show (1951)
Komödie

Füge eine Handlung in deiner Sprache hinzuStories mostly centered on The Kingfish's schemes to get rich, often by duping his brothers in the Mystic Knights of the Sea Lodge. Andy was particularly dupable. Amos mostly narrated.Stories mostly centered on The Kingfish's schemes to get rich, often by duping his brothers in the Mystic Knights of the Sea Lodge. Andy was particularly dupable. Amos mostly narrated.Stories mostly centered on The Kingfish's schemes to get rich, often by duping his brothers in the Mystic Knights of the Sea Lodge. Andy was particularly dupable. Amos mostly narrated.

  • Stoffentwicklung
    • Charles J. Correll
    • Freeman F. Gosden
  • Hauptbesetzung
    • Alvin Childress
    • Spencer Williams
    • Tim Moore
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,6/10
    894
    IHRE BEWERTUNG
    • Stoffentwicklung
      • Charles J. Correll
      • Freeman F. Gosden
    • Hauptbesetzung
      • Alvin Childress
      • Spencer Williams
      • Tim Moore
    • 45Benutzerrezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Primetime Emmy nominiert
      • 1 Nominierung insgesamt

    Episoden78

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    Topbesetzung99+

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    Alvin Childress
    • Amos
    • 1951–1955
    Spencer Williams
    Spencer Williams
    • Andy
    • 1951–1955
    Tim Moore
    • Kingfish
    • 1951–1955
    Johnny Lee
    • Calhoun
    • 1951–1955
    Ernestine Wade
    • Sapphire
    • 1951–1955
    Amanda Randolph
    • Mama…
    • 1951–1955
    Nick Stewart
    • Lightnin'
    • 1951–1953
    Roy Glenn
    Roy Glenn
    • Trainer…
    • 1951–1955
    Amos Reese
    • Bradshaw…
    • 1951–1955
    Bobby Johnson
    Bobby Johnson
    • Bellhop…
    • 1952–1955
    Jester Hairston
    Jester Hairston
    • Henry Van Porter…
    • 1951–1953
    Arthur McNeely
    • Mr. Jackson…
    • 1952–1953
    Zelda Cleaver
    • Clara Van Porter…
    • 1951–1955
    Dudley Dickerson
    Dudley Dickerson
    • Joe…
    • 1952–1955
    Milton Wood
    • Doctor…
    • 1952–1955
    Bill Walker
    Bill Walker
    • 1st Detective…
    • 1951–1955
    James Adamson
    • 2nd Detective…
    • 1951–1953
    Rosalind Hayes
    • Elevator Operator…
    • 1951–1955
    • Stoffentwicklung
      • Charles J. Correll
      • Freeman F. Gosden
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen45

    8,6894
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    Empfohlene Bewertungen

    9redryan64

    Top notch sit-com, on par with any other.Is as Immortal as 'The Honeymooners.'

    After 2 years on the CBS Television Network, the video version of 'Amos 'n' Andy' found itself without a sponsor. The series was canceled. This was truly a shame, for it is indeed as funny as anything that has been on TV before or since.

    Following an extensive industry wide hunt for the most talented and fittingly cast players to bring the longtime favourite radio series to the small screen, a special program featuring Hal Roach, Jr. and the creators Freeman Gosden and Charles Corell(all whites), was telecast to introduce us to the actors now playing the characters.

    Pressure from the NAACP, whose position that the series, with its comical characters, was demeaning to Black Americans. The sponsor, Blatz Beer of Milwaukee, did not renew its sponsorship.We have always contended that Amos 'n' Andy no more represented a true picture of Black Americans than The Honeymooners' Kramden & Norton were meant to be an accurate portrayal of White Americans. They were both designed to make us LAUGH!!

    The series was over, but went into syndicated re-runs which made most of us aware of these very funny episodes featuring such a great and talented cast.

    I don't know of anyone who took the show 'seriously', for we all knew that Andy, Kingfish,Calhoun, Saphire, Momma, Madame Queen, Lightnin', etc. were all played for laughs, with Amos, his family and others providing a strong level-headed,serious counter balance.

    Meanwhile, the Radio series continued, never seeming to attract any real criticism.

    In the end, we the public were the losers; along with Alvin Childress, Spencer Williams, Jr., Tim Moore, Ernestine Wade, Amanda and Vivian Randolph, Johnny Lee, 'Nicodemas' Stewart and other Black players. They were picked from the best available talent, only to suffer a premature termination.
    damifino48

    I don`t remember the radio program, but, the T.V. show was great.

    They could not have put together a better or more talented group of people. Amos and Andy, and a lot of other shows from back then need to be on television now. Those would be reruns even I would sit down to watch. As far as it depicting ignorance, or the people being uneducated, just about all the shows were made on the same level from that time period. There was true comedy on T.V. back then. Look what happened in later years on television. Mr. Ed was smarter than Wilbur ever hoped to be, but, it made a good show.
    davhogan

    The entertainment value is classic

    I have 78 episodes on DVD. The characters are incredibly Funny. I'm a white man & feel like most others. The show is comedy not a documentary. The humor is harmless. I don't think that the honeymooners depict a negative image of white folks. Compare the 2 shows, the constant scheming, the outfits, the lodge, etc... Most average folks in those days were real poor & related to the humor. I don't know about you, It's a shame some people are that defensive That they can't laugh at show anymore & put it in perspective with the times it was created. It should still be available on T.V. Like the other classics.I love it.
    mdeaton

    The sitcom in general

    As a child, I grew up watching Amos 'N Andy shows each week as they were produced. At the time I knew I just liked the antics of "The Kingfish". He was the main star even though the title of the show only depics Andy Brown (occupation unknown) and Amos (the cab driver) as the main characters. The acting troupe were absoutely a perfect combination. Tim Moore's character of The Kingfish was brillant! I remember so many laughs. They were happy laughs, not of racism but just a child seeing a good show. I do not know who owns the rights to the shows now but I have heard that they were removed from being broadcasts again for the wrong reasons. Redd Foxx is more racists than Amos 'N Andy ever were. These shows were "A1" wholesome in my book and should be enjoyed again by the next generation.
    schappe1

    A Bad Rap?

    I've just watched a documentary on African-Americans on television which showed several clips from "Amos and Andy". It got me thinking about this show that I watched when it was syndicated in our area 40 years ago. For the record I am a middle-class white male, but I don't think it really matters that much. I haven't seen an entire episode in decades but my memories of the show seem to be similar to others so I will trust them. I too, agree that the show has something of a bad rap but I think the reasons why are interesting.

    I agree with the several posters who have compared this to "The Honeymooners", which was obviously influenced by it. You have the men out front, not as smart as they think they are, hatching various schemes to make their dreams come true or cover up their missteps while smarter females lecture them for their foolishness when the smoke clears. Things like the lodge they belong to are obvious parallels. If the Honeymooners could be a classic, why couldn't Amos and Andy? The characters are not servants or shoe-shine boys. It's whole black community. I remember noticing that all the characters were black when I was a kid but just regarded it as a peculiarity. If the show taught me anything about blacks is that they are just like everyone else. Is that harmful? I agree that the fact that the series gave black performers jobs is not an "excuse" for racial stereotyping. But just search the IMDb for a look at the actor's careers after this show ended. Spencer Williams's career basically ended. Alvin Childress showed up on Perry Mason as a janitor. Tim Moore was blacklisted, (an ironic term). There's something to be said for employment.

    So why is this show linked with Stepin Fetchit or "Rochester" as an example of black stereotyping such that it's been essentially banned from TV for four decades through the efforts of the NAACP, (ironic that Moore was banned by rightists and his show by leftists)? Firstly, while it does present an entire black community, it does use traditional elements of black humor- exaggerated dialects, references to lazy or untrustworthy characters, etc. However the same elements are present in later "black" shows such as "Good Times", which were not banned.

    Perhaps a stronger reason was that the show was created and performed on radio by two white men, Freeman Gosden and Charles Correll, who had appeared on film playing the characters in blackface. That further links the show to racist stereotyping and illustrates that its genesis was certainly in the white man's view of comical black men. However subsequent documentaries have indicated that Gosden and Correll were anything but racists themselves and were respected by their TV counterparts who went on to make the characters their own in a series that was much toned down from the radio show.

    I think perhaps the biggest problem with Amos and Andy is that it was the only show that attempted to depict black life in America in the 1950's. Whites had Joe Friday and Paladin and Dr. Kildare, so when they watched Ralph and Ed they didn't look at them as representatives of the white race. They just looked at them as a couple of funny guys. Blacks had no Joe Friday or Paladin or Dr. Kildare so these comic characters became their symbol. When it came time to move on, they were left behind.

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    Handlung

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    • Wissenswertes
      In the documentary Amos 'n' Andy: Anatomy of a Controversy (1983), Alvin Childress (Amos) said that he never felt that the show was that negative of a portrayal of blacks since it was the only television show at the time that showed black people as businessmen, policemen, judges and doctors rather than maids or janitors.
    • Zitate

      George 'Kingfish' Stevens: [accepting an award from his lodge brothers] Thank you, brothers; and, in the words of that great American poet Ralph Walnut Emerson, you all has my infernal gratitude.

    • Verbindungen
      Featured in Television Land (1971)

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 28. Juni 1951 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Adventures of Kingfish
    • Drehorte
      • Hal Roach Studios - 8822 Washington Blvd., Culver City, Kalifornien, USA
    • Produktionsfirma
      • CBS
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    Technische Daten

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    • Laufzeit
      • 30 Min.
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 4:3

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