Einmal eine Dame sein

I love this movie not just because of Jane Powell's charming performance or Ricardo Montalban's romantic looks, but for its wonderful recreation of the period and most of all for its heartfelt appreciation of the angst of growing up and moving from girl to woman. And it's so funny!- the scene where her (surgical) corset locks during her longed-for dance with Ricardo is hilarious. What more could you ask - even Debbie Reynolds is (comparatively) restrained.

TWO WEEKS WITH LOVE is a rarity, a movie that sets out to capture the innocent charm of the early 20th century, and succeeds. A brave confection, built on a rather silly premise, it artfully presents the conflict in the heart of a 17-year-old girl who yearns to grow up and whose parents yearn to ignore it. Jane Powell is delightful as the adolescent who has a crush on the dashing man, and Ricardo Montalban hits just the right note of sophistication and kindness as he begins to fall for her. Debbie Reynolds is perfect as the wisecracking younger sister who knows what she wants and how to get it (and "it" is Carleton Carpenter), and two little brothers add just the touch of innocent mischief we would expect from little brothers in those days. Louis Calhern is delightful as the fumbling father, and Ann Harding is elegant and regal as always as the mother.

I don't see how anyone could interpret this as the same movie as DIRTY DANCING, except they both took place in Catskills resorts. It is truly about a loving family and how they cope with growing pains all around. The later film was no such thing, with a different set of characters and a totally different story line. It was certainly a different kind of resort as well.

This not being one of MGM's "tentpole" musicals. This is a very basic story of NYC families vacationing in the Catskills and the "resort romance" that teenagers often encounter. Despite how gorgeous and talented Jane Powell is, her character is insecure and easily embarrassed as any 17 year old. She falls for the ever gorgeous Ricardo Mantalban who shows that he can play light romantic comedy well. Debbie Reynolds is perfectly cast as Powell's little sister (actually 17 at the time) who pretty much steals the picture. Louis Calhern and Ann Harding play their parents and it was great to see Calhern in a lighter role with so many nice close ups. Carleton Carpenter was outstanding as the boy caught in the middle of the two sisters affections.

This Technicolor production was a feast for the eyes-beautifully photographed, believable sets and great costuming and make up. Whenever I see these I know what kind of stress the actors were under-those incredibly hot lights wearing heavy costumes & caked make up. This group of pros never let their discomfort show and there was lots of smiling and dancing included here.

As I said earlier, Debbie Reynolds completely stole the show, she had the best lines and the best, most energetic dance numbers. She played the typical fun loving tom boy who is just discovering boys and crushes. She plays adorably for the camera but is a real standout in her dancing with Carlton Carpenter, who is also just spectacular. I noticed the camera shot them dancing from a low angle capturing their entire bodies but close enough to clearly see their facial expressions-the brilliance of Busby Berkeley.

There is no doubt Debbie Reynolds was going to be a HUGE star. You can see it, everyone can see it. Why didn't Carpenter? He certainly is a standout. Maybe it's tougher in musical comedy when you're male?

Patti (Jane Powell) is coming of age in the early XX century. She sights for Demi (Ricardo Montalbán) and willing to wear corset, a clear sign of becoming a woman. Until then she can not allow any man put his arms around her...or they would discover she is not wearing corset and consequently is not a woman yet. But her parents prefer to wait until she is eighteen. That means waiting a whole year, a difficult thing specially if you have a friend called Valerie (Phyllis Kirk) who is already in the adult world and fighting for Demi's love. Delightful musical comedy that includes many beautiful songs such as Oceana roll, Row, row, row, Aba daba honeymoon (a huge success after film's release that lead to a tour song through the States for both singers), By the light of the silvery moon and a The chocolate soldier's fragment, all of them perfectly fitted. In brilliant Technicolor with wonderful costumes by Edith Head, an accurated set designs and mise-en-scène and great performances by all the cast this is a film not to be missed. Specially enjoyable are the lake boat dream sequence with Ricardo Montalban appearing in Patti's dreams and the tango dance finale A media luz (made famous by tango singer Carlos Gardel) where Mr. Montalbán (a great dancer) shines dancing with Miss Powell. She said this was her favorite film. Great entertainment.

There's just something about watching an MGM musical from their golden age. Musicals from that time had a special look and feel like nothing before or since, wonderful displays of showmanship and design and talent that cast a gorgeous glow over the screen. Sure, they were corny and silly sometimes, but they entertained.

`Two Weeks With Love' is typical of this period. The story follows adolescent Patti Robinson (Jane Powell) on her family vacation to Kissimee in the Catskills, where she meets and falls in love with the dashing Demi Armendez (Ricardo Montalban). Patti pursues Demi and the hotel bellboy Billy (Carleton Carpenter) pursues Patti and Patti's sister Melba (Debbie Reynolds) pursues Billy, and Patti and Melba's Mama and Papa (Ann Harding and Louis Calhern) struggle to accept that their little girl is growing up…

`Two Weeks' is one of those movies that's a pure joy to watch, just ninety minutes of lighthearted fun and sweetness. It's a time capsule from a simpler age, when problems were never really as bad as they seemed and true love could conquer all. Sigh