Füge eine Handlung in deiner Sprache hinzuA drifter is bailed out of jail by a lawyer, who hires him to impersonate a millionaire until the man can be declared legally dead and the estate settled. However, the man soon finds out tha... Alles lesenA drifter is bailed out of jail by a lawyer, who hires him to impersonate a millionaire until the man can be declared legally dead and the estate settled. However, the man soon finds out that things are not exactly how they seem.A drifter is bailed out of jail by a lawyer, who hires him to impersonate a millionaire until the man can be declared legally dead and the estate settled. However, the man soon finds out that things are not exactly how they seem.
- Regie
- Drehbuch
- Hauptbesetzung
- Cop
- (Nicht genannt)
- Vagrant
- (Nicht genannt)
- Bailiff
- (Nicht genannt)
- Judge
- (Nicht genannt)
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When David is picked up for vagrancy, someone pays his fine, and has a proposition for him: He is to pretend to be a millionaire, who had disappeared several years prior. Even the millionaire's wife can't tell he is an impostor, but things start to go wrong. The man he is impersonating wasn't very well liked, and David must find out why. Viveca Lindfors gets top billing as "the wife", but it's Janis Paige as the sister- in-law who (rightfully) steals the show. Watch for Monte Blue as the Sheriff. The acting isn't anything special, but the story is mildly compelling, and since we know right from the start that David ends up in the well, we get hooked on finding out how he ends up there.
Written by Richard Sale, who had several novels and screenplays made into films. This one IS available on DVD, although you can catch it on Turner Classic Channel about once a year. Directed by Richard Bare, who wrote a book on the proper technique on film directing.
The story is told in flashback, as we see in the beginning that Cummins is in grave danger -- as he tries to save himself, he goes over the events that brought him to his present problems.
Fairly interesting story. I'm sure for Lindfors, a wonderful actress brought over from Sweden, this was hardly the stuff of star-making, but she does a good job. Paige is gorgeous.
All in all, fast-moving and satisfying.
Dishevelled, down at heel vagrant, Kent Smith, comes under the gaze of suave, sophisticated, savvy but scheming lawyer Robert Douglas. With his educated English accent and pencil thin moustache, he is the template for the Tom Helmore character in 'Vertigo'. Smith scrubs up sufficiently well to pass for dapper, prosperous Malcolm Taylor, seven years missing and about to be pronounced officially dead, which will spark serious financial repercussions for his estate.
That a grubby, random, homeless man could be so remarkably transformed, have the confidence, poise audacity and chutzpah to pull off such a stunt, even for BIG money, certainly stretches credibility. To then arrive on the doorstep, after seven years without trace or explanation and greet 'wife' Viveca Lindfors with a slightly sheepish, "Hello Evelyn" is almost as laughable as The Disaster Artist's 'Oh! Hi Mark' moment. Smith also has to deal with hostility from brother, John Alvin, who loathes him and the advances of sister in law, Janis Paige, who loves him. All minor fare compared with the relentlessly barking, snarling, howling dog, Angel, who would gladly eat him...... before moving on to the main course!
Smith may look, sound, act and even smell like Missing Malcolm, but as always the Devil is in the detail. Small revelations start to arouse suspicion concerning his veracity. As the double crosses double, every ten minutes, the absurdities of the plot ultimately give way to something altogether more intriguing and absorbing. Whilst the stark, forbidding settings evoke the aura of the best goth noir. The largely second tier cast turn in convincing performances, with Janis Paige's femme fatale especially memorable in a movie which emerges with greater integrity than initially anticipated. Undiscovered by myself, until recently, 'This Side of the Law', is an interesting addition to my ever expanding noir catalogue.
It's an entertaining film with a good cast and scenery that gives you a spooky vibe. It's well filmed and keeps you guessing at the mysterious relationships and who is colluding with who. It's a small cast with a special mention to Janis Paige (Nadine) as my favourite character who plays the not-so-dumb relative of Taylor.
One reviewer has focused on the cliff aspects of the film and makes a good contribution. A good cliffy location for this film to play out. An enjoyable film with a good technique for getting out of a well should you ever fall into one.
Wusstest du schon
- WissenswertesProduced in October and November of 1948, but not released until June of 1950.
- PatzerPatience is a virtue - unless you killed a guy for his $3 million dollar fortune (worth $40 million in 2025) and are just waiting out the 7 years till the "missing man" can be declared legally dead. And then what...? Kill some more folks? As crooked lawyer Philip Cagle was going to have to, as no way *he* was the beneficiary of Malcolm's will, nor was anyone just going to endorse the inheritance check over to him with a "Thanks for thinking about Malcolm all these years! You're a pal. You can have it all!" Exactly what was his plan? In one more week the widow Evelyn would have gotten the money (as the seven years waiting period would have been up). She was not about to just hand the whole wad over. The spineless shrew of a brother (Calder) and his malicious wife (Nadine) were only going to get whatever crumbs either Malcolm or shystering Cagle would have left for them in Malcolm's will. What did Cagle need Nadine (who was having an affair with Malcolm, and never knew Cagle had murdered him) for? Why would he be splitting the take with her? And Cagle was going to have to kill off hired impostor Cummins (as if he was really a bad apple afterall he'd immediately blackmail Cagle to death, and if he was a good one he'd turn him in to the cops). So Cagle would have had to have killed Malcolm to get the ball rolling (and clock ticking), killed Evelyn to make sure she didn't get the money, killed Calder (so he didn't inherit it once both Malcolm and Evelyn were dead), then killed Calder's wife Nadine (since she'd've been next in line). That only would have left the dog standing. Maybe the whole thing seemed like a good idea when Cagle first dreamt it up, but realistically, it's just not very practical.
- Zitate
Philip Cagle: [encountering Cummins as he has just been released from jail for vagrancy] Better out here, isn't it?
David Cummins: You paid my fine.
Philip Cagle: You're abrupt, Mr. Cummins, but true.
David Cummins: Is there any reason I should thank you?
Philip Cagle: I talk better over a cup of coffee, how 'bout you?
David Cummins: That depends on what I have to talk about.
Philip Cagle: I paid fifty dollars to get you out here, the least you can do is let me tell you why I did it.
Philip Cagle: Fifty dollars for me? Inflation's here to stay.
[gets into the car]
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- 1 Std. 14 Min.(74 min)
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- 1.37 : 1