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Three Little Words, the "story" of songwriters Harry Ruby and Bert Kalmar, probably is only accurate where their names, songs, and a rough frame of truth is concerned, but who cares? The cast is great. Fred Astaire has some really good dances. Red Skelton's comic potential isn't really used in this, and he seems almost like Fred's sidekick, but he does all right. It's certainly not his best. I usually don't like Vera-Ellen, but even I like her in this. And once you see past the black wig, that is most definitely Debbie Reynolds as Helen Kane, the girl singing I Wanna Be Loved By You. The songs are absolutely sensational. Oh yeah, the song Lucky Star (not written by Ruby-Kalmar), which Debbie would later sing with Gene Kelly at the end of Singin' in the Rain, is briefly featured.

After seeing all the overstuffed musical biographies which pay homage to Kern, Rodgers, Hart, Gershwin, and the like, this one is a breath of fresh air as it is much simpler and more basic in its construction. Its two main leads (Fred Astaire and Red Skelton) do not take the material over-the-top; instead they underplay, and in Skelton's case, he is so subdued that he reveals a wonderful, sensitive, acting talent. The musical numbers, of course ("Who's Sorry Now?" "Nevertheless," "Sunny Tennessee," "I Wanna Be Loved By You," "Three Little Words"), speak for themselves. And Astaire and Vera-Ellen are perfection on the dance floor- and no less than *three* times: in the tuxedoed duet "Where Did You Get That Girl?"; a tongue-in-cheek homage to dance domesticity- "Mr. & Mrs. Hoofer;" and the best moment- a tender, romantic adagio in an elaborate stateroom, "Thinking of You." There is also fine support from gorgeous redhead Arlene Dahl and spirited brunette Gloria DeHaven. And, of course, there is Debbie Reynolds (a full year before 'Singing In The Rain') performing as Helen Kane- with singing voice provided by Kane herself!!

This was a wonderful, feel-good movie with tons of songs, many of them appealing. There also were some great dancing scenes, no surprise there since Fred Astaire is one of the stars. Astaire and Vera-Ellen paired up well for those numbers.

This is one of the few films, even in the musicals, in which all the characters were nice people. In other words, there were no villains, no nasty people, which is refreshing to see now and then. It is supposedly the true-life account of songwriters Bert Kalmar (Astaire) and Harry Ruby (Red Skelton). Ruby is good at writing tunes, but not with lyrics. Kalmar supplies the lyrics and dance. Skelton also shows he had a decent singing voice.

The only unhappy moments in the movie are the squabbles between the two leading men, but that's not overdone and sometimes it's humorous. Skelton's character is the nicer of the two.

The leading ladies are wholesome-looking beautiful women. Vera-Ellen is a Shirley Jones-type pretty blonde with a great dancer's body. She's enjoyable to watch. Arlene Dahl, who was stunning, is the other leading female but her role was minor, unfortunately.

The movie is a good mixture of song, dance, comedy and drama and is an underrated film in that it that doesn't get a lot of publicity. Astaire was quoted as saying this was his favorite film. I agree. It's my favorite of his, too.

The first time I saw "Three Little Words" was when I was a teenager on vacation in Tulsa, Oklahoma. My Dad was not a fan of Red Skelton, but he endured the pain of it jut as he was subjected to watching Betty Hutton screaming with red-face in "Annie Get Your Gun", but as far as the movie "Three Little Words" goes, I loved it. Being a tap dancer myself, I could tune in quite well to a singing and dancing movie. This has to be considered one of Fred Astaires best movies he ever made. His dance numbers were created by Hermes Pan, thank God, because any film in which Astaire created his own dance sequences showed a very good reason why Astaire should let the others attempt this job. As a result, all the numbers are excellent, especially the dancing of he and Vera-Ellen in the "Thinking of You" number, and what about Gloria DeHaven? Here she is playing her own mother Mrs. Carter DeHaven. That must have been a thrill for her, and did she sing "Who's Sorry Now?" to perfection!

As far as this being Debbie Reynolds screen debut. Not so! Her film debut was in "The Daughter of Rosie O'Grady" filmed by Warner Brothers starring Gordon MacRae, Gene Nelson, and the best dancer Hollywood has ever had to offer - June Haver, but Haver's talent was always underestimated and not given the credit for being the fine performer that she was!

But, what can you say about "Three Little Words" except - sit back, get out the pop-corn and the soda's, relax and watch an excellent cast have a field day doing some of the finest singing, acting, dancing, that you will ever witness on the silver screen. It's just too bad that these old movies can't be seen on the large silver screen so that our younger generation can see what entertainment was, is, and always will be all about!

Don

This film didn't try to do much more than bring us the songs. And that was good. It was wildly anachronistic -- the early number with Astaire and Vera Ella was danced to jazz that had to be some 15 or 20 years later than the date of the film, which at that point would be early 1920s, the age of the Turkey Trot, when bands were still coming out from their military origins. But the later sequence in the capacious ballroom of the ocean liner to "Thinking of You" was lovely. And the shot of the liner was the Normandie, wasn't it? Queen Mary was a four stacker. Vera Ella was a wonderfully acrobatic dancer. Al Schacht WAS a pitcher -- for 3 years (1919-21) for the Senators. The poster who said he was a catcher may have been thinking of Ray Schalk, a hall of fame catcher for the White Sox (including the 1919 nine, though not implicated in the throwing of the Series). And Barris, Rinker, and Bing sang with Paul Whiteman, not Duke Ellington. The MGM color in the 40s and 50s was magnificent -- and this film shows it off superbly. This one is a very enjoyable musical, one of the best of a period that produced some great ones.