Stella

The title role of Stella is played by Ann Sheridan, the only one in a family of lunkheads who earns a decent living, as a secretary to Leif Erickson as an insurance salesman and head of the branch in their Cabot Cove like New England town. She puts up with a lot with a daft mother Evelyn Varden, a pair of scatterbrained sisters, Marion Marshall and Randy Stuart, and most of all a pair of seasonal workers the congenitally lazy David Wayne and Frank Fontaine.

And there's Uncle Joe who dies at the beginning of the film. He was sparking the widow Lea Penman who owns the resort hotel the whole family is employed at but Sheridan. The description of him is a lazy lout and obnoxious and apparently good for only one thing as Penman attests. The family employment is seasonal, they all go on unemployment when the season is over.

But one fine day a family picnic which Sheridan is not at Uncle Joe gets drunk and stupid and gets himself killed trying to pick a fight with the nephews-in-law. Instead of reporting the crime the two geniuses Wayne and Fontaine bury the body. But then when there's insurance money involved we've got to find a body and then they have a bumper crop of stiffs.

As this involves an insurance claim the most proper Mr. Erickson gets to investigate before approving a claim. At the same time Victor Mature from the home office gets in the act on the claim and in competition for Stella. Both Mature and Erickson are a bit guilty of thinking with their male members, but Erickson decidedly more so.

Stella reminds me of one of Alfred Hitchcock's lesser efforts The Trouble With Harry. Hitch tried for black comedy, this film is far less subtle. Both were passably entertaining, but really miss the mark.

Victor Mature kind of misses in the light touch department. He's all right but can you imagine Cary Grant in the same part?

I also can't imagine why the sisters couldn't do better in their choices of husbands. Both married way below their league.

Stella does have a few laughs in it however. The punishment worked out for Wayne and Fontaine is quite appropriate.

When Uncle Joe hits his head on a rock at a family picnic, he dies. The others worry that the police will think that David Wayne killed him, so they bury him on the spot. Soon, lady friend Lea Penman files a missing persons report with police chief Chill Wills. When Ann Sheridan, the only member of the family worth a darn, finds out, she wants to tell the police, but is talked out of it. A body shows up. Wayne and brother-in-law Frank Fontanne identify it as Joe, and Miss Sheridan's boss and fiance, Leif Erickson tells her Joe had a $10,000 life insurance policy with a double indemnity clause. Matters grow complicated for Miss Sheridan when insurance investigator Victor Mature shows up to offer Erickson competition for Ann, and a series of corpses are identified as Joe and turn out not to be.

It's a rather lugubrious dark comedy from Doris Miles Disney's novel FAMILY SKELETON. One problem I had with the movie was the way everyone spoke their lines very fast. The other seems to be a couple of scenes that should have been cut; the entire trip to New York City seems superfluous. Screenwriter/director Claude Binyon was a good comedy writer -- his best-known piece of writing was when, as a VARIETY writer, he came up with the headline "Stix Nix Hix Pix" -- but his directorial efforts were undistinguished. Wayne and Wills are amusing, but everyone else come off a trifle flat.

This is a very funny movie with a quirky story line. Ann Sheridan is Stella, a strong, level headed woman, working for the local insurance salesman, saddled with a family of leeches, including her two lazy brothers-in-law, Carl (David Wayne) and Don (Frank Fontaine) who work in their resort community four months each year and collect unemployment the rest of the year. When her mother, uncle, sisters and their husbands go out for a picnic one afternoon, the drunken uncle starts a fight with Carl, trips on a tree root, and strikes his head on a rock. The family decides that no one will believe they didn't kill Uncle Joe, so bury him in a field and go home. An unlikely beginning to a comedy, but hilarity ensues after Uncle Joe's lady friend reports him missing. Stella finds out what really happened and is sucked into the cover-up. Things are fine until the police chief reports that Uncle Joe's body has been found on a railroad track; when the Carl and Don find out that Uncle Joe was insured for $20,000, they decide to identify the body, even though they know it can't be Uncle Joe. Victor Mature, meanwhile, is a claims adjuster for the insurance company. He has come to town to check on Stella's boss (and fiancé), and takes an immediate interest in Stella. He checks the dental records on the "John Doe", and discovers that it couldn't have been Uncle Joe. That settles that -- until the next unidentified body washes up on a beach. The "boys" keep getting in deeper and deeper, dragging an unwilling Stella along with them. Stella, meanwhile, has fallen for Jeff (Mature), but her fiancé is not about to give her up so easily, especially after she confides the family secret to him.

Ann Sheridan is wonderful in this movie, and David Wayne is brilliant. I have a VHS recording from a WGN broadcast back in 1986, and have never found it on DVD or seen it broadcast again. If you get a chance to see this film, grab it -- you'll be glad you did.

Ann Sheridan at her best. David Wayne and Frank Fontaine give the two best performances by comedic actors ever caught on film. This is a must see. You don't know funny till you see this gem. Please e-mail if you see it in your local paper to be shown. I need a copy today!!!

I came to this film as a fan of Victor Mature and was not disappointed. It is a great story, really good fun and a true dark comedy, a very well balanced cast with Victor on good solid form. Some great laugh out loud moments, I would say the 'corny' music to lighten up certain scenes is overplayed but I don't have too many criticisms. Seeing Frank Fontaine was a treat, I only knew him from his hilarious turns in Jackie Gleason's Saturday Night Shows but... he was no actor it has to be said :-) David Wayne carried enough humour in this film as the two of them as brothers in law were together in all their scenes. Victor had his his quota of 'off the cuff' flippant lines scattered through the film which he delivered in his usual wonderful way, and the ending is really excellent and unexpected. It crossed my mind that Preston Sturges could have done a lot with this story and with his magic touch all over it, it could have fitted in with his best films.