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With such an unusual set of components, it was probably inevitable that "Stage Fright" would be a little uneven, but most of it works well enough. By Hitchcock's standards, it's average at best, but it is still an entertaining movie with an interesting story and a number of good sequences.

Simply seeing the distinctive persona of Marlene Dietrich and the enjoyably unique style of Alastair Sim in an Alfred Hitchcock film would make for an interesting combination in itself. They are joined by a generally solid group of performers, with their own individual styles, and there are several characters who all get fairly sizable roles.

Hitchcock's own approach here is a somewhat surprising contrast from his usual style of story-telling, and some of the developments must have seemed even more unexpected to the movie's original viewers. Another aspect of this is that for much of the movie none of the characters really takes and holds the focus, and as a result there are times when it seems to lack some flow.

Yet there are a number of good points to it as well. There are plenty of the usual Hitchcock details that make things more interesting, and most of the cast members give good performances in themselves. Most of Hitchcock's movies are rather better than this one, but watching "Stage Fright" is still a better use of one's time than watching the weak present-day efforts in the genre.

This is a fine movie by Director Hitchcock in which Jane Wyman shines as the aspiring stage actor trying to get to the truth of a murder. It is usually overlooked or forgotten in evaluations of Hitchcock's overall work. Wyman's friend Richard Todd is on the run from the police. In an effort to out the guilty party, she enlists the help of her father, played by the great Alastair Sim. She worms her way into the household of a far more accomplished actor, Marlene Dietrich, impersonating a servant. She also wins the heart of a police inspector, Michael Wilding. She is at the forefront of this entertaining little film as she changes wardrobes and accents, going back and forth from London to her country home. The cast is strong all-round and, in addition to the above, are the talented Dame Sybil Thorndike, Joyce Grenfell and Kay Walsh, not to mention Patricia Hitchcock, the director's daughter, who often performed very capably in his movies. The movie is a black comedy that moves along at a great pace, with interesting vignettes and the long takes that Hitchcoock used so effectively. The on-location shooting in London gives the movie a reality missing in Hitchcock's earlier films. I liked this movie very much and with Wyman's acting and Hitchcock's direction, it works well.

This movie gets a very much undeserved amount of flack for being a lessor work of Hitchcock. I can see why it might not appeal to some people, being character driven rather than having children being chased by rampant birds or someone being attacked by a serial killer in an old lady's wig. The performances here are all excellent especially Jane Wyman and Marlene Dietrich as Charlotte Inwood, perhaps the laziest girl in town but also the most flamboyant. The secondary characters are also in fine form and make memorable impressions that adds to the enjoyment factor of this film. I don't know why some people feel tricked after watching the movie, seeing and believing are two different things, especially in an Alfred Hitchcock movie!

Eve Gill (Jane Wyman), an aspiring actress studying at The Royal Academy of Dramatic Arts is interrupted in the middle of a rehearsal by her friend, actor Jonathan Cooper (Richard Todd), with whom she is secretly attracted. The frantic Jonathan explains that he is the lover of flamboyant stage actress/singer, Charlotte Inwood (Marlene Dietrich). Eve Gill will stop at nothing to clear her old boyfriend , who has been accused of murdering the husband of his mistress. Jonathan flees from the police taking refuge in his friend's house. Along the way, she's helped by her father (Alistair Sim). Disguising as a maid she falls in love with the investigating detective (Michael Wilding). Every time I'm beginning to think what color your eyes are, you disappear!. The Stage is Set for Warner Bros. Most Exciting Hit Yet!. Love held its breath as sudden terror held the stage!. Hands that applaud can also kill!

A gripping and suspenseful new greatness from Warner Bros that contains thrills, emotion , intrigue , twists and turns. An underrated Hitch thriller in which the killer of a famous actress's husband remains unidentified until the final, hectic and suspenseful moments. It is based on a novel by Selwyn Jepson , the special operations major who recruited many wartime agents, including Violette Szabo. Here Hitchcock uses his particular sense of suspense to involve the viewer in a plot full of traps. Main and support cast cast are pretty good, giving decent acting. Stars Jane Wyman who's very nice as the young who will stop at nothing to discover the murderer, she made this film right after winning a well-deserved Oscar for Belinda, costars Richard Todd as the man on the run from a murder rap and Alastair Sim's own special brand of humour steals the show, he's given fair play as he starts to diagnose the cause of foul play. And the German idol Marlene Dietrich who sings ¨The laziest gal in town¨. It also include Sybil Thorndike, Kay Walsh, Miles Malleson, André Morell each apparently determined to act the other off the screen. The rest of the cast , Hector MacGregor, Joyce Grenfell, though, could have easily been better chosen. And brief appearance from Patricia Hitchcock , Hitch's sister who often shows up in his films, and cameo Hitchock's himself as a pedestrian walking and watching Jane Wyman.

Made after Hitch's first British period when he directed silent films such as ¨The lodger¨ (1926) , ¨The ring¨(1927) , ¨Easy virtue¨ (1927) , ¨The Manxman¨(29) ; being ¨Blackmail¨(29) made as a silent , this was reworked to become a talkie . Following sound movies and early talkies as ¨June and the Paycock¨(30) , ¨Skin Game¨(31) , ¨Rich and strange¨(32) , ¨Number 17¨(32) , ¨The man who knew too much¨(34) , ¨The 39 steps¨ (35) , ¨The secret agent¨(36) , ¨Sabotage¨(36) , ¨The lady vanishes¨(38) , ¨Jamaica Inn¨ (39) until he is hired by David O'Selznick to shoot ¨Rebecca¨(40) in the US . And following: ¨Foreign Correspondent¨(1940), ¨Suspicion¨ (1941), ¨Saboteur¨ (1942), ¨Shadow of a doubt¨ (1943), ¨Lifeboat¨ (1944), ¨Spellbound¨ (1945) , ¨Notorious¨ (1946), ¨Paradine Case¨ (1947) , ¨The rope¨ (1948), ¨Under Capricorn¨ (1949) and this ¨Stage Fright (1950) the Master's last film made in England until ¨Frenzy¨ (1972). Rating ¨Stage fright¨: 7/10. A good film but something unknown and low ranked in Hitchcock's top career.

Often considered to be one of Alfred Hitchcock's lesser known films, "Stage Fright" has unfortunately gotten a bad wrap. Even mediocre Hitchcock is better than most movies ever get, though. And this one is a solid, entertaining picture. With an eclectic cast one doesn't expect to see together, each diverse actor provides a little something for everyone. And with Jane Wyman, Marlene Dietrich, Richard Todd and Michael Wilding how can you go wrong?

Wyman convincingly plays a drama student who gets involved over her head in a purely Hitchcockian case of murder. When her ex-lover Todd is suspected of killing Dietrich's husband, Wyman hides him and helps him allude the police. Meanwhile, Wyman disguises herself as Dietrich's maid to help find evidence to save Todd's freedom. Wyman falls into a dangerous trap, and danger surrounds her.

Disappointingly underdeveloped as it starts, "Stage Fright" eventually turns into a first-rate thriller. While Wyman has been better, Dietrich is hilariously catty and Todd is wickedly suspicious. This is undoubtedly a Hitchcock film all the way around, but adding a nice twist to the formula is a soaring, romantic soundtrack. A seriously satisfying film, "Stage Fright" hits most of the right notes.