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Eine Stadt hält den Atem an

Originaltitel: Seven Days to Noon
  • 1950
  • Not Rated
  • 1 Std. 34 Min.
IMDb-BEWERTUNG
7,0/10
2336
IHRE BEWERTUNG
Barry Jones in Eine Stadt hält den Atem an (1950)
DramaThriller

Füge eine Handlung in deiner Sprache hinzuWhen a scientist threatens to detonate a powerful bomb in the heart of London, Scotland Yard has just seven days to find him before it is too late.When a scientist threatens to detonate a powerful bomb in the heart of London, Scotland Yard has just seven days to find him before it is too late.When a scientist threatens to detonate a powerful bomb in the heart of London, Scotland Yard has just seven days to find him before it is too late.

  • Regie
    • John Boulting
    • Roy Boulting
  • Drehbuch
    • Frank Harvey
    • Roy Boulting
    • Paul Dehn
  • Hauptbesetzung
    • Barry Jones
    • André Morell
    • Olive Sloane
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    2336
    IHRE BEWERTUNG
    • Regie
      • John Boulting
      • Roy Boulting
    • Drehbuch
      • Frank Harvey
      • Roy Boulting
      • Paul Dehn
    • Hauptbesetzung
      • Barry Jones
      • André Morell
      • Olive Sloane
    • 44Benutzerrezensionen
    • 29Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 1 Gewinn & 2 Nominierungen insgesamt

    Fotos95

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    Topbesetzung86

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    Barry Jones
    Barry Jones
    • Professor Willingdon
    André Morell
    André Morell
    • Superintendent Folland
    • (as Andre Morell)
    Olive Sloane
    Olive Sloane
    • Goldie
    Sheila Manahan
    • Ann Willingdon
    Hugh Cross
    • Stephen Lane
    Joan Hickson
    Joan Hickson
    • Mrs. Peckett
    Ronald Adam
    Ronald Adam
    • The Prime Minister
    Marie Ney
    Marie Ney
    • Mrs. Willingdon
    Wyndham Goldie
    • Rev. Burgess
    Russell Waters
    • Det. Davis
    Martin Boddey
    Martin Boddey
    • Gen. Willoughby
    Frederick Allen
    • Self - BBC Newsreader
    Victor Maddern
    Victor Maddern
    • Private Jackson
    Geoffrey Keen
    Geoffrey Keen
    • Alf
    Merrill Mueller
    • Self - American Commentator
    Joss Ackland
    Joss Ackland
    • Station Policeman
    • (Nicht genannt)
    Gerald Andersen
    • Bit Part
    • (Nicht genannt)
    Jean Anderson
    Jean Anderson
    • Mother at Train Station
    • (Nicht genannt)
    • Regie
      • John Boulting
      • Roy Boulting
    • Drehbuch
      • Frank Harvey
      • Roy Boulting
      • Paul Dehn
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen44

    7,02.3K
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    Empfohlene Bewertungen

    7bkoganbing

    Package Of Destruction

    Seven Days To Noon is ironically one of those films that has grown into the times rather than be dated. It's certainly a relevant film given the threat of nuclear terror today.

    But back in 1950 I don't believe the technical expertise was there so that Barry Jones or anyone else could have put a device like that in a briefcase. Take a look at pictures of Fat Man and Little Boy the code names for the weapons dropped on Hiroshima and Nagasaki. Those things could not have fit in a briefcase and developments hadn't advanced that far in five years. Now sad to say it actually could be done.

    Barry Jones is an atomic scientist who is suffering from fatigue and overwork and a questioning mind about what exactly he's developing. His mind snaps and he takes one of the weapons Great Britain has been developing and sends a letter to the Prime Minister. Issue a statement you'll stop the program or he's going to explode his package on Sunday at high noon.

    That sets up a manhunt for Jones throughout the United Kingdom, but especially of course in London. His note does specify the seat of the government. Andre Morrell as a Scotland Yard Inspector, Hugh Cross as one of his fellow scientists who will have to disarm the device once located, and Sheila Manahan as his daughter lead the search for Jones and the package of destruction he has.

    Despite the fact that it was a technological impossibility in 1950, Seven Days To Noon is still an effective thriller of a film, worthy of a Hitchcock. It's interesting that they came close to getting Jones a few times before they do catch up. Best in the film is Olive Sloane the frowzy former music hall entertainer who Jones holds as a hostage for a while. She wants to do her bit as well as she's trying to get to Aldershot to entertain the troops.

    Seven Days To Noon got an Oscar for Best Screen Story. It remains one of the few films that actually grew technologically and became more relevant now than when it first came out.
    7lucy-19

    Worth watching - more than once

    A wonderful picture of London in the 50s, and an insight into the way people behaved, and were treated, during the war - patient crowds sitting on railway platforms waiting to be evacuated (Come along, ma! No, lad, you can't take that chicken!). I can't see or hear the married couples calling each other "darling" that another reviewer complained of - there's an engaged couple and he calls her "darling" about twice. Watch out for Joss Ackland as an eager copper and Jonathan Cecil as a young officer. The aging "actress" is simply wonderful and the relationship between her and Prof. Willingdon quite touching. ("He was a gentleman and I treated him as such - as he did me!") Lovely to see Joan Hickson as a cat-loving landlady, living in a house untouched for fifty years and crammed with Victorian nicknacks. What would they be worth now!
    10curlew-2

    Brilliant low-budget thriller

    An absolutely excellent thriller from the golden age of British SF filmmaking. Relying on tension and character rather than special effects, the film depicts a fevered manhunt for a scientist threatening to blow up London with a small A-bomb. Whereas other films would've easily dropped into stereotype, this film took the trouble to depict all the major characters as three-dimensional. Not to be missed.
    7AlsExGal

    It's maybe a bit too long...

    ... but tells the story of a nuclear scientist in England who goes a little nutty and writes a letter to the prime minister demanding that the country stop making bombs. If not, he'll set off a little atomic bomb he just swiped in the middle of London at noon on Sunday. Barry Jones plays the nutty guy and Andre Morrell plays the stalwart Scotland Yard superintendent who coordinates the manhunt.

    Their inability to track down this crafty guy leads to a massive evacuation of residents. It's a fascinating little film about the new nuclear age set amid the rubble of blitzed London which is still obviously evident. About half-way through the film, matters take a little turn by introducing a washed-up actress who sort of picks up the fugitive in a bar. She's played by Olive Sloane and she's quite marvelous as the cheerful has-been who doesn't quite know it's over. It's an unexpected little turn and it makes the whole film, especially since there can only be one outcome to the film's premise. It won an Oscar for best writing.
    9planktonrules

    A well made film that doesn't assume the audience is stupid

    This is a lovely and seldom seen Oscar-winning film. Before it came on Turner Classic Movies yesterday, I'd never heard of it--probably because it is not often seen and is a bit more low-key and literate than the usual films seen on TV. There are no famous actors in the film, no explosions and no love interest--just exceptional writing and a gripping story from start to finish.

    A British nuclear scientist has been thinking over a desperate plan for some time, though none of his colleagues know about it. He is so concerned about nuclear annihilation that he's come up with what seems like an insane plan. He'll steal a nuclear device and threaten to blow up central London unless the Brits publicly renounce their nuclear program. However, the man isn't necessarily mad or evil, as he gives the government ample warning in order to give them time to evacuate and blowing up this historic area is a price he thinks is worth it to ensure that nuclear war can be averted. While his scheme is a bit naive (after all, there are other nuclear nations), it does have a certain strange appeal--and this is much of why I liked the film, as they made a crazy thing seem so reasonable.

    The guy who plays the scientist is Barry Jones and he is great in the part because he's so unassuming and normal looking. During most of the film he's on the run--hiding from authorities until he can ultimately destroy the city center as well as himself. Excellent acting on his part and the rest of the cast, superb writing (which earned this small film the Oscar) and an idea that is fascinating, this is a great film. In many ways, it's highly reminiscent of another wonderful film, THE Satan BUG, which is about an insane scientist who wants to unleash a lethal bacteria upon the world. The only problem with SEVEN DAYS TO NOON is that the central idea of stealing a nuclear device is a bit preposterous and you need to keep yourself from worrying about how this isn't possible--I know it isn't--just go with it!!

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    Handlung

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    • Wissenswertes
      James Bernard was most famous for composing the scores to numerous Hammer horrors, including Dracula (1958). Ironically, however, it was for this film that he won his only Oscar - as co-writer of the screenplay, not the music.
    • Patzer
      Further to the comment of "In 1950, a nuclear weapon would weigh at least six metric tonnes. It certainly would not fit into a small Gladstone bag as shown in this movie" - the word "nuclear" is never used in this film. It is clearly stated that it is a new secret weapon, a UR 12, which does fit into a small Gladstone bag. It isn't an atom bomb (the term used at that time).
    • Zitate

      Superintendent Folland: Repressing of fear is like trying to hold down the lid of a boiling kettle. Something's got to give eventually.

    • Crazy Credits
      Opening credits prologue: 1950
    • Verbindungen
      Referenced in Projekt: Peacemaker (1997)

    Top-Auswahl

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    FAQ16

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    Details

    Ändern
    • Erscheinungsdatum
      • 19. Januar 1951 (Westdeutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • Seven Days to Noon
    • Drehorte
      • High Street Kensington Underground Station, Kensington High Street, Kensington, London, Greater London, England, Vereinigtes Königreich(steps down to station)
    • Produktionsfirmen
      • London Film Productions
      • Boulting Brothers
      • British Lion Film Corporation
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    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 34 Min.(94 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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