Die schwarze Lawine

This movie was terrific and even with a less than convincing ending, it's still well worth seeing. The film begins as Claudette Colbert is about to marry Robert Ryan. When the minister asks if anyone has any objections, a guy jumps up and announces that Colbert CAN'T get married because she already is married!! Colbert insists this isn't true, but when they investigate they find that the Justice of the Peace and many others remember her wedding and there is even a signed wedding license! Slowly, it becomes apparent that Claudette's mind is slipping and people around her seriously doubt her sanity. Then, when the supposed first husband is murdered, all evidence and suspicion falls on Colbert.

The film is an exciting mystery suspense film, as what I have so far described is only the first half of the movie. What follows is amazingly intelligent and captivating. Unfortunately, the conclusion, though, is a bit of a let-down, as the guiding force behind all this turns out to come "right out of left field"--and is baffling since it was so unexpected and impossible to guess based on the information given to the viewer. However, in spite of this, the film was so good, I can even excuse the limp ending. In particular, Robert Ryan did a great job as the "knuckle-busting" fiancé, though apart from him the other performances were also excellent.

The great acting of Claudette Colbert and Robert Ryan covers up in The Secret Fury a rather over the top melodramatic story with a really baffling conclusion. It will never be rated at the top ten of either Colbert and Ryan's film credits.

It sure begins ordinarily enough in fact rather amusingly as Ryan has a bit of trouble getting into his own wedding as he's in a suit and everyone else has a tuxedo (Ryan is carrying his tux) and no one will let him tell them he's the groom.

But when the minister asks if anyone has just cause why Colbert and Ryan should not wed, a stranger pushes in and says that Colbert is already married to his friend and he was best man at the wedding. The stranger is Dave Barbour and when they check on his story it seems true enough as Colbert can't provide a real reason not since on the day of 'wedding' she apparently spent it alone.

Later on the 'husband' is found dead in a closed room with Colbert and she's put on trial for murder and totally cracks up on the stand as the gaslighting is proving too much.

I can say this much without giving away the ending. Usually in films like this you will find Bob Ryan behind the evil scheme, but in this case he's stalwart and true and doesn't stop believing in Claudette. He continues sleuthing on his own and in the end the real villain is discovered with a motive that will leave you scratching your head.

This film will offer you the opportunity to see stage legend Jane Cowl as Colbert's aunt and Vivian Vance as a hotel maid in a role quite different than Ethel Mertz. Still it's the stars who put over a rather incredible and incredulous story for your viewing pleasure.

Ellen R. Ewing (Claudette Colbert) is overjoyed to be marrying David McLean (Robert Ryan). She's from a rich upper class family and he's a regular guy. As the ceremony begins, a stranger stands up and claims that Ellen is already married. The man runs away but the marriage certificate is uncovered. Ellen struggles to prove her innocence as she is confronted by evidences and witnesses which are driving her mad.

I really love the premise. It has Hitchcockian flavor. I do have a problem with Randall's murder. I would like for the thug to reveal how it was done. Also during that waterboarding scene, David should be threatening him with the gun. It doesn't look right if all he's doing is putting him under the faucet. It all gets resolved too quickly. The thug should be revealed to be final villain and more time can be given to David's investigation. I also have an issue with Noosnom. It's unlikely that she remembers it that way. The movie needs to use a window or mirror to do the reflecting while the boat is hidden in some way. These are minor flaws that need to be cleaned up.

Claudette Colbert is a wealthy woman driven to near insanity in "The Secret Fury," also starring Robert Ryan and Jane Cowl. On her wedding day, a man appears who claims that an heiress, Ellen (Colbert), is already married. An investigation ensues, and the evidence is against her. When her "husband" is murdered in her presence, she is put on trial.

This looked to me like a B movie, and it made for very compelling watching. My only quibble with it - and it's not a minor one - is that I was very disappointed with the ending. The motive for the crime seemed preposterous.

Robert Ryan plays Ellen's fiancé, and it's a different role for him. Here he's heroic and likable rather than villainous.

One of the most interesting things about the film is Vivian Vance in a small but showy role. She's excellent as a hotel maid who recognizes Ellen and verifies that she was indeed married before. It was a treat to see her do something besides Ethel Mertz.

Claudette Colbert is very good as the troubled woman. She's not a natural fit for the role, being more at home in comedy, but she makes it work. She's very believable as an older woman seeking happiness only to have it snatched from her at the last minute.

Mel Ferrer directed this very well, and I recommend it, though I wasn't crazy about the ending.

Intriguing, but ultimately preposterous noir melodrama with a hysterical performance from Claudette Colbert. It's understandable that Colbert is upset. Her wedding to Robert Ryan is interrupted by a man saying she is already married. Several people back him up and it's pretty convincing. Ryan's having his doubts, and Colbert is doubting her own sanity. A murder takes place and it leads to a trial staged in two of the silliest courtroom scenes ever. The first half of the film is pretty good, thanks to the intrigue, but it can't sustain credibility. No spoilers on the outcome. Roy Webb is credited with an overwrought score, using a piano theme by Robert Schumann that we hear in variations -- the same tune that obsesses Joan Crawford throughout POSESSED (1947). There's some interest in the cast though: Paul Kelly, Paul Picerni, an uncredited Jose Ferrer (no relation to director Mel), Philip Ober and his then-wife Vivian Vance who is quite good in one of her few, but this time memorable, film parts before she became the immortal "Ethel Mertz".