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The Second Face

  • 1950
  • Approved
  • 1 Std. 17 Min.
IMDb-BEWERTUNG
5,8/10
241
IHRE BEWERTUNG
Ella Raines in The Second Face (1950)
Drama

Füge eine Handlung in deiner Sprache hinzuFrom her hospital bed a woman recounts her life as a "plain Jane" while awaiting plastic surgeries for the injuries she has sustained in an automobile accident.From her hospital bed a woman recounts her life as a "plain Jane" while awaiting plastic surgeries for the injuries she has sustained in an automobile accident.From her hospital bed a woman recounts her life as a "plain Jane" while awaiting plastic surgeries for the injuries she has sustained in an automobile accident.

  • Regie
    • Jack Bernhard
  • Drehbuch
    • Eugene Vale
  • Hauptbesetzung
    • Ella Raines
    • Bruce Bennett
    • Rita Johnson
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,8/10
    241
    IHRE BEWERTUNG
    • Regie
      • Jack Bernhard
    • Drehbuch
      • Eugene Vale
    • Hauptbesetzung
      • Ella Raines
      • Bruce Bennett
      • Rita Johnson
    • 16Benutzerrezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos2

    Poster ansehen
    Poster ansehen

    Topbesetzung17

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    Ella Raines
    Ella Raines
    • Phyllis Holmes
    Bruce Bennett
    Bruce Bennett
    • Paul Curtis
    Rita Johnson
    Rita Johnson
    • Claire Elwood
    John Sutton
    John Sutton
    • Jerry Allison
    Patricia Knight
    Patricia Knight
    • Lynn Hamilton
    Roy Roberts
    Roy Roberts
    • Allan Wesson
    Jane Darwell
    Jane Darwell
    • Mrs. Lockridge
    Paul Cavanagh
    Paul Cavanagh
    • Todd Williams
    Frances Karath
    • Annie Curtis
    Mauritz Hugo
    Mauritz Hugo
    • Dr. Vaughn - Plastic Surgeon
    Pierre Watkin
    Pierre Watkin
    • Mr. Hamilton
    • (as Pierre Watkins)
    Charles Lane
    Charles Lane
    • Mr. West - Insurance Claims Adjustor
    Grandon Rhodes
    Grandon Rhodes
    • Floyd Moran
    James Conaty
    • Pool Party Guest
    • (Nicht genannt)
    Kathleen Freeman
    Kathleen Freeman
    • Shirley
    • (Nicht genannt)
    Kasia Orzazewski
    Kasia Orzazewski
    • Nurse
    • (Nicht genannt)
    Paul Stanton
    Paul Stanton
    • Dr. Crenshaw
    • (Nicht genannt)
    • Regie
      • Jack Bernhard
    • Drehbuch
      • Eugene Vale
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen16

    5,8241
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    Empfohlene Bewertungen

    9jimakros

    great performance from Ella Raines

    Ella was one of the most beautiful women in Hollywood,but in most of this movie she wears "ugly duckling" makeup.It doesnt matter her inner winning personality shines through,and one even wonders why male characters in the movie are so mean to her,she is still so charismatic with fake face and all.Ella does a great job portraying what some women have to go through life when they are called "ugly".She is really heartbreaking because she plays a character who is an intelligent and beautiful person judged only on looks.I loved the movie and Ella is so great in anything she was in.
    8jeff-1571

    good film tackles ugly truths

    i've seen quite a few negative reviews of this film, but i thought it was refreshingly direct and honest, and very well-acted. Ella raines is truly terrific in it. Each character has multi-layered motivations in their actions, and the progress of the story in engaging throughout. it does have a Douglas sirk feel to it, so perhaps you should judge whether you see that as a good thing or a bad thing. but i also think the film has a bit of a sam fuller feel to it. a film that it thoughtful and very direct in what its about. The main characters are well-developed and intelligent. I don't know why these reviews need to be ten lines, but i'll go along. i've written what I wanted to and wanted to promote this film, as it would be interesting to anyone who finds the theme of reacting to female facial attractiveness intriguing. to me, most contemporary films and TV shows act like this factor matters a lot less than it does (.e.g, girls).
    5mls4182

    Ludicrous. Even for 1950

    A young woman who refuses to wear make up is treated like a Cyclops and denied employment and is insulted at every turn.

    I realize the film is trying to make a point but it beats you over the head trying to make it.

    It is kind of an unfunny version of The Girl Most Likely To written by Joan Rivers and made 23 years later.

    If you watch this, watch for its camp value.
    4atlasmb

    Painful Dialogue Derails This Film

    The central problem with "The Second Face"--from which all other problems stem--is the script. I really can't see how any actor could speak the lines in this film and provide a subtle portrayal. The best scripts show the audience what is happening and reveal what the characters are thinking through action, as much as possible. "The Second Face", on the other hand, has the actors spelling out everything through dialogue.

    The theme of the film is supposed to be about the transformation--from plain Jane to looker--of a young woman, via plastic surgery. This is a topic that was probably very interesting to the public but not well understood. The film was released in 1950 during a time that was seminal in the development of plastic surgery, partly due to WWII injuries. The Plastic Surgery Foundation had just been created and there were important advances in cleft lip and rhinoplasty techniques. Board certification integrated plastic surgery into the medical establishment. The Flammable Fabrics Act had been introduced at the urging of plastic surgeons. And breakthrough training in microvascular techniques was starting. No doubt the topic was in the news frequently.

    But the film is ambushed by scene after scene that hit the viewer over the head with dialogue about how a homely woman can expect nothing out of life that she desires, certainly not romance. It dwells on people, especially men, being cruel to the main character, Phyllis (Ella Raines), tormenting her by spelling out how dismal her prospects are.

    The print I watched (on TCM) also had a muddy soundtrack that was distracting.

    The post-surgery transformation of Phyllis was interesting, using makeup and styling. But it is not enough to recommend this film.
    7planktonrules

    A neat idea but the story is a bit too obvious at times...fortunately, it does end very well.

    When the film begins, a young woman (Ella Raines) is upset...so upset she's driving like a maniac and ends up nearly getting killed in a traffic accident. She awakens in the hospital and she's a mess...and her face heavily bandaged. As she is lying there in bed, she thinks back to her recent life.

    Phyllis (Raines) was working for a really nice boss but he was very afraid of getting closer to her because he'd already been badly hurt by his ex-wife. In fact, he's so afraid that he arranges for her to have a job far away. It seems she's gone to school for fashion design and her designs are terrific. But when she arrives at the new job, they dump her because she's very plain. So she then gets a job as a secretary to a real scum-bag and he uses her designs to make a name for herself and makes her feel LUCKY that he uses her work and pawns it off as his own. He manages to string her along for a while...but when she learns about what a nasty guy and other guys in her life are, she runs away and has the accident.

    When she is ready to leave the hospital, Phyllis looks nothing like her old self thanks to plastic surgery. Now she finds it's easy to get work and men adore her...but she isn't happy. What's next? See the film.

    The film has a nice idea and I appreciate it. However, the impact of the film is severely lessened for two big reasons. First, while they did have Raines made up to be quite plain, the change was NOT that significant. It was also funny that when they took the bandages off, she was well coiffed, had perfect eyebrows and lovely make-up!! Second, too often the characters in the film are too obvious...too obviously evil and one-dimensional. Jerry, in particular, was almost like Snidely Whiplash he was so transparent! Fortunately, while certainly schmaltzy, the film ended very well and I wish the entire film had been as well-crafted as the finale. Overall, an interesting film which should have been a lot better but is still well worth seeing.

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    Details

    Ändern
    • Erscheinungsdatum
      • 1. Dezember 1950 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • ザ・セカンド・フェイス
    • Drehorte
      • Voltaire Apartments, 1424 N. Crescent Heights Boulevard, West Hollywood, Kalifornien, USA(Apartment of Phyllis Holmes and Claire Elwood)
    • Produktionsfirma
      • Edward Leven Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 17 Min.(77 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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