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This is one I've carried in my memory for years.

Without the Technicolor budget of George Pal and Robert Heinlein's "Destination Moon," "Rocketship X-M" succeeds in becoming a far more meaningful and memorable pre-"2001" science fiction film.

"Destination Moon" attempts a "scientific" preview of man's first lunar visit. Of course, this effort seriously dates the movie (I also smile at the rather whimsical, seat-of-the-pants, "outsider" endeavors of our heros as they manfully put forth, launching their rocket one-step ahead of the narrow-minded "authorities." Okay, so much for that!).

Rocketship X-M had to vie with "D.M." for entertainment bucks at the box office. X-M's b&w budget (with special effects courtesy of White Sands V-2 stock footage and model-making of the string and cardboard variety) didn't allow the producers to throw a lot of "science" at us, however. What they did have going for them, however, were a few excellent character actors doing star-turns for a change of career-pace, a script by Dalton Trumbo, music by Ferde Grofe, and excellent -- and evocative -- sound and camera work...etc.

Granted: The film's overall messages are a bit simplistic -- nuclear war is bad and should be avoided and the human spirit for exploration and discovery cannot be put down by failure and difficulty (I guess they never considered budget shortfalls as a "failure of spirit"). These ideas are, at least, given voice here during what was, after all, a dangerous era in American politics. Remember, Dalton Trumbo was blacklisted!

The science? Okay, it sucks. Who cares!? Science fiction, to my liking, is less about science and numbers than it is about people and life. This has all of that and carries it forward with distinction and class.

When I first saw this movie as a kid, I remember being truly frightened by the bleak view of a post-apocalyptic Mars and shivered in disbelief then terror at the onrushing tragedy of the about-to-crash rocket bearing the two doomed lovers and their sole-surviving crew-mate (a young Hugh O'Brien) to a fiery demise over the Ural Mountains. The producers did a terrific job with what they had and they deserve a great deal of credit.

Some films are blessed (though the producers would argue) by having less money with which to work. "Rocketship X-M" (the initials represent "eXpedition Moon") relies therefore upon, ahem, a real Story, with Acting, rather than flash and effects. That's why a half-century later, the well-remembered "RX-M" has held up so well. (An analogy could be drawn with the co-incidental 1949-1955 television series "Captain Video and His Video Rangers", where the bulk of budget also went towards quality writers and cast.) John Emery is - surprise!- a good guy here.

Osa Massen, one of the screen's most photogenic stars ever, is radiant. The whole cast carries through the forgivable inconsistencies with style. Ferde Grofé's music takes us from exultant triumph to eerie mystery and, finally, into bitter realization of what the RX-M crew discovers, the utter waste of an entire civilization. (Remember the real-life "face" on Mars?) Grofé well-illustrates the withering madness in the crew's panicked escape and return attempt. And the final moments aboard the doomed RX-M are of the stuff that makes for great film. I saw this in theatrical release, and you, too, will find "Rocketship X-M" one of your most memorable. Highly recommended to all.

I first saw this when it came out in the theater. Though only 13 at the time, I was an avid reader of "hard science" science fiction stories. The technical gaffes of the film are burned into my memory.

Some of the following may have significant spoilers.

Even as a youngster, I knew the premise is silly. The rocket takes off for a lunar mission, in a cosmos where there is always a gravitational effect on the crew (though loose objects float as in zero gravity) and because of that, the "cabin" (the area with the controls, whatever they called it) was gyrostabalized to maintain the "correct" orientation (so that when they landed, why didn't they land standing on their heads?) and where, at least in near-earth space, the rocket engines had to be running continually -- with propellant combusting away without an oxidizer. When the engines quit, the rocket stopped _dead_ in space, and couldn't start going until a PhD chemist determined it needed at a little oxidizer. This time, the rocket recalled it had momentum, and the next thing our heroes know they're near Mars (even a 13-year-old nerd knew such a minimum-energy trip would take over 200 days).

They land, find the air was breathable (though at the time scientific data revealed that the pressure, even if the atmosphere were pure oxygen, would be too low to do any good). They decide to camp outside the ship, and even build a campfire. They come armed, even though they were supposedly going to the Moon, where firearms wouldn't be needed.

They get a sight of a collapsed civilization, encounter stray martians who look just like people, develop an anti nuclear war philosophy, and those who survive try to get back to the home planet, and die in the attempt by crashing on the Earth! To do that would require such a long orbital period, they'd have died of starvation long before approaching their destination.

The film it preceded, Destination Moon, used real science most effectively (even though their "rescue" with the Oxygen Tank forgot about the moment arm from the tank's center of gravity to the output nozzle). This film showed woeful ignorance of even the most basic science. Only the most technologically illiterate should think of it as a science fiction film: it's on a par with the old Flash Gordon serials where their rocketships took off from their bellies and climbed in spirals, and whose engines were always on.

The story on this one I considered banal, and I can recommend this only as a film to be shown to students for them to pick out technical gaffes.

I recently picked up the DVD of this film for a look. I originally saw it in 1951 when it got to my town on the bottom of a double bill with the western of the day. At that young age, the screaming cave-girl was my most vivid memory, but I liked it. Also saw it maybe 20 years ago on VHS. Still pretty good. Lloyd Bridges was cool, underplayed the whole part. On this last viewing, it's still a good sci-fi flick but from a vastly different point of view. The science as since provided by the real rockets that have been put into space was fairly on the money, especially the two-stage rocket explanation. Since special effects are practically nil, the look is O.K. The fiction, on the other hand was way, way out there. Please note, that all instruments were manual and mechanical and calculations were done with pencil and paper. Not a digital instrument or computer in sight. The idea of doing the Mars locations in Sepia-tone was as brilliant as it was cheap, as well. Lloyd Bridges and Morris Ankrum were head and shoulders the most talented actors in the cast of otherwise good players. Ankrum especially ,always under-rated, could read a grocery list and make it sound important. It also didn't hurt that Kurt Neuman put the whole thing together, either. This film probably inspired in it's own way a lot of young people to explore science and space exploration for real.

I low-rated this film for years -- but for all the wrong reasons. There's one key scene in the film, and if the viewer misses the point of this scene, the whole story seems ridiculous and badly done. Some sci-fi fans tend to reject stories that have a spiritual element in the plot. Don't reject this one until you've given it a fair chance. The story involves a lunar mission which suffers engine failure en route. After repairing the engines, the ship accelerates too fast, causing the crew to black out. When they regain consciousness, they discover that the ship is within a few hundred thousand miles of Mars. This is the part that used to bother me. How the heck could a ship accidentally go to Mars? The odds against this are about the same as the odds against evolution being true (oops, that different soap box. Continuing...) But the scientist in charge of the mission specifically states that the only way this could have happened was by the act of a `higher power'. Most reviews do not mention this important idea. The rocket did NOT accidentally go to Mars. You'll have to watch the movie to find out why the `higher power' brought them to Mars. Suffice it to say, the reason was good enough to have been copied by dozens of later films. Imitation is the most sincere form of flattery. And while your watching, keep your ears open for the great music by Ferde Grofe, with the very first use of a therimin in sci-fi films. During the 1970s, the rights to `Rocketship X-M' were bought by Wade Williams for $2,000 (what a deal!). He had seen the film as a child and loved it. Williams shot a series of redone special effects scenes which are now part of the prerecorded tape and DVD. He even makes an on-screen appearance as one of the characters in a long shot of the ship on the Martian surface. Consider the irony in this -- Williams saw the movie as kid, and LATER he actually appeared in it! Marty McFly, eat your heart out!