Fahr' zur Hölle

Until recently I had no idea that this movie existed having grown up watching Gordon MacRae in musicals, so I was pleasantly surprised when I found that he turned in a fairly convincing acting job as the tough young son of the local sheriff played by veteran Jack Holt, who gets framed for a crime he didn't commit. Rory Calhoun plays his friend, another early performance from the western star of countless cowboy pictures of the fifties. Singer Julie London is the beautiful love interest to brighten up MacRae's troubled time in the movie. Julie London doesn't sing in this but there is a small scene where Gordon MacRae strums and sings a short piece but it doesn't encroach on the drama or look out of place, so credit to Warner Bros for not spoiling the action. Rory Calhoun pretty much played the same part throughout the hundred or more film and TV westerns that he made but we'll never know how good an actor Gordon MacRae could have been as he abandoned movies (or they abandoned him) to concentrate on his his greater gift of singing.

ROTF is a very acceptable Western for 1950 - though I'm not sure to which particular Frontiersman the title refers. Well filmed, good scenery and some interesting actors - not least the veteran Tim Holt, the up-and-coming Rory Calhoun and, in an uncredited role as the lecherous cowhand, future beefcake star Richard Egan.

One has to be a little forgiving with the evolving plot and McRae's dénouement, but the film moves along nicely enough.

But it did jar that within hours of having a bullet removed from his shoulder McRae was able to use his arm for shooting, riding, fighting and lifting Julie London - a miracle recovery second only to James Stewart's in "The Man from Laramie" after he was shot with revolver pressed against his palm!

Someone is trying to frame Logan (Gordon Macrae), the son of a sheriff, not just for the murder of a rancher he fought in a saloon, but for a series of bank robberies - Logan gets a chance to break out and find out who is impersonating him by wearing his clothes and committing the crimes.

Return of the Frontiersman is a highly enjoyable low-budget Western with a rather hectic plot, sharp dialogue, and plenty of fist fights, bank and stagecoach robberies, and horseback chases and exciting shootouts.

Gordon Macrae makes a great western actor, handling the action and riding the horse well - as attested in the plethora of chase sequences- and he sings too; pity he didn't make more westerns. Rory Calhoun went on to do more westerns- it's a treat to see Jack holt as a dutiful sheriff and the pretty Julie London.

A really good shoot-em up.

Excellent western! Gordon MacRae plays the son of the sheriff ( Jack Holt) who gets imprisoned for a murder which he didn't commit. While in jail, his friend ( Rory Calhoun) gives him a gun so that he can escape--which he does. He enlists the help of Julie London as he tries to clear his name & find the real killer. Holt was a big star in the 20's- he starred in a lot of westerns & was always able to find work thru the 50's. MacRae & Calhoun were especially good--it's easy to see how they both became big stars. MacRae of course, went on to star in several musicals. Calhoun stuck mainly to westerns & he was great in them. London didn't have a lot to do, but she did it well.

Return of the Frontiersman is directed by Richard Bare and written by Edna Anhalt. It stars Gordon MacRae, Julie London, Rory Calhoun and Jack Holt. A Technicolor production with cinematography by Peverell Marley and music by David Buttolph.

Sheriff's son Logan Barrett (Gordon MacRae) gets falsely accused of killing a man he had recently had a bar fight with. On the lam, things go from bad to worse when a man fitting his description is seen leading a bunch of robbers in Laramie County. Tracked by his own father and a posse, Logan must find the real culprits or his days are numbered.

A good and solid 1950s Oater that contains all the traits that filled out many a "B" production during the decade. The colour is gorgeous and the music suitably brisk, and director Bare shifts it along at a decent pace. The story is one of "the wronged man", so there's a mystery to be solved, while the requisite fist-fights, posse pursuits, shoot-out and love interest strands fill out the run time. We even get MacRae warbling a tune whilst holed up in the jail.

The revelation of the villain will come as no surprise, and the cast are not asked to stretch themselves. While Julie London's character arc is poorly written. But these are small complaints really, because when it hits its straps (the big shoot-out and waterfall fist-fight at the finale) it entertains royally. 7/10