Unterwelt

I remember some scenes in this film being shot at the end of the street I lived in in East London. As a 12 year old boy I was fascinated by the way they moved the bus stop so Earl Cameron and Susan Shaw could pop into the nearby café for a drink. Other scenes were filmed in the local music hall, the Queens Theatre and in the Rotherhithe Tunnel. Every time I drive through there I remember this movie. And what a great film, the cast, plot, location all perfect. Along with other contributors I also cannot understand why there has been no DVD release. There are far less deserving films which have been released. If the powers that be ever read these comments please consider releasing this on DVD.

Ealing goes to the docks in this marvellous story, about robbery, smuggling and life in general aboard a ship, docked in the old port of London. Bonar Colleano plays Dan MacDonald , a seaman on board the freighter 'Dunbar' who supplements his income, by a little harmless smuggling, when he is approached by a gang to take the proceeds of a daring jewel robbery, to a fence abroad.

Shot in and around Tower Bridge, and the area of Southwark, It shows a side of London, still reeling from all the bomb damage from the blitz.The present generation would do well to see this slice of history.

A crewman and part-time petty smuggler named Dan MacDonald suddenly finds himself a leading suspect in both murder and a diamond robbery when he agrees to unknowingly smuggle the wrong item for the wrong people. There's a great build-up of suspense towards the end with both Scotland Yard and the real robbers on the trail of Mr. MacDonald.

This film is pretty unique--one of its best features is Earl Cameron as Johnny Lambert, the sole black crewman on board ship and MacDonald's very good friend. The level of friendship between these two men is refreshing to see in a film from 1951. Also a potential romance between Johnny and a wonderful white girl (named Pat) he meets nearly blooms and we are made to feel sympathetic to their desires (at this period in time deemed inappropriate by many) as an audience. There are a number of entertaining characters in this film. Unique is that one of the robbers is actually an acrobat and makes use of it in the robbery.

The film has a very realistic feel to it-like something which could possibly have happened and the words written for characters to utter here is very thoughtful and reflective. An underrated film.

Pool of London is that city's harbor – think of Liverpool – and the title of an offbeat, satisfyingly bleak thriller from the post-war years (one scene uses the still-standing wall of a bombed cathedral as its backdrop). In fact, its location shooting preserves a dockside area, almost certainly now vanished, that had changed little from Victorian days.

Into the Pool sails the Dunbar, out of Rotterdam. As the merchant seamen on board debark for liberty, the movie starts out as a slice-of-life drama centering on two of them: Bonar Colleano and Earl Cameron (the Bermuda-born actor plays a Jamaican native). We see them link up with the women left behind, or freshly met, and watch them indulge in some harmless smuggling: Nylons, smokes, booze.

But as he makes the rounds of London's raffish nightlife, Colleano is approached to smuggle a package back to Rotterdam. He doesn't know what it is, or much care, but his avaricious girlfriend (Moira Lister) sniffs out a fortune in diamonds, taken in a heist during which a watchman was killed. Colleano, who's been pinched for petty contraband before, has arranged for Cameron to take the package on board. But now the police are on his trail....

Subdued and humane, Pool of London touches on some progressive themes (racial prejudice, interracial romance) but soon tightens its focus into an arrestingly photographed suspense story. The heist itself is carried out by music-hall acrobat Max Adrian – ironic because Colleano's the actor who came from a family of circus daredevils.

When the cargo ship Dunbar is moored at the Pool of London, the crew is released to have the weekend for entertainment in the city. The customs officer asks if the sailors have anything to declare before they go to London. The wolf Dan MacDonald (Bonar Colleano) and his best friend, the Jamaican Johnny Lambert (Earl Cameron), go together and Dan meets his girlfriend Maisie (Moira Lister) while Johnny befriends the ticket vendor Pat (Susan Shaw). Meanwhile Dan meets a stranger that proposes one hundred pounds for him to smuggle a small box to Rotterdam. They schedule a meeting at a church on the next morning to deliver the package to Dan. The stranger, who is a gangster, heists jewels earlier with his gang but the robbery goes wrong, they kill the guard and the police chase them. Later he delivers the box to Dan during the mass. Dan, who had problem with the costums officer before leaving the ship, asks Johnny to bring the box onboard. But when he learns that there are stolen jewels in the box and is wanted by the Scotland Yard, he lives a dilemma: shall he flee or save Johnny from the Scotland Yard.

"Pool of London" is a surprisingly good unknown British film. The post-war London is impressive, with a few cars on empty streets. The screenplay and the cinematography are top-notch, with several sub-plots and characters well-developed. But the most impressive in the story is the racism with the mullato Johnny, who feels outcast in London. The moralist conclusion fits perfectly to the melodramatic plot. My vote is seven.

Title (Brazil): "Encontro em Londres" ("Meeting in London")