IMDb-BEWERTUNG
6,7/10
2049
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA young woman who has just become engaged has her life completely shattered when she is raped while on her way home from work.A young woman who has just become engaged has her life completely shattered when she is raped while on her way home from work.A young woman who has just become engaged has her life completely shattered when she is raped while on her way home from work.
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Lillian Hamilton
- Mrs. Walton
- (as Lilian Hamilton)
Hamilton Camp
- Shoeshine Boy
- (as Robin Camp)
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Ida Lupino was a great actress and director and was a strong fighter for WOMEN'S RIGHTS which is shown in this B&W 1950's film. Lupino did her very best to show the great mental HARMS that women must go through all their life when such CRIMES are committed. Mala Powers,(Ann Walton),"Cyrano de Bergerac",'50 was a young woman about to be married and very happy and was deeply in love with her future husband. All of a sudden she is violated and she becomes ashamed to go back to her family, future husband or even work place and runs away with all these mental problems in her mind and soul! She becomes a tortured human being and runs into Tod Andrews,(Rev. Bruce Ferguson),"From Hell it Came",'57, who has problems of his own, however, he is able to help Mala find love and confidence and only scratches the surface for her ever becoming a Normal person and a loving woman. Hal March,(Detective Sgt. Hendrix),"The $64,000Question,'55 TV Series Emcee comes to Mala's aid after she almost kills a young man just trying to show her attention. This film is over 54 years old, but it still tells a story that never seems to END! This was a great effort on the part of Ida Lupino to open up the eyes of AMERICA and LAW ENFORCEMENT AGENCIES!
Outrage is directed by Ida Lupino and Lupino co-writes the screenplay with Collier Young and Malvin Wald. It stars Mala Powers, Tod Andrews and Robert Clarke. Music is by Paul Sawtell and cinematography by Archie Stout.
Transport your mindset back to 1950 and you are in all probability going to admire this picture more than you would think. As is duly noted by other reviewers, this pic, and it's treatment of rape as a core subject matter, is dated as such, but that in no way lessens not only its impact and importance in the pantheon of film making, but also the fine work by Lupino. Lupino treads with careful guile, not resorting to sensationalism, it's a super piece of directing from one of the great ladies of cinema yore.
Pic's story deals with how Ann Walton (Powers) is raped and after the ordeal how she reacts to everyday life under her fragile mental state. The decisions she makes, her perception of things and ultimately a near cataclysmic event that brings things to the boil - sort of. Lupino adds in some imposing images, her film noir work serving her well, thus we get odd angles, ominous bulbous lamp lights, lonely streets and clown posters! The pursuit of Ann by a whistling wolf is frightening under any circumstance, but with Lupino adding her noir touches it's positively shattering.
Rest of the pic is tenderly played, a touch too sedate perhaps, while the appearance of a religious slant is forced and not the wisest of choices for the story, but ultimately it's not about mass market appeal. It's about being noticed and worthy, it achieves both for sure. 7/10
Transport your mindset back to 1950 and you are in all probability going to admire this picture more than you would think. As is duly noted by other reviewers, this pic, and it's treatment of rape as a core subject matter, is dated as such, but that in no way lessens not only its impact and importance in the pantheon of film making, but also the fine work by Lupino. Lupino treads with careful guile, not resorting to sensationalism, it's a super piece of directing from one of the great ladies of cinema yore.
Pic's story deals with how Ann Walton (Powers) is raped and after the ordeal how she reacts to everyday life under her fragile mental state. The decisions she makes, her perception of things and ultimately a near cataclysmic event that brings things to the boil - sort of. Lupino adds in some imposing images, her film noir work serving her well, thus we get odd angles, ominous bulbous lamp lights, lonely streets and clown posters! The pursuit of Ann by a whistling wolf is frightening under any circumstance, but with Lupino adding her noir touches it's positively shattering.
Rest of the pic is tenderly played, a touch too sedate perhaps, while the appearance of a religious slant is forced and not the wisest of choices for the story, but ultimately it's not about mass market appeal. It's about being noticed and worthy, it achieves both for sure. 7/10
"Outrage" is about rape, though the word is never mentioned. Directed and cowritten by Ida Lupino, it concerns a young woman (Mala Powers) who is engaged to be married and is raped on her way home from work. Traumatized and filled with shame, she runs away from home. She ends up in a community where she is attended to by a minister. However, she doesn't tell him what happened to her. Problems arise.
Though made 56 years ago, the elements of the film ring true, and of course, feelings don't change - the victim thinks she's dirty and behaves as if she is the criminal.
Mala Powers gives a very good performance, exhibiting the shock, nervousness, and terror of the victim. Though the script meanders a bit, Lupino does an excellent job of directing, particularly the action scenes.
In 1950, this film was probably ahead of its time. It's good to see to show us where we were (particularly with no DNA tests or rape kits) and where we are.
Though made 56 years ago, the elements of the film ring true, and of course, feelings don't change - the victim thinks she's dirty and behaves as if she is the criminal.
Mala Powers gives a very good performance, exhibiting the shock, nervousness, and terror of the victim. Though the script meanders a bit, Lupino does an excellent job of directing, particularly the action scenes.
In 1950, this film was probably ahead of its time. It's good to see to show us where we were (particularly with no DNA tests or rape kits) and where we are.
Forget that this is a "B" movie. Forget that it is in many ways outdated. Instead give writer-director Ida Lupino much deserved credit for addressing a subject which at the time (1950) was taboo in Hollywood. To my knowledge, this was the first film to address the subject of rape and the emotional and mental effects that that crime has upon its victims.
Although much of the cast's acting is pedestrian at best, Mala Powers, who at the time was eighteen or nineteen, gives an excellent performance throughout as the traumatized young woman, Ann, who tries to run away from her "shame." Based on her work in this film, I'm surprised that she did not have a more successful acting career. Tod Andrews, too, has some fine moments as the minister who reaches out to help her.
Ms Lupino, obviously working on a limited budget, was still able to create some memorable scenes such as the pursuit through the streets and alleys leading to the rape, and the police lineup following it. And, she created a bittersweet ending which left me wondering if Ann really could ever have a normal life again.
Although much of the cast's acting is pedestrian at best, Mala Powers, who at the time was eighteen or nineteen, gives an excellent performance throughout as the traumatized young woman, Ann, who tries to run away from her "shame." Based on her work in this film, I'm surprised that she did not have a more successful acting career. Tod Andrews, too, has some fine moments as the minister who reaches out to help her.
Ms Lupino, obviously working on a limited budget, was still able to create some memorable scenes such as the pursuit through the streets and alleys leading to the rape, and the police lineup following it. And, she created a bittersweet ending which left me wondering if Ann really could ever have a normal life again.
It was the first film dealing with the burning subject of rape.France,for instance,had to wait till 1977 to see a (female) director -Yannick Bellon- tackle this crime.Bellon had a different way to express her disgust in her "l'amour violé" :she showed the whole scene of the rape which lasted ten interminable minutes and she did not turn the audience into peeping toms ,far from it: most of the time,they had to look away .
Given the Hayes code ,and given the limitations she was working under,Lupino's movie is quite successful.We do not see the rape ,but its aftermath is depicted in lavish details:the scene at the office where the heroine cannot stand the familiar noises anymore is a great moment;the people on the street with their big smile who talk behind her back;the fiancé who cannot understand and who wants to carry on as if nothing has happened;every man becoming a living threat for her;all rings true.
It will take a man's patience,compassion and disinterested love to push Ann towards life again.
Given the Hayes code ,and given the limitations she was working under,Lupino's movie is quite successful.We do not see the rape ,but its aftermath is depicted in lavish details:the scene at the office where the heroine cannot stand the familiar noises anymore is a great moment;the people on the street with their big smile who talk behind her back;the fiancé who cannot understand and who wants to carry on as if nothing has happened;every man becoming a living threat for her;all rings true.
It will take a man's patience,compassion and disinterested love to push Ann towards life again.
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- WissenswertesThe Production Code office rejected the script in January 1950, objecting to the words "sex maniac", "sex fiend", "rape", and "rapist". These were removed from the screenplay and the PCA approved the film on February 8, 1950 allowing the production to commence 12 days later.
- Zitate
Rev. Bruce Ferguson: You know, I believe in miracles.
- Crazy CreditsIntroducing Mala Powers and Tod Andrews
- SoundtracksDidn't You Know
Written by John Franco
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Details
- Laufzeit1 Stunde 15 Minuten
- Farbe
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