Die Nacht begann am Morgen

Submarine commander John Mills leaves home to take charge of his crew on an exercise at sea. We meet some of his team as they set off and submerge. All good so far. This doesn't last long.

This is a well-acted film and stoker Richard Attenborough (Snipe) stands out alongside John Mills. All the cast do well. The majority of the film is set aboard the submarine as it sits at the bottom of the sea and plans to escape are drawn up. However, the plans are dealt a blow as rescue ships try to raise the submarine from the seabed. Someone pass the prayer book - this film will make you cry.

There is some very frank dialogue that is exchanged and it is interesting (and good) to see how claustrophobia was dealt with in those days. Quite right - well done John Mills for his address to the claustrophobic Attenborough. We need more of that attitude in today's work-shy climate where everyone claims they have a mental illness. What a load of nonsense - it's called life and you need to adjust and get on with it.

Another line of dialogue that has stuck with me is when there are four left in the submarine and Mills suggests they all have a brandy but warns "After this, the pub's closed!" It made me think that it's not a bad idea to have a bar built inside all submarines for just such an occasion when things go wrong and there is nothing you can do. "Pub is open!" would come the call to signal that your duty as a seaman has been fulfilled and you can now get plastered if you so wish.

Morning Departure had a somewhat slow beginning but it quickly immerses you in the characters and their relationships with one another and with their duty. Whereas a lot of movies these days really try and make you care about the characters by the end of this movie your wondering if there is anything you could do at home to help them out! I actually saw this movie for the first time about 3 years ago but seriously rate this as my favorite movie to date when not influenced by current blockbusters.

A Rank production, with passable production quality and excellent acting. Much stock footage and a healthy amt. of rear projection, par for keeping costs down on Rank dramatic quickies. Since the screenplay was adapted from a play, its stage origins are still somewhat apparent. The performances of Mills, and a very young Attenborough, plus seemingly one-half the J.R. Rank stable of regulars are very good. The sets and costumes were surprisingly ratty--long in the tooth! Still, this is only a few years after the war, and things were still very hard-up in England. Ultimately, this is a "talker" and not an "actioner", and it does fairly well for all that, though not spectacularly so. The ending, to me, disappointed. I do recommend this for classic movie fans.

I first saw this movie at the time of its original release, & it has remained in my memory quite indelibly. Particularly as one of your submissions referred to the sinking of an actual British submarine at the time of the release of "morning departure". HMS "Truculent" was the name of that submarine & the nation was very somber, but I believe the the movie realistically brought home to the public what these submariners went through. My father had served in the Royal Navy during WWII on Destoyers & had his ship sunk under him while in the Mediterranean. So I appreciated the fine acting & portrayal of the courage of the men in the Royal Navy. John Mills always epitomized the character of the rolls he took & this was one of his best for me, except for maybe Scott of the Antartic, but that's another story.

This is quite an anxious wartime drama that goes some way to illustrating the perils faced by those in HM Submarine Service. John Mills is the captain "Armstrong" who takes his crew on a routine maritime patrol only for their gear to become ensnared in a mine cable. A suddens stop and reverse engines doesn't quite do the trick and to the bottom they go. Largely in one piece and not in such deep water, they are optimistic of rescue and, indeed, help arrives fairly sharpish allowing the first four of the twelve survivors to don their emergency gear and head to the surface. The sense of enclosure now builds as their air starts to thin, the first officer "Manson" (Nigel Patrick) becomes ill and we discover that "Snipe" (Richard Attenborough) only joined the service for the extra pay and he actually does suffer from claustrophobia. With four gone, its now the turn of the next four - but there is a snag. The damage from the explosion has ensured that these are the last four escape kits. A lottery needs to be held and that further raises the tension as those left behind will have to await the raising of the ship - and that's dependent on fair weather above! The story develops well here, with Mills (who did like snapping his fingers a lot in these roles!) working well with Patrick, an on form James Hayter as the cook and general dogsbody "Higgins" and Attenborough who really does present us with a plausible sensation of his panic at being shut up in this metal tube deep under the sea as well as the growing guilt he feels at the selfishness of his behaviour. The script marries a bit of dark humour with the accruing peril and Roy Baker keeps the pace taut for the duration of this rather more impactful story.