Füge eine Handlung in deiner Sprache hinzuOver a period of a week the voice of God is heard on radios all over the world.Over a period of a week the voice of God is heard on radios all over the world.Over a period of a week the voice of God is heard on radios all over the world.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Nancy Reagan
- Mrs. Mary Smith
- (as Nancy Davis)
Michael Barrett
- Man in Church
- (Nicht genannt)
Billy Bletcher
- Newspaper Subscriber
- (Nicht genannt)
Donna Boswell
- Woman in Church
- (Nicht genannt)
Cecil Brown
- Self - Radio Announcer
- (Nicht genannt)
Frank Cady
- Bald Plant Worker in Locker Room
- (Nicht genannt)
Douglas Carter
- Bingo's Father
- (Nicht genannt)
George Chandler
- Motorcycle Officer
- (Nicht genannt)
Lyle Clark
- Radio Announcer
- (Nicht genannt)
James Conaty
- Man Outside Church
- (Nicht genannt)
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This is an unusual picture. The idea of God speaking to the whole world over the radio, is sure to provoke conversation. Whitmore is great(as always!)as the average 'joe', just too busy to stop and consider what he is really doing in his life/with his family and friends. Considering this one was made during the height of the cold-war, I'm sure it reflects the fears and anxieties of the times. Know what? It's just as timely now.
The Next Voice You Hear is about Almighty God interrupting all the radio broadcasts on all frequencies on planet Earth at exactly 8:30 pm Pacific Standard Time. He does this for one week.
The film shows the affect hearing from the Almighty on one American family, the Smith family of Los Angeles. The Smiths are played by James Whitmore, Nancy Davis, and Gary Gray. Whitmore is an aircraft worker and Davis is quite pregnant with their second child.
Of course the film is made through an American Christian filter so to speak, that was the targeted audience back in the day. Yet it avoids any direct reference to Christianity or any other faith for that matter. It even says God is speaking to the ears listening behind the Iron Curtain, to places where His existence isn't acknowledged.
James Whitmore was supposed to be another Spencer Tracy for MGM and while his career never quite got that far it certainly has been lengthy and honorable. Nancy Davis of course opted for another career along with her husband. Both play well the parts of Mr.&Mrs. Average American, you'd never know there was a future First Lady in the cast.
The reactions to hearing from the Almighty himself run the gamut, in fact it does take a week to convince most it isn't some kind of gigantic hoax. Significant in 1950 that God uses the radio as His media outlet. Most families still did not have televisions. Good thing to because then the film would have had one huge casting problem.
Of course we never actually hear the Voice. When the first broadcast comes Davis and Gray are in the kitchen and Whitmore hears it in the living room. He comes back reporting on the strange thing that just happened and Davis remarks did it sound like Lionel Barrymore. I remember on All in the Family Archie Bunker once remarking God would sound like Bing Crosby. I suppose there are an infinite number of schools of thought there. We always get a report second hand on what the Voice has said.
The final message is I guess what encapsulates the interfaith message of the film is about. What this old world needs in equal measure is love, freedom, peace, and faith. Equal measure is important because a lack of any one of these causes problems. And it's not up to just nations to practice this, but more so for individuals.
The film shows the affect hearing from the Almighty on one American family, the Smith family of Los Angeles. The Smiths are played by James Whitmore, Nancy Davis, and Gary Gray. Whitmore is an aircraft worker and Davis is quite pregnant with their second child.
Of course the film is made through an American Christian filter so to speak, that was the targeted audience back in the day. Yet it avoids any direct reference to Christianity or any other faith for that matter. It even says God is speaking to the ears listening behind the Iron Curtain, to places where His existence isn't acknowledged.
James Whitmore was supposed to be another Spencer Tracy for MGM and while his career never quite got that far it certainly has been lengthy and honorable. Nancy Davis of course opted for another career along with her husband. Both play well the parts of Mr.&Mrs. Average American, you'd never know there was a future First Lady in the cast.
The reactions to hearing from the Almighty himself run the gamut, in fact it does take a week to convince most it isn't some kind of gigantic hoax. Significant in 1950 that God uses the radio as His media outlet. Most families still did not have televisions. Good thing to because then the film would have had one huge casting problem.
Of course we never actually hear the Voice. When the first broadcast comes Davis and Gray are in the kitchen and Whitmore hears it in the living room. He comes back reporting on the strange thing that just happened and Davis remarks did it sound like Lionel Barrymore. I remember on All in the Family Archie Bunker once remarking God would sound like Bing Crosby. I suppose there are an infinite number of schools of thought there. We always get a report second hand on what the Voice has said.
The final message is I guess what encapsulates the interfaith message of the film is about. What this old world needs in equal measure is love, freedom, peace, and faith. Equal measure is important because a lack of any one of these causes problems. And it's not up to just nations to practice this, but more so for individuals.
Wow how did I ever miss this one? As many old movies as I've seen and still I find ones that surprise me. This is a very interesting film about a voice coming on the radio nightly saying it is the voice of God. Although the voice is heard by everybody, the movie centers on one family in particular, the Smiths. In the midst of the voice drama, Mary Smith (Nancy Davis) is pregnant and there's some concern about whether she will be able to deliver safely. This and some lesser issues the family has adds to the authenticity of these characters.
A story like this could easily slip into Corn City, but thankfully it's well-written. The family are played by good actors who make the characters seem like real people and not some of the more unfortunate cardboard stereotypes that would dominate 1950s portrayals of white suburban families. James Whitmore and Nancy Davis give two of the finest performances of their careers. The actor playing their son, Gary Gray, is excellent as well. The supporting players were solid also.
We never hear the voice of God. It's written in such a way they manage to skillfully avoid that. Very clever, I think. They relay what the voice said through others. It's also a seemingly non-denominational God, so if you're worried about a faith you don't believe in forcing their beliefs on you...relax. Although it could be argued it's a Judeo-Christian God, there's nothing preachy about it. I've read some complaints about the ending. Without giving too much away, I'll try to address this. The complaints seem to be that the movie sets up a premise that deserves a big payoff. I feel like these reviewers missed the point. The payoff, in my opinion, was appropriate and meaningful: that miracles happen everyday and we should learn to appreciate them.
This is a great film with a simple but thoughtful message. A good cast, a veteran director, and intelligent writing. A true underrated gem that everyone should see.
A story like this could easily slip into Corn City, but thankfully it's well-written. The family are played by good actors who make the characters seem like real people and not some of the more unfortunate cardboard stereotypes that would dominate 1950s portrayals of white suburban families. James Whitmore and Nancy Davis give two of the finest performances of their careers. The actor playing their son, Gary Gray, is excellent as well. The supporting players were solid also.
We never hear the voice of God. It's written in such a way they manage to skillfully avoid that. Very clever, I think. They relay what the voice said through others. It's also a seemingly non-denominational God, so if you're worried about a faith you don't believe in forcing their beliefs on you...relax. Although it could be argued it's a Judeo-Christian God, there's nothing preachy about it. I've read some complaints about the ending. Without giving too much away, I'll try to address this. The complaints seem to be that the movie sets up a premise that deserves a big payoff. I feel like these reviewers missed the point. The payoff, in my opinion, was appropriate and meaningful: that miracles happen everyday and we should learn to appreciate them.
This is a great film with a simple but thoughtful message. A good cast, a veteran director, and intelligent writing. A true underrated gem that everyone should see.
Next Voice You Hear..., The (1950)
** 1/2 (out of 4)
Interesting film about people across the world and how their lives change after they hear the voice of God on the radio. The film takes a look at the Joe Smith family with James Whitmore, Nancy Davis and Gary Gray. This is a rather offbeat film for director Wellman but he pulls it off pretty well and makes this a rather memorable religious film, although the screenplay isn't juicy enough to pull it off as a masterpiece. The performances are all very good with Whitmore stealing the film as the hard working dad who begins to rethink things after hearing the voice. I think one of the problems with the screenplay is that it centers on this one family a tad bit too much. There are scenes where large groups of people are debating about the voice and these moments are the best of the film and I wish there had been more. The film plays a lot like what we'd eventually see in a 'Twilight Zone' episode because the voice, a mysterious one, never comes out and says it's God but that's up to the viewer to debate just like the people in the film. I called the film a religious one but thankfully it never goes over the top with propaganda or tries to beat the viewer over the head with a message.
** 1/2 (out of 4)
Interesting film about people across the world and how their lives change after they hear the voice of God on the radio. The film takes a look at the Joe Smith family with James Whitmore, Nancy Davis and Gary Gray. This is a rather offbeat film for director Wellman but he pulls it off pretty well and makes this a rather memorable religious film, although the screenplay isn't juicy enough to pull it off as a masterpiece. The performances are all very good with Whitmore stealing the film as the hard working dad who begins to rethink things after hearing the voice. I think one of the problems with the screenplay is that it centers on this one family a tad bit too much. There are scenes where large groups of people are debating about the voice and these moments are the best of the film and I wish there had been more. The film plays a lot like what we'd eventually see in a 'Twilight Zone' episode because the voice, a mysterious one, never comes out and says it's God but that's up to the viewer to debate just like the people in the film. I called the film a religious one but thankfully it never goes over the top with propaganda or tries to beat the viewer over the head with a message.
God's voice is "The Next Voice You Hear," in a 1950 film starring James Whitmore, Nancy Davis, Gary Gray, and Tom D'Andrea. I saw this movie many, many years ago, and have read of it in recent years due in large part to the presence of our future First Lady. Nancy Davis was an attractive woman and a good actress - I'm certain she could be quite pretty and glamorous as in real life, but the film world cast her differently. Here she's very plain looking, with a pretty smile, and is supposed to have a baby due any second. In true Hollywood form, she looks like she's maybe three months along.
The story concerns that typical '50s family we saw on TV and read about though probably didn't live in - mom, dad, and a cute kid - who have different reactions when God starts speaking on the radio at 8:30 every evening. The Whitmore character seems to embrace its true spirit - let go and live - while his aunt's belief is fear-based, and his wife and child become frightened.
This is a lovely, simple story that some people will find very comforting and others will think is an annoying, preachy bore. I thought the acting somewhat lifted it. James Whitmore was the new Spencer Tracy but never rose above character roles; instead, even now, he enjoys a wonderful stage career. Here he's a man who gets hot and bothered over life's annoyances, hates his boss, but gradually learns a lesson about God's true message. The other performances are good, and the little boy is too cute for words. Always nice to see "Gillis" from "The Life of Riley," Tom D'Andrea, in a role.
This movie isn't for everyone, but if you have a spiritual leaning, you'll like it.
The story concerns that typical '50s family we saw on TV and read about though probably didn't live in - mom, dad, and a cute kid - who have different reactions when God starts speaking on the radio at 8:30 every evening. The Whitmore character seems to embrace its true spirit - let go and live - while his aunt's belief is fear-based, and his wife and child become frightened.
This is a lovely, simple story that some people will find very comforting and others will think is an annoying, preachy bore. I thought the acting somewhat lifted it. James Whitmore was the new Spencer Tracy but never rose above character roles; instead, even now, he enjoys a wonderful stage career. Here he's a man who gets hot and bothered over life's annoyances, hates his boss, but gradually learns a lesson about God's true message. The other performances are good, and the little boy is too cute for words. Always nice to see "Gillis" from "The Life of Riley," Tom D'Andrea, in a role.
This movie isn't for everyone, but if you have a spiritual leaning, you'll like it.
Wusstest du schon
- WissenswertesThis is apparently one of only three films in which the MGM lion is not shown roaring at the start of the opening credits, probably because of the religious theme of the film. The only other known incidence of a non-roaring lion is Ben Hur (1959), which also has a religious theme, and Karawane der Frauen (1951). (The studio's 2001 - Odyssee im Weltraum (1968) uses the illustrated lion from the MGM record label at its beginning, not a real lion, and so doesn't count.)
- PatzerWhen Joe and Johnny leave in the morning for work and school, the sun is shining on their house from the left, judging by the shadows. When Joe returns home from work, the sun and the shadows are the same. Note the shadow of Joe's house on the one next door to the right in both scenes.
- Zitate
Joe Smith, American: Would Eddie Boyle's voice sound like God?
Johnny Smith: I don't know. I never heard God.
- VerbindungenFeatured in MGM: When the Lion Roars: The Lion in Winter (1992)
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Details
Box Office
- Budget
- 421.000 $ (geschätzt)
- Laufzeit
- 1 Std. 23 Min.(83 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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