Füge eine Handlung in deiner Sprache hinzuBetty Grable and Dan Dailey are a married song and dance team who cannot have children. The movie follows the travails as they try and adopt and keep the kids they adopt while performing on ... Alles lesenBetty Grable and Dan Dailey are a married song and dance team who cannot have children. The movie follows the travails as they try and adopt and keep the kids they adopt while performing on their TV show.Betty Grable and Dan Dailey are a married song and dance team who cannot have children. The movie follows the travails as they try and adopt and keep the kids they adopt while performing on their TV show.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Harry Seymour
- Undetermined Minor Role
- (Gelöschte Szenen)
Robert R. Stephenson
- Undetermined Minor Role
- (Gelöschte Szenen)
Richard Allan
- Dancer
- (Nicht genannt)
Bill Baldwin
- Bill
- (Nicht genannt)
Jackie Barnett
- Minor Role
- (Nicht genannt)
Beth Belden
- Lady
- (Nicht genannt)
Georgie Billings
- Pageboy
- (Nicht genannt)
Conrad Binyon
- Elevator Boy
- (Nicht genannt)
Vicki Lee Blunt
- Jenny Pringle
- (Nicht genannt)
Empfohlene Bewertungen
I got this as part of a 'boxed set' of Grable films, all delightful in their own way. This one (1950) had a few surprises. As others noted, maybe the censors were tiring of policing every little phrase & hint of sensuality, such that it is clear that Betty & her husband are quite happy as intimate partners and are trying to make a baby. The costumes and dances later in the film are daring for the time period, but quite tame compared to post-2000 flicks (and even the Pre-code stuff before 1933).
The technicolor was a delight and the musical portions were terrific-Dailey was more than equal as a dance partner, but retained a 'goofy husband' look, so we never take Mimi Gaynor's crush on him very seriously. We also see the impact of early TV on the entertainment culture, so-called, as Producers struggled to find talent that could be showcased on the new medium.
The couple suffer setbacks as they try to start a family, and I worried the tale would descend into a teary melodrama. Not so. Just stick with the story. Things turn around quickly, and our beloved couple dance their way to a satisfying conclusion.
8/10.
The technicolor was a delight and the musical portions were terrific-Dailey was more than equal as a dance partner, but retained a 'goofy husband' look, so we never take Mimi Gaynor's crush on him very seriously. We also see the impact of early TV on the entertainment culture, so-called, as Producers struggled to find talent that could be showcased on the new medium.
The couple suffer setbacks as they try to start a family, and I worried the tale would descend into a teary melodrama. Not so. Just stick with the story. Things turn around quickly, and our beloved couple dance their way to a satisfying conclusion.
8/10.
Musicals wasn't my favorite genre but there are so many that offer an sexy appeal like this, Betty Grable was well-known for your fabulous legs and in this she show us in plenty shape, as a dramatic comedy wasn't enough funny, but the story is smart and fully interesting was musicals suggested, David Wayne had a good role and works well as supporting casting, Mitzi Gaynor in your first real debut is always unnoticed, the songs are outdated as well, so remains the great and sexy Betty Grable delivery all that can offer....what a pair of legs!!!
Resume
First watch: 2010 / How many: 2 / Source: DVD / Rating: 7
Resume
First watch: 2010 / How many: 2 / Source: DVD / Rating: 7
This film really isn't much. The performers are all agreeable, but the real star is the score by Harold Arlen and Ralph Blane. The lost gem is "Halloween", an Arlen waltz performed by Betty Grable, Dan Dailey, and David Wayne. Arlen did not write many waltzes. Only "When the Boys Come Home", "Sunday in Cisero Falls", and "Fancy Free" come to mind. This is a fine waltz with a witty lyric by Blane telling us that Irving Berlin forgot to write a song about "Halloween". "Don't Rock the Boat", Arlen's take on Calypso music, is also a winner. "Friendly Island" is a hilarious send up of Rodgers and Hammerstein's "South Pacific". Blane has never been so archly funny. Dailey even makes fun of Ezio Pinza's singing in this number. Aside from these numbers, "Mother Wore Tights" and "Call Me Mister" are superior Grable-Dailey films. Wayne gives us some comedy, but it is not enough to make the film sparkle.
Popular radio-program duo in New York City, a chummy married couple about to make that transition to television, have troubles adopting a baby. Colorful Betty Grable vehicle weighted down with musical chaos. Granted, "My Blue Heaven" is a 20th Century-Fox musical--and anyone going into it should rightfully expect lots of singing and hoofing--but here the story is far more substantial than the song numbers, which simply get in the way. Screenwriters Claude Binyon and Lamar Trotti, working from S.K. Lauren's story "Stork Don't Bring Babies", tentatively touch upon several topical issues (both satiric and dramatic) which are not explored with any depth. The sudden boom in television (and its impact on radio), the perils of a working mother who leaves her job to be with her child, and the reluctance of adoption agencies to assign babies with those "constantly divorcing" show-biz couples are all products for a satisfying comedy-drama. Grable and Dan Dailey are a lot of fun on the dance-floor, but this glossy product could actually use less pussyfooting around and more narrative heart. It's a feel-good movie, all right, but a picture for its time and not for the ages. **1/2 from ****
The songs and dances are wonderful! Kitty and Jack are actors so when they sing/perform there are scenery and wardrobes that go along with the songs, making it less like an ordinary "musical." The story itself is modern and realistic even for the time (like someone else mentioned some of the things they say may have been considered "risque.") If you like old movies or musicals, I recommend you find a way to see this! You'll never get these songs out of your head, and you probably wont want to either. A classic!
I grew up watching this movie over and over again. I wish that I could find another copy but it seems impossible. :( If any decides to release it again, let me know!
I grew up watching this movie over and over again. I wish that I could find another copy but it seems impossible. :( If any decides to release it again, let me know!
Wusstest du schon
- WissenswertesThe reason that Dan Dailey sings "Friendly Island" in such an odd voice is that he is making fun of Ezio Pinza the basso profundo opera star who was starring in the then current stage show "South Pacific".
- PatzerDuring the Cosmo Cosmetics number, all of the monitors in the television control room are in color. Expensive color sets would never have been used in a real TV control room, and in fact weren't even available in 1950.
- VerbindungenEdited from Die reizendsten Eltern der Welt (1947)
- SoundtracksMy Blue Heaven
Music by Walter Donaldson
Lyrics by George Whiting
Sung during the opening credits by Betty Grable, Dan Dailey and chorus
Danced by Betty Grable and Dan Dailey
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- La cigüeña se demora
- Drehorte
- Produktionsfirma
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- Laufzeit
- 1 Std. 36 Min.(96 min)
- Seitenverhältnis
- 1.37 : 1
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