Ma and Pa Kettle Go to Town

I wrote and gave you all the information that I wanted to have why isn't that that it is trying to go through I'll submitted it to you and I wanted to look at ma and Paul kettle back on the farm or going to town or whatever the ones they made and in life but you will not let me watch it all the apps I have downloaded will not let me see it you lied and said Pluto has it and Pluto don't I've been waiting to see it for the longest I am also been trying to see it but all every time I try something I either have to pay for it or give up money and all of the rent it or buy it and that is unnecessary when it still will not be mine to watch all the other old time favorite movies are the ones that still been seen on TV today and I can watch my favorite stars like Frank Sinatra Bob Hope and Johnny Mathis and all of them good people in the world and made history like Elizabeth Taylor David Doris Day and oh girl you just don't know it's just too much is going on help me watch Mom Paul kettle I would love to see.

Ma and Pa Kettle Go To Town seamlessly picks up where The Further Adventures of Ma and Pa Kettle leaves off. This is good and bad.

For someone familiar with the first two movie appearances of the Kettles the continuity is perfect. There are just enough recycled gags to reestablish the unique house the Kettles won in the prior film, but the majority of laughs come from the new situation of Ma and Pa unknowingly smuggling $100,000 in stolen money to New York. There is more development in the subplot of Tom Kettle and his efforts to develop a new incubator for chicken farmers, but it really takes a back burner in this movie.

I expected Jim Backus to be more comedic, but he played one of the crooks fairly straight. The situation was meant to be more funny than the actors.

There is still a fresh feeling to the Ma and Pa Kettle series in Ma and Pa Kettle Go To Town. Had I not seen the previous movie I may not have been able to understand why Ma and Pa Kettle lived in their futuristic house or why the kids were such devils. Go To Town was obviously meant for the audiences that had seen Further Adventures. As much as I liked this movie I would not suggest it as the first movie to see in the Ma and Pa Kettle series.

The first film in which the Ma & Pa Kettle characters appeared was the Claudette Colbert and Fred MacMurray film "The Egg & I". The popularity of these characters in the film led to Percy Kilbride and Marjorie Main repeating them in a series of amiable films. Oddly, however, the DVD for "The Egg & I" is accompanied by "Ma & Pa Kettle Go To Town" on the same side of the DVD--yet this other film is the third from the series, not the second! Because of this, you suddenly find the Kettles living in an ultra-modern suburban home instead of their dilapidated farm--and you only understand why as the story is explained through some exposition by the two leading characters! Why they decided not to put the second film ("Ma & Pa Kettle") following the first film is beyond me--especially since the third film picks up at the end of the second sequentially. And, by the way, on this double-sided disk, the ones on the other side are also NOT the second film!

The Kettles have won a trip to New York. It seems that Pa has once again entered a contest and this time his essay about Bubble-ola(a fictional soft drink) has been picked. However, how can Ma and

Pa go when they have a bazillion kids that need to someone to watch them--and the kids are wild! Now here is where the plot gets really contrived--a criminal (Charles McGraw) meets the Kettles and soon agrees to stay and care for the brood. Considering he's a swarthy looking mug, their believing he's a poet is ridiculous--as is Pa's agreeing to take a black bag with him to New York to give to the stranger's 'brother'.

Once in the city, the black bag is naturally lost and the criminals are quite worried. The Kettles have no idea that it isn't just some empty bag and just buy a new one--and plan on giving it to the supposed brother. However, every time they buy a bag, one of the crooks steals it--and so the Kettles keep buying more.

This is film reasonably funny but also a bit ridiculous. In fact, this and McGraw watching the kids all seem very hard to believe--like the writers were running low on ideas--and this is only the third film in the series! Because of the bizarre plot, the film just seems forced and the charm of some of their other films seems lacking here. The acting isn't bad--the the plot is just odd to say the least! And, the square dance ending is the epitome of weird! Overall, it's watchable but a disappointment.

Ma and Pa Kettle take New York City by storm when they visit their son and daughter-in-law and get mixed up. Ma and Pa Kettle were a popular film series. Marjorie Main and Percy Kilbride are ideal as Ma and Pa Kettle. They have fun in the big city from the their small Washington State farm. It's a family, fun and light-hearted film.

Although THE EGG AND I, which came before, introduced Ma and Pa Kettle (Marjorie Main/Percy Kilbride) to film audiences, this is the second of their series as principals. While residing in the modern home that the pair had won in their first solo adventure, Pa wins a trip for both to New York City, with their apparent only problem the locating of a babysitter for the 15 Kettle children, solved when Shotgun Mike Munger (Charles McGraw), a bank robber in search of a hideout is willing to take on this formidable assignment. The Kettles agree to deliver an empty bag belonging to Munger to his "brother" Louie (Gregg Martell) in Gotham, not realizing it contains $100,000 in stolen cash and the fun begins with gangsters tailing Pa and the police keeping a watch on the thugs, all while Shotgun Mike discovers the tribulations of dealing with a surfeit of wild Kettle offspring on the homestead. Veteran Charles Lamont, who wears the director's hat for most of the Kettle titles, is also at the helm of other series efforts for Universal, including several Abbott and Costello larks, and shows a sure hand at briskly moving this type of material. The reactions of the pair to big city life, widely different from their Pacific Northwest roots, forms the core of the comic scenes which comprise the bulk of this feature. Despite the defined character of the scenario, a string of episodic set pieces is primary, some of which are wonderfully funny, while nearly all work well in vaudeville fashion, especially for Kilbride and Main, with their portrayals and timing often borrowing from Laurel and Hardy. Sight gags are in generous supply, frequently presented apace so that the viewer must be alert for them amid the general hilarity. Richard Long acts as Tom Kettle, eldest of the brood, and he and his fiancee Kim (Meg Randall), both regulars of the series, are of particular assistance to their elders in this affair. The cast is well stocked with excellent character performers, notable among them being Martell as the leader of Munger's henchmen, along with Jim Backus as another bandit, and also present are Ray Collins, Bert Freed, Ellen Corby, Emory Parnell and Olan Soule. Special photography by David Horsley adds impact to a comedy that is completely light-hearted, one of the best of the Kettle series.