Let's Dance

I grew up on this movie, so I may be a little biased, but... The characters are genuine and their needs believable. The heroine is driven from the home of her son's overbearing grandmother and into the nightclub scene - which is wholesome and romantic because it's the fifties. There, she earns her keep and finds the most loyal friends a girl could ever want. In her flirty roles of cigarette girl and singer, she has a run-in with the love of her life and the perfect, singer-dancer dad for her little boy. By the end, if you are not too cynical, you will be rooting for the lovers to hop onto the 'Love Boat' and ride downstream together.

This is another example of how entertaining movies could be! I loved seeing Betty with Fred, and it sure made me realize that Astaire was much more than a dancer. The affection between the two stars is apparent at every turn and you could actually imagine that they could have been a couple in real life. I loved the fact that this time Betty is a 'Mom' and the child who plays her son is a delight. The story line is nothing new, but the songs and the dancing is fantastic. As with movies from this era, the supporting cast is just wonderful and I loved seeing Ruth Warwick, what a beauty! She was another underrated actress of the time. The clothes are beautiful and best of all the whole family can sit and watch! If you enjoy the musical comedies of the golden age of Hollywood, than don't pass this one by-

I don't know what movie others are watching BUT! Just watch the opening number and you can see the chemistry between Astaire and Hutton! Them dudes will blow you away at how original it is and I do not see anyone doing this number today. Sure it's not hard drama but Astaire movies usually are not meant to be so. Astaire is and will be one of the greatest dancers ever! Not my opinion but fact. Perhaps those who trash this movie just like it because Hutton has top billing, coming off her success in Annie get your gun. Your either a Hutton fan or not and for me this is one of those hidden jems! Watch it and judge for yourself and at a very reasonable price on a certain jungle site it is worth the money! TRUST ME!

Let's Dance finds Fred Astaire teamed with Betty Hutton professionally in an act. And the plot of the story revolves around Astaire trying to make it a romantic partnership as well.

In fact he announces to the audience at a USO show during World War II that he'd like to marry his partner. Small problem though Hutton tells Astaire in the dressing room. She's already slightly married some months earlier in a whirlwind romance. The act gets broken up as well.

Flash forward to five years later. Hutton is a war widow raising her young son Gregory Moffett in some affluent Boston surroundings presided over by her husband's mother Lucile Watson. Watson is a wealthy WASP dowager who's just about gotten used to the fact that her son married an entertainer, but she insists that her grand kid be raised as a proper Bostonian. Not for Betty who's bored stiff with polite society. She takes off with Moffett.

In New York she hooks up again with Fred, but it's romantic rocky road with a couple of detours for Fred it's Ruth Warrick and for Betty, Sheppard Strudwick.

I don't think that there was any surprise that there was no demand for the return of the team of Astaire and Hutton. They perform their numbers well although I agree with other reviewers that the film is tilted for Betty from the gitgo. The fact that this was her home studio of Paramount no doubt helped there. I do agree that composer Frank Loesser having dealt with Betty before wrote for her. He had already given her I Wish I Didn't Love You So from The Perils of Pauline. Loesser himself was getting his songwriting career into high gear. He had just had a big Broadway smash in Where's Charley and would the following year have his biggest hit of all with Guys and Dolls.

Nothing here was nominated for an Academy Award. Can't Stop Talking About Him is Betty's best number, definitely in her style. Fred looks a little silly trying to keep up with her. He's shown to best advantage in the piano dance, dancing on a Steinway and in a hoedown western style dance number with Betty in Them Dudes Were Doing Our Dance.

Some interesting casting here. Two guys who usually were villains in films play good guys with Barton MacLane as the gruff, but kindly club owner where Astaire and Hutton are playing and George Zucco as the judge before whom the custody battle is fought. Lucile Watson is her usual imperious self and has a crack legal team at her disposal with Roland Young and Melville Cooper.

Let's Dance was a good film for Betty Hutton. It didn't do too much for Fred Astaire however.

Maybe this film was never going to pick up an Oscar, but for plain entertainment value it's pretty hard to beat. You've got to remember that this film is over fifty years old and, although the quality of the video is very good, they did things a little differently back then. What was funny or topical at that time might well go over our heads today. The plot isn't gripping, but it will keep you amused, and the film really buzzes in places. Astaire dances to his usual excellent standard, with some unusual and snappy routines, but for the first time, he really has to compete for the stage with his partner. Miss Hutton not only keeps up with Astaire, she actually manages to upstage the 'Master' in the dance routines. You'll have to watch the film four or five times before you start to look at Astaire when they dance together. Betty Hutton is totally magnetic; you can't stop watching her for a moment. Although she may not have quite the technical abilities of some of Astaire's previous partners, she more than makes up for that with her enthusiasm and dynamic personality. It's like tossing a grenade into a vat of champagne - an explosion of sparkle and fizz. And make no mistake about it...That gal can dance! Well worth seeing.